upon watching some discussion in the tetro server, there's actually a decent amount of ways around the motive (like the incinerators for example), and i can't help but wonder if this was a genuine oversight by the staff.
like are they gonna realize that students actually have a lot of ways to keep themselves warm and they're gonna be like "well shit it's gonna take ages for a murder to occur" and so they have to like come up with rules and stuff to make it harder for the students to keep themselves warm or something lol
gay blonde children reject gender
-`ღ´- ꜱᴜᴏ | ꜱᴀᴋᴜʀᴀ | ɴɪʀᴇɪ -`ღ´-
(AO3 Mirror)
A lot of people in the MILGRAM fandom (especially English-speaking MILGRAM fandom) state that Haruka is autistic-coded, as if it’s fact. Most recognize that Haruka is coded as disabled. (If you didn’t recognize that, I hope this post will help to explain why.) However, to state that he is coded as autistic specifically is incorrect. Haruka is coded as intellectually disabled.
Now, there are likely two things that contribute to this issue. One is the invisibility of intellectual disability as a whole, and another is the fact that a lot of this has to do with things that only someone who speaks Japanese would understand (such as complex vs non-complex words in Japanese).
In this post, I plan to lay out what an intellectual disability is and how it differs from neurodivergencies such as autism or ADHD. After that, I want to discuss the way Haruka speaks and uses words, the symbolism in his MVs, and how this lends to him being coded as intellectually disabled. Finally, I want to discuss why this even matters at all. Because, in truth, viewing Haruka as autistic instead of intellectually disabled leaves the viewer misunderstanding his story in a huge way that seems far too common in English-speaking MILGRAM fandom. So, I hope you listen to what I have to say.
Confusing autism and intellectual disability (henceforth referred to as ID) is not an issue unique to the MILGRAM fandom. They are quite commonly mistaken for each other, in the same way that autism and ADHD are both commonly mistaken for each other. And for the same reason, too – autism and ID are comorbid. This means that, if someone is autistic, they are more likely to have an ID. For this reason, it makes perfect sense to headcanon Haruka as autistic. I headcanon him as autistic, myself, actually. But, in this post, I’m going to be strictly talking about his coding, not headcanons, and he is very specifically coded with an ID.
So, what’s the difference? In the words of the National Institutes of Health, “Whereas ID is associated with general deficits across developmental domains, ASD is in fact defined by the observation that social communication deficits are particularly impairing.” (Source)
To say this in layman’s terms, autism is primarily characterized by difficulties in social communications. Cognitive abilities in autistic individuals vary, just like with allistic individuals, but the defining features are issues with social interaction and nonverbal communication. Autism by itself effects how effectively one communicates, but not intelligence. On the other hand, ID is a limitation on intellectual functioning, just like the name implies. This causes issues in areas like learning, problem-solving, and abstract reasoning.
A lot of people think ID is a synonym for ‘learning disability’. ‘Learning disability’ is an umbrella term that covers things such as dyslexia and dysgraphia. This isn’t the case. For one thing, ID can be a diagnosis on its own. ID is subdivided into syndromic ID, where intellectual deficits are present with other signs and symptoms, and nonsyndromic ID, where ID is, itself, the diagnosis. Examples of syndromic IDs include fragile X syndrome, and Down syndrome. For another, those with learning disabilities tend to have average to above-average intellectual abilities. Their disorder affects their ability to acquire and process information, but they are still able to learn. In contrast, ID affects the ability to learn at all, as well as affecting development and general function.
ID is a debilitating disorder. Many people with an ID cannot live independently, require help with self-care activities, and have limited communicative abilities. Understanding this – particularly, how ID is often a disability that requires a caregiver – is a key point to understanding Haruka as a character. But that’s to be covered later.
The reason why this is a problem in the English fandom specifically is because the main thing tipping off the viewer to Haruka’s ID is the way that he speaks.
‘Weakness’, Haruka’s first-trial song, is written entirely in INCREDIBLY basic, elementary-level kanji – mostly hiragana and katakana. In fact, his first-trial song is misspelled in a lot of official releases of the song (‘Weekness’), which is a good way to get the same effect across. This is not the case across all platforms, though, for whatever reason. He also writes, in his trial 1 interrogation, with only that elementary-level kanji; often only one-word answers. The only complicated characters he knows are usually ones that mean something along the lines of, “I’m a stupid, idiot child,” which can be assumed to be because that’s what he has heard his whole life.
While I’m unsure if it is ENTIRELY in this basic kanji, his second trial song and interrogation is at least mostly written like this, as well. At this point, Muu is teaching him how to read and write (or, that’s what’s implied), but, even with that one-on-one attention, he is still speaking like a child most of the time to the Japanese ear.
When he’s forced to use or listen to words outside of this elementary-level kanji, he gets audibly confused, as well. In the AVIOT earbud collab, he has the voiceline, “Pairing seems to be in progress,” but, if you listen, he says “pairing” like it’s a question. (“Pair-ing?”) He doesn’t know the word is an English loanword that isn’t often used in everyday conversation, so he’s struggling to say it.
He also struggles when speaking to Es in his interrogations. He tries to say, “I will acknowledge any falsehood or silence,” but the words used are very advanced in Japanese. As such, he struggles with it, repeating, “False-hood? Si-lence?” Multiple similar exchanges happen in his interrogations, with Haruka misunderstanding words Es uses, and stuttering over unfamiliar words. The implication is that Haruka struggles with higher vocabulary or unfamiliar words, and with speaking and communication in general. He apologizes multiple times to Es for struggling, saying that he is not intelligent as an explanation multiple times. Additionally, in his second trial investigation, he talks about how he could never do the same things as everyone around him. When Es calls him stupid, he agrees. Es even states, “You really have no learning ability whatsoever.” When, mind you, having delayed or slowed learning is, like, the symptom of intellectual disability. It’s quite blatant. (Why is this not fandom consensus yet, again?)
Moving on from the point of how Haruka uses words, we can talk about other forms of word-based MILGRAM media. For example: when introducing himself, he says he thinks he’s 17, which implies that he isn’t actually sure. Additionally, there is lots of evidence for his intellectual disability in his interrogation questions:
He considers it impossible to learn another language
His dream is to ‘live normally’
He states he disappointed his father (not inherently an ID-related thing, but also, makes sense with his coding in mind)
Many answers imply that he’s been unable to live his own life, and he doesn’t really have any aspirations outside of being given attention
Finally, we have the lyrics to his songs. Again, on top of being written in very basic kanji, we have lines like the following, which include repeated themes of needing a caregiver (being ‘hopeless’ by himself), not being able to do what others can do, hating how he was born, and struggling to function. (I have bolded examples that I think are especially apt.)
“Why was I born like this? Why does it hurt so much?” / “Why was I born to be me? Why does it hurt so much?”
“Instead you kept calling me “hopeless” / You never called me by my name / You were always comparing me to someone else”
“If I tried and couldn’t say it, you would get angry at me and say “You’re hopeless”” / “When I tried to understand it, you’ll make that disappointed face again”
“I just wanted to be your good boy” (what did the MILGRAM team want us to think when they included this line? likely that he’s childish or ‘hasn’t grown up’, right?)
“Mommy, look / I’ve done great” (calling her ‘mommy’ instead of ‘mom’ – again, ask what the MILGRAM team wants us to think when they included this)
“If only I could do what anyone else could do”
“It’s enough, I am a “disappointment””
“My life started in a wrong spot”
With regards to his relationship with Muu, he doesn’t understand why Muu using him would be a bad thing, or how she is manipulating him. People with ID tend to have poor judgment, and Haruka not being able to tell the difference and not caring about the difference between negative and positive attention shows this (although his trauma definitely also plays a role).
Finally, we have the trial song titles.
We’ve already discussed how “Weakness” is sometimes alternatively misspelled as “Weekness”, and that is because the title in Japanese is, arguably, misspelled, too. The Japanese title is a play on the phrase jakuniku kyoushoku, which is equivalent to the English phrase, “Survival of the fittest.” More directly, it translates to, “The weak are meat, the strong do eat.” The character for “strong” (kyou) is replaced by “together” (also kyou) – with the implication being that Haruka forgot which version of the word was correct for this situation. This also works to create a pun, of sorts, as this makes the title more like, “The weak are meat, communal eating”, creating an emphasis on the fact that there are more people eating than there are ‘weak people’. There are differing ways to interpret this pun, but one way is to view it as a statement on Haruka’s status as a minority, oppressed (‘eaten’) by the majority.
On the other hand, we have All-Knowing and All-Agony. In Japanese, this song title is Zenchi Zennou, which can be translated as “Omniscient and Omnipotent”, used to describe the Christian God. Once again, we have what we can assume is Haruka misspelling the title, creating a pun. One that is much more on the nose, as the character for “ability” (nou) is replaced with the character for “worry, distress, pain” (also nou).
It seems that the reason why Haruka uses new complicated words (aside from the words meaning “idiot” and the like) in All-Knowing and All-Agony is because Muu is teaching him. It features the more complicated “食” (shoku; food), when we know from Haruka’s 2023 birthday portal that Muu is bringing him meals. It also prominently features Muu’s name, 夢 (yume; dream), which is more complicated, as well.
Now, we get on to the non-verbal, more visually-based evidence for Haruka’s ID. Be prepared for a lot more images!
Going back to Muu teaching Haruka how to write: it’s not just clear in his usage of kanji, but also how he writes. Comparing his handwriting, it becomes much easier to read after Trial 2’s start, and his writing is soft and bubbly; much like a teen girl’s writing might be.
All of these improvements are able to be linked back to Muu (both his style of writing and in the more complicated words that he knows), who we know is looking after him. Considering this, it’s pretty clear why he sees her like a maternal figure.
One of the Minigram comics shows the prisoners eating curry udon together. Of the four shown (Amane, Haruka, Shidou and Mahiru), Amane and Haruka are the only two who make messes out of their clothes. Since the other two characters in the comic have active roles, and Haruka has the most passive one, Haruka’s inclusion can be assumed to be because he is the only prisoner aside from the child, Amane, who would make a mess while eating.
Childish themes and imagery are seen scattered throughout his MV, as well, especially his first one. He draws with the skill level of a child, which is a very prevalent motif, and he is shown to sleep with a plushie.
Additionally, he seems to have trouble putting on his clothes. He wears two entirely different socks – not just different colors, but also two different lengths. His pant legs are also two different lengths when he tries to roll them up in his Trial 2 art, and he seems to exclusively wear slip-on shoes up until he befriends Muu (where we can presume that she begins helping him, and even then, they're not done properly).
There are various visual parallels drawn between himself as a child and himself as he is now (for example, the way that his clothes are a mix of his current shirt and the vest he wore as a child in All-Knowing and All-Agony), and he often compares himself to a child wanting praise.
Even the violent acts that Haruka is shown committing are also a sign of an ID. People with IDs tend to have meltdowns, and devolve into fits of violence. The reasons for these meltdowns vary depending on the person, but reasons can include anger / frustration (especially in reaction to not being able to communicate well), sensory overload, and confusion.
You may note that Haruka’s mother reacts the exact wrong way for dealing with these meltdowns. When trying to help someone experiencing a meltdown, especially a violent meltdown, the last thing you want to do is appear frightened. The number one piece of advice everyone gives for helping someone experiencing a meltdown is to remain calm. It’s also not advised to leave the person alone, either, because that sends the message, “I want to avoid you when you feel this way.” (Which I suppose, for a neglectful mother like Haruka’s, would be technically accurate, but still not at all helpful.)
It only makes sense that Haruka’s tantrums continue to get worse and worse.
But after the meltdowns fade, he seems to not understand what he’s done. He’s shown experiencing fear and confusion after he hurts something, even shown as his child self at one point. A major part of IDs is being unable to connect actions to consequences.
Finally, we go onto his body language. Frankly, I considered putting, “Imagine this as a real person doing these things and not an anime boy, and you’ll see my point.” Which is true. But I decided to go a little more in depth.
Swaying is heavily associated with people with IDs. This is, in part, because people with IDs have reduced postural balance, and general body balance. Because of that lack of postural balance, people with IDs tend to slump quite heavily, as well. Both of these traits are shown very obviously with Haruka, in All-Knowing and All-Agony.
In the same MV, he’s also shown biting his nails. Like autistic people, people with IDs stim, and this could also be a version of hand mouthing (repetitive contact between the hands and the mouth / tongue), which is also heavily associated with / often seen in intellectually disabled people. He's also shown doing this in promo art.
Haruka being intellectually disabled is a huge part of his story, and, when taking it into consideration, it changes how one views his story a lot.
Haruka being treated better as a child makes more sense with this framework. He wants to return to when he was a child because his level of intellect then was seen as more ‘normal’. There wasn’t as much obviously ‘wrong’ with him yet. Children are expected to be a little slow, but it’s when they remain that way that many parents begin to become concerned. He yearns for when his mother didn’t know he was disabled, and when she treated him better for that reason.
Haruka being severely neglected / abused by his mother would be awful, no matter what, but him being intellectually disabled makes it so much worse. He needs attention and care from his caregivers even more so than the average child does, because he has trouble even functioning on the day-to-day without help. This is why he thrives under Muu’s care; she is meeting his support needs. Likely not perfectly (she’s just a teenage girl, and she is almost certainly not trained or educated in this regard), but even with the amount of support that she is able to give, Haruka is thriving. He’s more confident, he’s learning how to write, and he’s eating more consistently.
Without that care, he struggles so severely that he melts down regularly, going into fits of violence over the fact that his support needs aren’t being met (on top of all of the other emotional baggage that comes with any child being neglected by their parent). Haruka’s mother continued to ignore these cries for attention, for help, for care… Until it went too far.
The way that Haruka’s story is viewed changes drastically with this information. If Haruka was autistic, it would affect very few of the things that I listed. So much of Haruka's story hinges on specifically his intelligence level, not how he socializes. And do you have any idea how many people I’ve seen say, “He’s a neurodivergent with a shitty mom, but so am I, and I didn’t kill anyone about it”? No. If you are not intellectually disabled, you do not get to compare your experiences as if they are equal. If you don’t have an ID, your experiences cannot be compared in this way.
Haruka has a debilitating disability that requires support which he was not getting. He was experiencing ableist abuse at the hands of his mother, and he didn’t know how to handle it. All of his violence happened during his meltdowns, and his disability makes it harder for him to connect his actions to the consequences, or find alternate ways to solve his problems – this is all extremely important information and context when you’re discussing whether or not his crime is forgivable.
If you still don’t forgive him, that’s alright. But to neglect this aspect of his character is, to be frank, baffling, if you’re trying to participate in the spirit of the series and understand everyone’s crime to the fullest extent. And to make jokes, comparing your own experiences to Haruka’s, since you assume him to be neurodivergent and nothing else, does a huge disservice to his story! And, when it’s done to demean him? It honestly comes off a slight bit ableist.
So, I’d like everyone to keep this information in mind moving forward. Don’t infantilize Haruka for his disability. But do consider this information in your analysis posts, your discussions, and so on. I’d like to see this become common knowledge in the MILGRAM fandom, especially since the idea of him being specifically autistic-coded is so widespread by this point.
Thank you!
Blowing myself up and everyone else in the room
If i let myself add anymore panels from this weeks chapter I'm just gonna upload the whole thing im literally gonna melt into nothing oh my god i need to read the new mafia if chapter oh my god
Was typing but realized I'm going too much, more brain blast under cut
what if you Loved someones, what if the love in ur heart was enough to know that it transcends the need to always be together, what if you love ur favorite people enough to know you can watch them from afar knowing you'll eventually come back together
what if you realised that you can still love urself and the good you can have w urself and the good u have when with others
separation makes the heart grow fonder!! what if you love enough to know the time apart is still a gift!!
This arc is insane and it's like, so vital to clara's character + love trio development + mairuma's themes overall
I am being turned into concrete holy oh my god [also this is now my analysis sorry if I'm speaking straight nonsense]
Clara's always like, been the foundation of the love trio, at the very least she's to be credited for establishing how the trio defines themselves to each other [to outsiders theyre defined by one member [iruma] since they're called the iruma army, very cute but I'm making distinctions between how that and the love trio name does different for them]
The title iruma's army hinges on clara and azz's devotion to iruma as seen thru the outside perspective and it also makes them kinda, like a love angle, as its how they are connected to iruma but not each other specifically
Love trio is clara's way to define how each of them in the trio are interconnected thru their love for each other [the phrase love trio also focuses on them as a trio, putting them on a more even dynamic with each other]
Side tangent sorry I'm sitting here writing this post almost immediately after reading the chapter, i think love trio encompasses some the fundamentals of demonhood [greed, power, control] as reflected in their evil cycles, my third eye is open, irumas evil cycle was greed [and his character growth is him learning and tapping into these demonic indulgences that're frowned upon in human society] as he wanted more for the misfits which can be seen as greedy as it's asking for more than the class is allowed, azz's is power as training lets him enter his evil cycle to have more unchecked power in combat, clara's is control as her worries and insecurities drove her to store away iruma and azz to keep them with her under her care forever
I digress tho i haven't even gotten into like 30% of my illness about the love trio
This arc really dove into clara's character as, shes been kinda been kept in the dark when it comes to, what she actually may be thinking, like id argue it's intentional that clara hasn't been really given free range to be entirely herself in a way that doesn't outwardly make others uncomfortable
Clara was so, unabashedly herself, but the story didn't punish her for that, it's just that through azz And iruma [even if he very much threw water on a grease fire omg], she learns that she Can feel these things both good and awful, and that one, theyll love her anyways [good point that iruma made, horrible time to express it] but two, that it doesn't mean she should bury these worries within herself and instead of this domineering control over the ones she cares about when expressing her most primal fears, the bad stuff needs to get recognized first and that she needs to let others in to express that
or yk in easy terms, iruma's way was "I'll love you even with the bad" and azz's way was "this is all the bad but I'll love you", basically an inverse approach in how they talked down clara [if im making sense who knows]
I hope that we do get to see iruma and azz make good on indulging clara's wishes to go like, swamp lol, weird girl central, after exams in the extras or [indulging the kinda greed youll see in the bible] in an entire chapter I'm not asking for much,,,
Im getting distracted but the start and end chapters for this arc have the same name, Coming full circle, the arc starts w clara's concern about staying behind in make up classes and not spending end of term w iruma and azz and it ends w her being reassured that pass or fail in make up classes or end of term fun, they still together and love each other and it'll be fine no matter what
Also this is the first time iruma and azz have been shown to be visibly attached to clara as the center, seen in the first few pages [what comes to mind is the times azzclara stuck to irumas sides and the few times i think iruclara did the same to azz], just wanna mention bc they're so cute I'm disintegrating into nothing
The chapter also ending w the little tease of clara's hair sticking up in the same way as in her evil cycle state, my illness
I think this represents a few things but largely what i think is important to herself + the love trio, i think it's representative of how she will keep some of how she was in her evil cycle just more tempered, base/non evil cycle clara is already in touch w love for iruma and azz it was just put on the extreme, i think going forward she'll now just, be more in touch w the different like, aspects of her insecurities, like expressing the bad thoughts she stores away to iruma and azz, but also bc i do think that the love trio are kinda representing fundamentals of demonhood, ill be bold and say she's gonna be even More confident w her love for iruma and azz [expressing control thru more establishment of the love trio in the story, i think]
also i am just, the way nishi-sensei continously draws these intimate moments between the love trio in this shoujo romance manga kinda style, especially when the panel/page feels like it's framed to be from the view point of one of the three, like that's just something that can be so special
Minor thing, among many things I've thrown in here i literally have the chapter open in a different tab so i can reference it during writing, i think clara kinda snapping at iruma and azz for being overbearing in the first pages is like, one of the few times i recall her actually, doing anything of the sort? might be wrong tho but i like this visible development to their dynamic
yea so I'm pretty normal about this chapter,,, <<<guy who folds quick when it comes to love trio content
An informational comic I drew last year for my Comics 2 class, reposting it to my new account (had to jump ship from the old one unfortunately) with some minor grammar changes and learned my lesson in adding watermarks! Happy early pride :)
almost forgot to promo this here... a lil while ago i wrote a no home fanfic in which eunyung and haejoon figure out their feelings for each other after a botched first kiss through awkward intimacy and a healthy amount of swearing. hope u enjoy.
you didnt put a nametag on your boyfriend and he despawned. sorry.
and with your help it can rack up 700k notes on tumblr in 2024
no tumblr this doesnt need tags im releasing it into the wild as god intended