vintage girls + dinosaurs 🎀 🦕
A new series of illustrations I’m working on ☺️
Cartoon Time
Bonding
The Entertainers
What a Saint
It's a Scandal
Dinner Time
Mail Trail
Hair Care
Who's In Charge?
So Saucy
Double Up
Battle Ground
Theatre Time
Spaced Out
Art Attack
Bird Watching
In a Stew
Step to It
Can You Speak…?
Machine Mayhem
currently obsessed with the theme/trope of history is repeating itself. how could it not? it was always going to be this way.
alternatives to popular tropes
⇴ siblings's worst enemy
they're your sibling's enemy, so of course they're yours too. they're despicable and you seriously want them dead. luckily for you, the feeling's mutual.
⇴ struggling ceo and their know-it-all office worker
how did this mf become the ceo of one of the most progressive countries in the world?? they're clueless and you're the one that has to fix all their mistakes. you seriously don't get paid enough for this (unless they can come up with another way to pay you).
⇴ marriage of inconvenience
what happens in vegas stays in vegas. except when you've signed an official marriage contract, and everything is so much more complicated before. now this person is stuck with you until you can divorce! (or will you?)
⇴ forbidden hate
your parents absolutely adore the idea of the two of you together. they have wedding pinterest boards, future plans, and baby names for the two of you. only one thing: you two kinda hate each other, and hell would have to freeze over before you'd ever get with them.
⇴ no more second chances
sorry dude! f'ed up really bad the first time, and now you're not giving anymore chances, and your ex has to deal with the consequences. one problem: they can't deal with the consequences bc they're literally in love with you. hm. just what will this person do to get you back?
⇴ not so secret identity
everyone knows who they are. not even the old mask and hat trick could prevent people from identifying them. and it's fine–they absolutely bask in the fame. one problem though: they're a constant target to the entire world. perfect!
⇴ separated from each other
they never get any alone time. alone together in an elevator? too bad, a party of ten just showed up, pushing the two of you on the opposite side of the elevator. finally alone at home? nope! unfortunately, your friends make a surprise visit! oh how will you two ever get past this?
⇴ "you deserved it."
a normal person would've asked "who did this to you?" except your bond is not normal. not in the slightest. i mean seriously, what does this person want from you?
⇴ "i can't have you, so i'll let someone else take my place."
they know that they're not good enough for you, and that you deserve someone better than them. so, they choose to let you go, and hope that someone else can make your world light up like they used to
⇴ the one that is still here
everywhere you go, this person is there. whether it's physically, mentally, or spiritually, everything ties back to them. everything reminds you of them. you couldn't even escape if you tried.
⇴ playboy but he's actually a nerd that cannot get play
he's gorgeous–he's the most attractive man you think you've ever seen in your life. you think he's probably got it all–girls or boys coming up to him nonstop. only, that's not true in the slightest. somehow, he's managed to fumble every single time.
⇴ nobody wants the bad boy
he's troubled. there are rumors of him starting fights 24/7, and he lives in a bad area. he could really fuck someone up. nobody wants him.
⇴ "you must be delusional"
lovers that know that they're in love with each other, but when admitting it to their friends, they shut down their feelings.
⇴ loving someone to save them
none of that breaking up nonsense. love is power. their love and support causes you to be stronger than ever. knowing that there's love out there gives you a reason to keep on going. love saves you.
⇴ too smart to live
you've outdone yourself this time. bypassed every guard, rule, and law without anyone catching you. so, of course, there's only one solution here: to eliminate you.
⇴ different worlds (revised)
you grew up poor while they grew up rich. now, in the present, you are the more successful one, while they are struggling to get their life together. now, you must help the one who used to be in your current position, and fix things together.
⇴ one-sided blind date
rule one of having a blind date: you should not know who you're meeting. well, too late! you sneaked a peek at your friend's phone and found out who you'll be seeing soon. now, you're scrambling to get out of this date because you know exactly who it is.
snoopy reads a timeless classic!!
Over the years I’ve created some twitter threads on writing and history and I’ve decided it’s a good time to start compiling and sharing them on this Tumblr. I’m going to tag them “writing”.
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Here’s what I’ve learned about writing subplot romance. (People who write genre romance probably already know this stuff. It’s those of us who are mainly leavening romantic subplots into fantasy novels that need this info).
1. Romance = fundamentally character-driven. All internal conflict & internal growth. (Can these two trust each other? Will their character flaws drive them apart?) The more study you put into creating characters and building character arcs, the better your romantic writing.
A romance arc is not the SAME as a character arc, but it 100% NEEDS solid character work undergirding it.
2. Romance needs two ingredients: a compelling reason for the characters to be TOGETHER, & a compelling reason for them to be APART. This forms the conflict in the romance so do not skimp on either.
Eg, a common mistake in male-penned stories: female lead has no compelling reason to want male lead. “He’s a good-looking warrior dedicated to winning her throne!” Yeah nah, she’s literally surrounded by good-looking warriors dedicated to winning her throne, why’s he different?
3. Romance needs chemistry = a believable spark of attraction. Something that blew my mind when I realised it: romantic chemistry =/= sexual chemistry. Sexual chemistry (purely physical attraction) is simply PART of romantic chemistry.
Romantic chemistry is a good deal broader. (Read/watch some good romances to see how chemistry is built by different storytellers. One fave of mine is the Romola Garai EMMA. Peerless friends-to-lovers chemistry. Watch the actors’ body language; the way they gravitate to each other; the way their faces light up)
Chemistry tip A: if the driver behind sexual chemistry is lust, the driver behind romantic chemistry is trust. Protag needs/wants someone to trust. It’s the way you play with trust/distrust that will create romantic tension.
eg: love interest holds protag’s hand. With sexual chemistry, protag simply feels a jolt at the contact. With romantic chemistry, protag feels comforted and trustful - then betrayed when it turns out LI is tracking her pulse to see if she’s lying to him (see: MISS SHARP 😇)
Chemistry tip B: if protag is falling for someone, that person should occupy their mind. LI should be mentioned/thought of each scene, even when absent. When present: LI consistently provokes unaccustomed emotion - either positive or negative, depending.
Chemistry tip C: make the characters their best/most lovable/most iconic selves when with each other. Quirkiness, smarts, hilarity. Make these the most fun character scenes in the book & the audience will ship them. Passionately.
4. Build romantic chemistry/attraction through escalating moments of trust and tension. If aiming for happily-ever-after(HEA)/for-now(HFN), then the overall arc is towards greater trust, but you need those moments of tension to give the big payoff scenes appropriate catharsis.
OTOH, if you’re writing a tragic/backstabby romance, you need the trust/comfort moments in order to sell the big tragedy/betrayal.
5. Trust, comfort, & happiness are POWERFUL. This is what genre romance thrives upon. Even in dark/spiky stories, the most surprising thing in the story can be the moment when the LI DOESN’T betray the protag. That too can be wildly cathartic. Use it.
6. Just as character-driven skills help you with romance, so if you master romantic writing, you’ll be better able to write ALL types of relationship - platonic, friendly, hostile.
OK that’s all so far. Two book recs: ROMANCING THE BEAT by Gwen Hayes & THE HEROINE’S JOURNEY by Gail Carriger teach you the rules/expectations of genre romance so you’ll know what the rules are for a happy romance subplot & how to break them for a tragic version.