๐๐ ๐ หโง โหส
preacher's sons!artrick who have known each other since they were kids, attending the same sunday school, sharing pews every weekend, running around at the potlucks after service
preacher's sons!artrick who were raised together but who couldn't be more different today
preacher's sons!art who is a true believer, pure and innocent and good, who wants to follow in his father's footsteps and inspire a community in His name
preacher's son!patrick who rebels against the stifling expectations of his parents and the church, who smokes and drinks and is an unabashed flirt (a little bit of a slut)
preacher's son!art who proudly wears the gold cross around his neck and the purity ring on his finger and has bible passages memorized for any situation
preacher's son!patrick who wears his gold cross more out of habit or fashion than anything, plus he likes the way it dangles in the face of whoever he's fucking
preacher's son!art whose father asked him to help patrick, to bring him home to the light, and who's determined to make sure he'll be Saved
preacher's son!patrick who is just as determined to corrupt angelic little artie, who coaxes him into trying his first cigarette and whose touches get less and less innocent so quickly
preacher's son!art who's so confused about how to feel about patrick, someone who he was boys with but who has strayed so far from the flock, he prays every night for guidance until it just turns into his thoughts wandering to patrick's hair and eyes and the feeling of his skin...
preacher's son!patrick who is still dragged into that front pew every sunday, but it's much more entertaining now that he can sit a little extra uncomfortably close to art and run his hand up his leg so slow it could be played off it weren't for art's bright red face
preacher's son!art who still insists he only likes girls, but the one time he stopped by patrick's house and he heard him fucking some girl he didn't know through the door, the only thing he could focus on were the grunts and groans of effort he recognized in patrick's timbre
preacher's son!patrick who pins art down to the mattress when they're supposed to be studying bible verses to pry that ring off his finger just to see the way he reacts, flushed and trying so hard to be angry, demanding he give it back but patrick just argues that he should be better at protecting something so sacred as his purity
preacher's son!art who begs patrick to come see him speak at the youth service only for him to sit right in the front row in jeans and a mostly unbuttoned polo with the gold cross and shit eating smirk glinting back at him and making him all flustered in front of the congregation (he doesn't ask again but patrick still comes every time he speaks, the one time he doesn't have to be dragged into a pew nowadays)
Headcanon in which Doctor Strange from the universe 838 hovered on the verge of Elysium and Asphodel for his actions, in addition, he lost almost all his memory and, wandering around in the form of an ephemeral being, unsuccessfully tries to remember who he was before he entered the afterlife. ๐ฆ
โNo,โ Tony shakes his head, โWeโre not doing this.โ
โDoing what!?โ Peter demands, exasperated, โWhat is it that we cannot do?โ
โThis, us,โ Tony sighs, โKid, you have to understand. Iโm not made for you. Youโre meant to go out and find someone your own age, who doesnโt have drinking problems and isnโt mentally unstable. You deserve better than me, Pete.โ
โI donโt want anything better, Tony,โ Peter narrows his eyes, his chin jutting up, โThere isnโt anyone better out there for me. I want you.โ
โKidโโ
โStop calling me that,โ Peter growls, โIโm twenty-five fucking years old. Iโm not that sixteen year old you met all those years ago. Iโve grown up and I know what I want. And I know what you want, too.โ
โIt doesnโt matter what I want, Peter,โ Tony tells him sadly, โAnd you being twenty-five now doesnโt lessen our age gap.โ
โDamn our age gap, then!โ Peter cries. He reaches out for the older manโs hands and pulls him closer so that their faces are only inches apart. โDamn what anyone else has to say about us and damn what you think I want. Because I want you. How many times do I have to say it?โ
โUntil you realize what a mistake that is,โ Tony whispers. He grazes his thumb over Peterโs cheekbone and down to the corner of his lip. Peter shudders and closes his eyes, leaning into the touch, โYou have no idea what you do to me, sweetheart.โ
โI think I do,โ Peter smiles lightly, he takes a few steps closer and backs Tony into the wall. And then it all comes stumbling out, โYou think Iโm adorable when Iโm mad. You want me but falsely believe you cannot have me. You feel overwhelmed that I exist.โ
Tony blinks, his eyes searching Peterโs face, โWhat, are you reading my non-existent diary or something?โ
Peter laughs breathily. โI know you donโt remember telling me those things. But drunk words <i>are</i> sober thoughts.โ
With a deep swallow, Tony sighs, โYou got me there, kid.โ
โTony, I said to stop calling me kid,โ Peter practically whines.
โForce of habit,โ Tony shrugs.
โOkay, then for now on youโll be Mr. Stark again. Iโll add in a few sirs here and there, too. You know what, maybe Iโll even call you daโโ
Heโs cut off by an abrupt but welcome crash of the lips. Peter hums and instantly melts into it, his hands finding Tonyโs defined biceps. He takes it one step further by pressing Tony closer to the wall and opening his mouth, welcoming the older manโs tongue. Tony seems hesitant at first but doesnโt take too long to start exploring Peterโs mouth as if itโs his last day on earth.
Heat races up and down Peterโs body and everything within him buzzes for more. More of Tony, more of them, together, as one. Involuntarily, his hips thrust into Tonyโs, but the pleasure that follows isnโt anything heโd give up.
Tony pulls back just slightly, their foreheads pressed together, โPeterโโ
โShut up,โ Peter demands through gritted teeth. He pulls Tony back into the kiss, and Tony lets him. Peter feels Tonyโs hands travel down to the back of his thighs before he's suddenly hoisted up so that his legs are wrapped around Tonyโs torso.
โCouch,โ Peter pants between kisses. Tony obliges and walks him over to the couch, not breaking the kiss even as he sets Peter down onto his back.
Peter uses his legs to squeeze Tony in closer and his hands on the older manโs hips to guide them into steady thrusts. Tony and Peterโs moans are twisted together in a sort of harmony.
โGod, kid, youโre perfect,โ Tony gasps, โSo beautiful. Breathtaking.โ
Peter flips them over and Tony is sitting up with Peter on his lap. โJust for you, sir,โ Peters smirks, satisfied when Tonyโs entire body jerks in pleasure at the title, and dives in for more.
Not me having thots about Hotch having super detailed and intricate tattoos that cover both of his arms and connect to each over over his shoulder blades/back. They stop a little below his elbows, so they're super easy to hide under his suits (even when he rolls his sleeves up a little).
But then the team are called in for an emergency case. There's no time to change into proper clothes--they have to grab their go-bags and meet at the jet. And he's walking on in a dark blue button-up, the top two buttons open, the sleeves rolled up past his elbows, and black jeans. And everyone is staring at him.
For a moment he's puzzled, setting his bag down under his seat before his eyes widen in realization. He let's out an exasperated sigh before sitting down, already feeling the headache coming on from the questions that are sure to bombard him. And, of course, they do. Mostly from Derek and Penelope, actually.
Derek is shocked. "Hotch, man, I didn't know you had ink! How long have we known each other?"
Penelope is practically vibrating in her seat (she's coming with, her own outfit a bit eccentric for a case), "Oh my goodness! What do they mean? How many do you have? Wait, can I have a closer look?"
The only people who are silent throughout the whole ride are Rossi and Reid. Rossi because he already knew about the tattoos, and he's mostly just shooting Hotch an amused look from over his file.
Reid, however... Reid is speechless. Eyes tracing over every bit of exposed skin, trying to map what might be hidden underneath the shirt. Trying to piece together the puzzle of black ink that permanently marks Hotch's skin, wondering what it all means. He doesn't notice that Hotch catches him staring (more than once), nor does he realize how his face has flushed a pretty rosy red the longer he imagines how far those tattoos go along Hotch's back. Do they curl over his ribs? Do they go down his hips, his thighs?
His fingers twitch. The urge to trace along those thick lines, to feel every inch of skin that is marked forever by an artist who spent hours (days? weeks?) laboring over their work, perfecting every little detail--it makes his skin tingle.
And then they're landing in Colorado, and Reid has no clue what their case is about, blinking back his embarrassment for having not paid any attention to his team whatsoever. He swallows, adjusting his satchel over his crotch as he walks out after Emily. Thankfully he can read over the case on the way to the precinct. Unless he ends up riding with Hotch--because he isn't too sure his imagination will let him focus otherwise.
(Tagging under the cut)
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Thomas Gibson and Mandy Patinkin as Dr. Daniel Nyland/Aaron Hotchner and Dr. Jeffrey Geiger/Jason Gideon Chicago Hope S02E03 (1995) Criminal Minds S01E04 (2005)
@redwithjoon, @callm3c0nfus3d, @reidsbookclub
Hannibal Whump | Part 2 | Chin scar
I just rewatched 1x8 (natural born killer) and the end makes me so ๐๐
Like hotch literally admitted that he was abused as a kid and they just?? Donโt bring it up ever again??? He deserves the same amount of backstory and trauma dumping as everyone else on the team โค๏ธโ๐ฉน
I want to hug him a lot
Hi I stopped using tumblr for a while and forgot my old acc love u! -lottie