Blackdrago96 - Just On To See The World

Yeah, both are great

i mean, why not????

op has once again become a desperate, needy little kitten in heat. like to give it praise, reblog to degrade it, do both to bite/slap/spank/scratch it’s pretty body

I think many people have a fundamentally wrong idea of how CNC play is supposed to work.

To fit the season we are in I’ll describe CNC as the haunted house of kinky play.

In a haunted house the point is to be surprised and scared. You don’t know what is going to await you in each room and we suspend belief for a bit to pretend that these monsters are real, there is some real danger.

But under that is an agreement we make when we enter the haunted house. The actors won’t hurt us, the gore and monsters aren’t real. The people inside are going to try to scare you but if they see you aren’t having a good time they will back off.

It’s the same with CNC play. It’s something that should be done with someone you know well and who knows you even better.

It’s a blanket of consent that allows the submissive to lose themselves in the experience. To not have to constantly be checked in on over and over by their dom because their dom already knows their limits well, and how hard to push them, and can read very well when they stop having a good time and stop.

It’s a chance to explore scenarios where you wouldn’t actually want to be in. It’s the fun of someone pretending to kidnap you but you know deep down you are safe. It’s the fun of playing with multiple partners like you are being overcome against your will but the whole group is in on your limits and desires and is facilitating that for you.

CNC is never supposed to be to abuse someone. Or have an opportunity to hurt someone without their consent. It’s play, a show, an experience that’s a bit deeper and more involved than your ordinary sexual encounters. But it’s always for the enjoyment of both the dom and sub to fulfill their fantasies in a way that is always safe and consensual.

Jose Maria Velasco - Cardon

Jose Maria Velasco - Cardon (Detail)

Jose Maria Velasco - The Collegiate Church of Guadalupe (La Colegiata de Guadalupe) - 1859

Jose Maria Velasco - Valley of Mexico

José María Tranquilino Francisco de Jesús Velasco Gómez Obregón, generally known as José María Velasco, (Temascalcingo, 6 July 1840 – Mexico City, 26 August 1912) was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned.

Jose Maria Velasco - Valley of Mexico from the Tepeyac (Valle de México desde el Tepeyac)

José María Velasco - 'Oceano Atlántico' - 1889

Jose Maria Velasco - Tree of the Night of Sorrows (Árbol de la Noche de los Dolores)

José María Velasco - Ideal Territory

José María Velasco - Oaxaca Cathedral

José María Velasco - El Puente de San Antonio en el camino de San Ángel junto a Panzacola, (The San Antonio Bridge on the San Ángel road next to Panzacola) - 1855

oh uh. scuse me. just a lil snail crossing your dash

Reblog for an Unfiltered Tit Pic🖤🖤