Title Cards For A 3-part Gondolin Podcast Special

Some of my Wicked the Musical :Act 2 drawings plus the extra scenes. 

I don’t think that I will be able to finish the act 2 of this version. I just lost my drawing files because my external hard drive got broken few weeks ago. Still trying to find a way to recover the files but I’m already working on the newer versions of my first batch of act 1. well, life goes on~ 

thinking about atla thematics as usual and fascinated by how many fans insist they wanted aang to “grow up” more at the end of the series without considering how one of the show’s major themes is the terrible ways war and imperialism rob people of their childhoods. one of aang’s major gifts to every single character is restoring a piece of their lost or stolen or brutalized childhood. aang reminds katara there’s still joy in the world, and fuels her hope.

he brings wonder to sokka’s life with his flying bison. he sees zuko not as a terrifying enemy but as a boy he might have been friends with and had fun with, he offers toph a way out of her repressive home to have the adventures she’d been longing for, and all these characters rise to fulfill their destinies through honoring their inner child - the parts of themselves that are hopeful, kind, gentle, fierce, innocent, deserving of protection - and breaking the cycles of violence and abuse that interrupted their childhoods. azula was convinced she had no need for her inner child, and killed aang in cold blood in ba sing se, after which she slowly but surely lost everything she cared about, including her sense of self.

and finally, aang shows ozai mercy, thematically reminding the latter that the children he tried to kill and brutalize are a force capable of rising above petty violence, and reshaping the world. you could even argue that the original rupture in the mythos was when both sozin and the air nation sought to rob a child of their right to childhood - sozin by hunting a child, the air nomads by hastening aang out of his childhood so he could help them - and that balance is restored when aang, who represents the world’s lost gentleness and mercy, and upholds values that a war torn world regards as “childish” and “immature”, manages to end the war with a gesture that honors those values and affirms everyone’s right to a safe and loving childhood, to a life free of violence.

The Walking Dead Variant Covers

@pscentral​ event 36: trios alec hardison & eliot spencer & parker

look, I know it’s not the same thing but hardison and I are gonna be here for you forever.

George R.R. Martin: dragons are huge ferocious beasts who answer to a master  

Tolkien: dragons are annoying, talking assholes

posting all of these kids together again because that’s how decisive i am

Rogue One: A Star Wars Story + wolfpupy 

I feel as though this is very important

I think the problem is that on both sides of fandom, the concept of a “redemption arc” has gotten twisted to a point where it’s basically meaningless.

See, a lot of the time when the woobifiers say they want a “redemption arc” for their fave, they don’t mean that they want that character to have to face the awfulness of what they’ve done or put any actual effort into changing or face any real consequences. They basically mean that they want the good guys to realize to realize their fave wasn’t so bad all along and have them hug it all out or something, with maybe a token nod to the villain feeling regret, but nothing that really holds them accountable.

So of course if you’re thinking of “redemption” that way, you’re going to have people on the other side saying “This character doesn’t deserve redemption! They’ve done awful things!” Because yeah, they don’t deserve unconditional forgiveness and support from the heroes. They don’t deserve to have the slate magically wiped clean as if all the bad things they did never happened. But that was never supposed to be what a redemption arc was about. Real redemption is long and messy and hard, and it takes a really good writer to pull a proper redemption off. But when it is done right, it’s not about letting the villain off the hook - it’s exactly the opposite.

Beautiful

OMG http://andrewryanart.deviantart.com/gallery/?offset=0

A hero in more ways than one