There’s A Lot Of Bullshit Lennon/mccartney Quotes Out There, Misattributed By Biases In Biographers

Ed Sullivan gives The Beatles a message from Richard Rodgers on The Ed Sullivan Show in Miami, 16th February 1964

Paul McCartney discusses the design for Sgt Pepper with Mike Read in an interview for BBC Radio 1 (broadcast 1989)

PAUL: See I always hark back, when I'm making a record, in my mind, to me - in Liverpool I used to get on the bus, Saturday morning, go down to this big department store called Lewis's, go in the record department, get my record, that was a big favourite I'd been saving up for, get on the bus, upstairs on the bus, and unwrap it. And then I had a half hour to look at it. I couldn't play it, but I could look at it, and read the sleeve note and look at the pictures and everything. So I knew that other people would be doing that kind of thing so we designed Pepper with that in mind, you know, the person who's just been to his version of Lewis's, he's got that half hour to go home. So we'll give him masses, he could look at this one for months, you know, because after all its only cardboard and it really doesn't cost more to put a complicated picture on than it does just to put a picture of an orange, or something. READ: Of course Brian Epstein's idea was it being brown paper bags. PAUL: Well Brian was very keen on the album, we'd played it [for] him once it was all finished out at George's house. He was very sort of flamboyant [Brian impression] 'Oh! It's wonderful.' He really loved it, you know, he did this big, theatrical [Brian impression] 'Oh it's a wonderful album!' And we said 'Well we're still thinking about the cover, you know, we can't quite decide how to do the cover.' He said [Brian impression] 'Put a brown paper bag on it, it doesn't matter. It's so wonderful.'

what if I just jump off a bridge

You know, these people like Eastman and Dick James and people like that, think that I’m an idiot. They really can’t see me; they think I’m some kind of guy who got struck lucky, a pal of Paul’s or something…

(John Lennon, December 1970, interview with Jann Wenner for Rolling Stone)

Don't want your love anymore Don't want your kiss, that's for sure I die each time I hear your name Here she comes, Cathy's clown

Pages from Klaus Voormann's ICONIC – The Graphic Novel of The Beatles Revolver Cover Artwork

In The Beatles, we’d always had this running joke: “What are we going to do when the bubble bursts?” Then it did burst and I went up to my farm in Scotland, wondering what the hell I was going to do next. I seriously thought about giving up music altogether.

(Paul McCartney, July 2004, interview with Jon Wilde for UNCUT)

PLAYBOY: But in the last ten years you’ve never wondered if it [music] might not come as easily, as naturally again as it once did? LENNON: Sure I have. I thought, Maybe that’s it. Maybe music’s over. I mean, I was preparing not to make any music again…

(John Lennon, 1980, All We Are Saying, David Sheff)

On the cover of Tan magazine, September 1965. (Featuring a photo of The Beatles with Mary Wells in October 1964.)

“I’d never really heard Marvin Gaye, The Miracles and all that until George played me the records up in their flat [on London’s Green Street] and they absolutely blew me away. I then went on a sort of crusade for Motown!” - Tony Hall, The Beatles: The BBC Archives

Cathy McGowan: “What records do you like, other than your own?” George Harrison: “All the Motown Tamla records, Mary Wells, Miracles, Marvin Gaye, Impressions, all that crowd.” - Ready, Steady, Go!, March 20, 1964

“[The music] that we play at home — like Mary Wells, Miracles and not to mention Marvin Gaye.” - George Harrison, BBC’s Public Ear, January 12, 1964

“Tamla Motown artists are our favorites. The Miracles, The Impressions, Marvin Gaye, Mary Wells, The Exciters.” - George Harrison, The Beatles’ Detroit press conference, September 6, 1964

“That boy George — he’s very quiet, but he’s cute.” - Mary Wells, Melody Maker, November 7, 1964

“Labeling the various members of the Beatles, Mary [Wells] recalled that Paul McCartney is the ‘real life of any party; Ringo Starr is a complete clown; George Harrison is kind of on the quiet side; and John Lennon is more of a businessman than the other three and he’s the toughest one to get to know.’” - Tan, September 1965

“The Beatles — who were always among Mary’s very early fans — are now her own favorites. She thinks they are very adorable and feels dreadfully sorry for them. ‘You have no idea how surrounded they are. There’s always someone wanting them. Their lives are certainly not their own. You know sometimes Paul or George will come into my dressing room and play a couple of records and then leave again.’” - Disc, October 31, 1964 (x)

When my uncle told Lennon that I was born near Frankfurt, the son of a Jewish-American father and a German-Protestant mother, John quipped that I was lucky to belong to both the Chosen People and the Master Race. He then began peppering me with German phrases he remembered from his early days in the red-light district of Hamburg with the Beatles, for instance: “Um zweiundzwanzig Uhr müssen alle Jugendliche den Saal verlassen” – At 10:00 p.m. all minors must leave the premises – and “Ficken, lecken, blasen!” – fuck, suck, blow.

John Lennon: Living on Borrowed Time, Frederic Seaman (1991)

“George was younger, the little one. He was very sweet, with his little tooth and the cocky songs he was singing. He was really cute, and was an essential part of the team. When all of them were harmonising together was incredible!”

— Klaus Voormann, “Hamburg Days” (1999)

“When he has that funny grin on his face, so that his little Dracula-tooth was showing — that was it! There he was, this little cocky underage boy singing cocky little songs like “C[‘mon] every body” or Joe Brown’s “I’m [Hen]ery the eight[h], I am” and then he played his little guitar solos, unmistakable George, nearly breaking his fingers on this cheap guitar, he hated so much. He couldn’t wait to earn enough money, to at long last be able to buy an expensive guitar. So when he got his first Grets[c]h, he proudly showed it to everybody. 1971 George let me have this Guitar. I loved it. Finally I had to give it back to him, which I think is perfectly right. He gave me a beautiful tel[e]caster as a replacement. Ain’t that great?”

— Klaus Voormann, “Hamburg Days” (1999)

“…George grinned his cheeky, crooked boyish grin beneath his thick brown head of hair. He was irresistible, and not just for the girls.”

— Klaus Voormann, on the first time he saw The Beatles; translated from “Warum spielst du Imagine nicht auf dem weißen Klavier, John?” (2003)