Get Thee Behind Me, Satan by Ilya Repin (1844-1930). Study.
Caryatid
The upper part of one of the caryatids that flanked the Lesser Propylaea of the sanctuary of Demeter and Kore at Eleusis. The caryatid was made in Attica in about 50 B.C. Eleusis Museum, Greece
St. Michael and the dragon
While this took me a whole lot of time to finish, I am very pleased with the end result, both compositionally and in regard to the colour scheme.
The idea for the ornate, white armour in particular came from an illustration of St. Michael in the book of hours of Henry IV of France, which looks like this:
Also, fun-fact: my hometown celebrates an annual little festival, which as its centre piece features a moving mechanical figure of St. Michael slaying the devil, the colour-scheme of which I also referenced for this painting.
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Close-ups:
genuinely people act like working with both angels (and other similar figures) and demons is some sort of almighty wrong for both parties
but may i gently suggest that they're less about being at each other's throats all the time and more about understanding that someone's spirituality can be extremely complex?
idk, i genuinely believe both demons and angels are above the idea of "pick a side". if someone wants to work with angels and demons, i don't think it's going to be this almighty attack on who they work with
you really don't have to complicate things any further than saying a person can work with two different entities. whether it's angels, demons, saints, gods, spirits... they're not gonna hate you for working with two or more different kinds of spirits out there. they really aren't.
Matthias Stom (1600 – 1652)
The Incredulity of Saint Thomas (detail) 1640–1649