Rules: Pick one of your favourite characters from any fandom, and explain what drink you think they'd be! (Any drink at all, it doesn't have to be one you drink personally :))
I thought I'd start a silly game today! My pick is Aethelstan from The Last Kingdom!
Can be a bit too sweet for some, but very addictive if ordered too much.
Hints of spice, but ultimately overpowered by the cream (wink).
Looks delicious in orange.
Cold enough to make you weep, but seriously rewarding.
Hauntingly beautiful (for Halloween).
I realize I structured this like a dating advert 🤣🤣
No pressure tags: @jayalover @lancedoncrimsonwings @grinningkatz @waterfallsilverberrywrites @book-and-music-lover
@lord-aldhelm @errruvande @thenameswinter99 @whitedarkmoonflower @persephones-journey
@paula-in-dreamland @redacted-thething @corktheauthor
Mandatory 1 year anniversary / #SaveCursed art.
Excuse me- WHAT?! can someone explain me this, please
Remember when Gawain saved the Sun from a demon?
â•° Sighing
Not just “he sighed.” That’s lazy. Give us the why behind the air. Is it the kind of sigh that deflates their whole chest, like they’ve been holding the world on their lungs? Or one sharp exhale through the nose, all frustration and fed-up energy? Maybe it’s quiet—barely audible. Maybe they don’t even realize they’re doing it. But the room shifts a little when they do. Sighs can mean “I give up,” or “finally,” or “not this sh*t again.” Just depends on what’s dragging at their ribs.
â•° Shivering
This isn’t just about cold. A character can shiver in a warm room if they’re scared enough. Maybe their skin prickles before it starts, like tiny goosebumps racing up their arms. Maybe it hits in a full-body tremble, their breath catching like something primal in them just screamed “danger.” Or maybe it’s subtle, like a soft internal quake they’re trying not to show. It’s the kind of movement that betrays the truth they won’t say out loud.
â•° Trembling Hands
Shaking hands are so intimate. They’re not dramatic—they’re revealing. It’s the way their fingers fumble to light a cigarette. The way they have to tuck their hands under their thighs so no one sees. Maybe they keep reaching for the glass but can’t quite get a grip. Or maybe they do grip and the tremor runs through the whole glass like a warning. It’s not about the shake. It’s about the fact they wish they weren’t shaking at all.
â•° Clenching Fists
This one? Its tension incarnate. And it doesn’t always mean someone’s about to punch something. Sometimes they ball their fists just to keep from crying. Or because they’re trying so hard not to say something they’ll regret. Look for the subtleties: white knuckles, nails digging into palms, fists flexing open and closed like they’re trying to wring out emotion. It’s control. Rage. Determination. Or the act of stuffing all that inside a cage of fingers.
â•° Biting Nails
It’s more than “they’re nervous.” It’s compulsion. Habit. A survival tic. They might not even realize they’re doing it—just fingers to mouth, chewing down without looking, like their body’s trying to chew through the waiting. Maybe their nails are ragged. Maybe they flinch when they bite too deep. Maybe it’s the sound, the soft click of teeth and nail in a dead-silent room. It’s vulnerability dressed up as fidgeting.
â•° Tapping Fingers
This is the soundtrack of a restless mind. Is the rhythm sharp? Fast? Jittery? Are they tapping with one finger like a countdown—or all five, like a rainstorm on the table? They might not even notice. But other people do. Someone asks them to stop, and they bristle. Or they stop mid-tap when someone says the wrong thing, and that silence? That silence is loud. Tapping fingers are rarely idle. They’re keeping time with the character’s thoughts.
â•° Pacing
Pacing isn’t just walking back and forth—it’s the body trying to outrun a thought. They stand. They sit. They stand again. They move because stillness feels like being buried alive. Maybe their footsteps are soft, barefoot across carpet. Or hard-soled and echoing through a hallway like a threat. Maybe they walk a perfect loop, over and over. Maybe it’s erratic, jerking toward the door, away, toward again. Their mind is spinning, and their body’s just trying to keep up.
â•° Slumping Shoulders
This isn’t just a posture change—it’s the moment the weight wins. Shoulders that sag say “I lost.” Or “I’m done.” Or “Please don’t ask me to care anymore.” Maybe they slump in a chair and stare at the floor. Maybe they’re standing, but something in them folds anyway. Their spine’s still straight, but their shoulders fall like scaffolding giving way.
â•° Tilting Head
Simple movement—loaded meaning. They tilt their head when someone says something that doesn’t quite click. Or when they’re trying to listen harder, like angling their body will help them hear the truth under the words. Maybe the tilt is sharp and skeptical, like “You sure about that?” Or soft and curious, like “I’m trying to understand.” Or just a little too slow, too drawn out—like a predator sizing up prey. It’s instinctual. And it always means they’re paying attention.
â•° Rubbing Temples
This one screams I’m trying to hold it together. It might be frustration. Migraine. Bone-deep exhaustion. They press fingers to their temples like they’re physically trying to squash the problem before it leaks further into their head. Maybe their fingers circle gently, trying to soothe themselves. Maybe it’s two fingers, firm pressure, eyes closed, jaw clenched. It’s the gesture of someone whose brain won’t shut up—and whose body knows it.
Lancelot by James Bridie | More quotes at Arthuriana Daily
Saw a post talking about how interesting it is that a large amount of the whump community (here on tumblr, at least) is asexual.
Immediately after that on my dash was a post joking about “geez what do asexuals do with all the time and energy they dont spend yearning”
Well we use that time and energy for torturing fictional characters, apparently
Please, ladies, gentlemen and chaos alive (non binary), take your weapons and chose your victim. The victim must be specifically Julius Caesar or Donald Trump.
Please reblog to make sure everyone is equipped!
Daniel Sharman is a Doberman and you can't convince me otherwise.
I
See
No
Diference
Okay then, this is the drawing I did as a test for the Weeping monk's face. The drawing isn't that good because I'm not very good at drawing faces and also because it's a test drawing so I wasn't that worried about how well it would turn out or not.
The proportions are wrong; the eyes are the wrong shape and have no pupils, and the tears are worse; the mouth looks weird; I don't like the beard; he's bald; It's definitely one of the drafts I liked the least, but I'll let it go because I did it at dawn surviving on coffee.
220 posts