Badfungi - Wasting Time

Ok we have another one to add to the list!!!!!!

So I've seen a lot of people arguing about the whole "but Marinette made the decision for him!" thing in Werepapas, and honestly I think it's another Lady Macbeth/Baby It's Cold Outside scenario.

So the argument here, if you don't know it, is whether Lady Macbeth pressured Macbeth into killing the King, or whether she saw that it was what he wanted to do, and encouraged him because his conscience was getting in the way of something he clearly wanted to do. I can't be arsed to explain Baby It's Cold Outside but you get the gist.

So, the argument here is - Adrien still doesn't get to make his own decision. But did Marinette make the decision for him, or did she encourage him towards the decision he was always going to make? To me, the part where Adrien said he didn't know what he wanted was VERY in character. It read very much as him not wanting to offend anyone or cause another fight (like the one they literally JUST went through). But, really, was he ever going to make a different decision? He was choosing between Nathalie, who from the flashbacks and *gestures* the Rest Of The Series clearly cares about him, he knows her well, she loves him. Or a couple of strangers he just met that day. Adrien clearly, throughout the episode, expresses that he wants to stay in Paris, with Nathalie, and he is repeatedly ignored. To me, this moment is not Marinette making the decision for him - it's her standing up for him and saying to him that he can speak his mind. Remember, Adrien's spent his whole life under his father's thumb. He never could say what he wanted for fear of retaliation.

There IS a theme of other people making decisions for Adrien, obviously with the grandparents, but also with Nathalie herself. I will defend her until the ends of the Earth, but she did decide on her own that Adrien would be better off with biological family - granted, there's CLEARLY something influencing this feeling, plus the grandparents talking about how she's not family and has no right to look after Adrien, I wouldn't be surprised if there's some kind of backstory there - but once again, even though she thinks it's for the best, and the best thing for Adrien even if it hurts her (which it clearly does), she's still making a decision for Adrien. She's blinded by the fact that she's obviously at some point been told that she's not his family and never will be (the guilt from being Mayura and aiding and abetting his father is probably coming into play too) and so she makes a decision that ultimately, Adrien should have had a say in. And Marinette, like she did in the Special, puts her foot down and says, actually, you are his family, or the closest thing left, so listen to him when he says you are. I also found it very funny when Marinette literally tells Nathalie "you're an adult", and follows it up with basically "so do something about this". But you get my gist - ALL of the characters are making decisions for Adrien, and Marinette SEES this, and encourages Adrien to make the decision HE wants, and not the one that will please his grandparents.

happy birthday, keith! 🚀💢🌟 10.23💥

I fell in love with Phosu in Afternoon’s cover. I knew I just needed to clean it and get rid of all the text so my crazy gemocidal baby could pop in full splendour <3

Ladybug's Lucky Charms in Werepapas

Let's talk about another detail that people kinda REALLY wanna ignore about Marinette's decision in the Werepapas akuma battle. It's the fact that she hand-waves away FIVE Lucky Charms until she finally goes with the sixth:

No, that is NOT irrelevant. Marinette is not supposed to disregard her Lucky Charms left and right because they're trying to tell her what she's supposed to do. That's Lucky Charm 101 in an akuma battle.

I'm not gonna pretend like I know for 100% certainty what they all tried to tell her, but

1) a couple of them can be easily interpreted in very relevant ways.

And 2) I don't NEED to know what exactly they all mean because it doesn't need to be PROVEN that Marinette isn't supposed to cherry-pick her Lucky Charms. We've known since s1 how this works and it's still done like this in s6. Thanks to not being limited anymore to 1 Lucky Charm, she gained the luxury of sometimes just getting to summon one for the purpose of whooping ass instead of solving the actual situation - which is still a lucky charm's REAL purpose - but that doesn't change the fact that you're supposed to listen to the Lucky Charm, not the Lucky Charm to you!

Under special circumstances like a final battle, sure, use additional ones to whoop ass. But you can't just switch out the problem solving Charm with a purely ass whooping one which is what Marinette did here in "Werepapas". It's fine when you do that in an extremely dire situation, but a normal akuma battle is no dire situation. Especially not when the only real stakes there are is being reckless with Adrien's amoks!

She's supposed to use whatever she gets and that'll lead her to the right solution. Not going through a whole line of Lucky Charms until she gets one where she finally likes the first thought she gets from it because of how little it challenges her self-preservation (makes you wonder if having unlimited Lucky Charms now isnt the worst thing that ever happened to her. Now she can just ignore whole Lucky Charms until she finally gets one that tells her something closer to what she wants to hear instead of listening to the CHARM)

Let's take a look at her 6 Lucky Charms:

From my recollection (so correct me if I'm wrong), while the teapot sometimes shows up here and there as filler Charms it was firmly established and used several times as a visual cue for Marinette to go to Master Fu.

Obviously, she can't do that anymore, but she has Alya as co-guardian, Luka who was trained by Su-Han, and even Su-Han himself as Celestial Guardian who now does whatever she wants.

In a situation where Adrien's amoks are the akuma object, it's a pretty logical thing to happen that her first Lucky Charm tells her to get Guaridan-related help. She has the option, all the needed support, and all the resources, but doesn't use it because it wouldn't be nice having to face the baggage that could come with it.

And even if you wanna say "She didn't get help because she didn't wanted the new Butterfly to possibly find out that Adrien is a Sentibeing!" Then that excuse still falls flat because obviously Adrien's LIFE is supposed to be more important than preventing that secret from coming out. The secret has no value if Adrien is DEAD.

Afterwards she gets a fan and this obviously could VERY likely mean that she's supposed to get Felix involved because he's the Miraculous holder of the Peacock. And by "VERY likely" I mean "I doubt there is a likely chance that it ISNT a hint to get Felix".

I won't even elaborate on this further. Her second Lucky Charm tried telling her to get Felix when Adrien's amoks were on the line and she ignored it. It is what it is.

For the third and fifth ones, I personally don't know what they could mean because I already struggle recognizing what exactly they are supposed to be. Though, they do have recognizable shapes. I bet other people could look at them and know where they've seen these objects before in the show.

Then right between these two, the fourth Charm Marinette summons is an unicycle (that for some reason isn't polkadotted, but screw it)

An unicycle like she summoned back in season 2 "Sabotis", the episode in which Alya became Rena Rouge for the first time. Meaning this one pointed to getting Rena's help.

For me, this is one of the most interesting ones regarding Marinette's feelings of not wanting to face the Lucky Charm's solution to instead protect all her secrets. But if anything, I would want to give it its own post and not half-ass it here. Cause there are a lot of layers to this one.

And, of course, the last one: the scarf. It's alongside the fan the one for which the fandom does casually acknowledge the symbolism of it being a call back to 1x01 "The Bubbler" where Marinette now infamously made the decision to let Adrien believe that it was his father who made the scarf for him - and not her - because of how happy it made Adrien that his father finally "cared":

I don't think I need to explain why it makes sense that this is the one s6 Marinette cherry-picks to finally work with. The poor scarf has been made into the symbol of Marinette wanting to keep pretty much everything about Adrien's family a secret from him. Including him being a Sentibeing. I miss the good old days when we dreamed of the scarf being set-up to become the catalyst for Adrien to write off his father as a useless deadbeat who isnt worth his time and love.

So, unfortunately, of course this is the one she goes with now. Even if it means taking the risk to kill Adrien. Anything to keep the secrets save and lies unnoticed. How tf did we GET here?

I keep seeing critics talking about the fnaf movie being poor but i literally isn't for them. I saw someone else saying the movie's a love letter to the fandom and i WHOLEHARTEDLY agree.

This is how i took it: We, the fans, are Anton Ego, the critic from Ratatouille; the ratatouille was special to us because it was our childhood. I hate ratatouille (the food), but to Anton Ego it was everything. Critics don't like the fnaf movie because they only have the movie as context, but to fans, the fnaf movie is everything and we love it even though it's a little cringey. In fact we love it BECAUSE it's cringey in some cases.

Like no new viewers would get the chica's magic rainbow part, or the MatPat reference, or the whole ongoing bit about Dream Theory sucking, or understand how hype the whole ending part was.

I was lucky to be in a cinema full of fnaf fans, and we were cheering and laughing, and screaming at the references. People got up when the movie ended and SAT BACK DOWN when the living tombstone came on. We shouted the letters of the code, and screamed when Matpat said his line. People clapped and cheered at the end, and people were crying at the parts where they were treating the animatronics with love and affection.

No critics would understand how much fans want to interact with the animatronics in a positive way, or understand how much importance the five seconds of its me on the mirror means in implications of the lore. They wouldn't understand because they haven't been waiting a good part of a decade to see this movie. They came, they saw, and that's it, it was a second of their life, but to us it was everything. This is our ratatouille, made to impress us, not the other people in the restaurant. This was our movie, a love letter to the fandom, not the critics.

I like the changes to the story, because it puts us back at square one. We're fumbling to rearrange lore and timelines. We have to rearrange names, and start with a blank slate, and it feels like a homecoming where to critics, it might feel a little messy.

We've been given a chance to start the journey all over again and i fucking love it so much. Because i'm an adult, and all of a sudden, i'm twelve years old again and we're trying to figure out if phone guy is chica, and struggling our way through whatever the fuck was happening in fnaf 3 to get the good ending. The critics don't get this.

They don't understand how hype the midnight motorists reference is, nor did they care about the references on the chalkboard. Or the code at the end, or the song choices, or the lore implications. They don't understand the sudden lore drop of william afton, or the way he's acting, but we do. They don't understand the vengeful spirit, but we do. Nothing is explained to the audience, because we don't need it to be explained.

This is our ratatouille, and we love the rats in the kitchen.

I just saw a story on AO3 tagged "pet p!ay"

TIK TOK MUST BE STOPPED BEFORE IT DESTROYS LANGUAGE

Me: Did you know that medieval cathedrals weren't actually supposed to be dark and rundown places with only stained glass as color? They were bright places full of light... the reason they look like that now is because of the centuries of accumulated grime and dust, here look at this restoration of the Cathedral of Chartres in France:

It's based on actual paint from the times, and when you think about it, it makes a lot more sense, after all a church is supposed to be a bright place of hope. Yet when we think about the middle ages we think about grimy and dark cathedrals. I wonder how much of our conception of history is shaped by our current visions of historical buildings.

My Goth GF: listen, I don't think this thing between us is working,

How to view Tags

So I just found out how to view the tags others add to your posts when reblogging them. There used to be an XKit Extension for it but ever since the new Tumblr dashboard that didn’t work anymore. However, Tumblr makes it now possible without the need of an extra extension. I don’t know if this is common knowledge and I just never knew but I thought I’d share it for everyone who, like me, didn’t know about this feature. So here you go. ;)

This only works for the desktop version, not for the app:

1. Click on the “notes” on the bottom left of a post. 

If people added text to your post or wrote a reply that’s visible in the little window that opens then. 

2. To view the tags click on the “#” on the top right of the little window. 

And that’s it. Now you can see the tags that were added to the post. ;)

Trigun Stampede (2023)

Season 1 End Cards

Episode 1 - 12

i think “video games aren’t really the violent child-corrupting threat some parents worry they are” and “certain circles of gamer culture are incredibly toxic and can lead people down dangerous/hateful ideological rabbit holes” are ideas that can absolutely coexist