I say no spoilers because this can all be found in the series description and first chapter. If you want to go into this series completely clean, not knowing what it’s about at all, then stop reading and go for it!
Anyways.
For a brief synopsis of the series, picture this: You’re a popular, fashionable girl who fits the stereotypical “preppy” title in some sort of way (or gyaru if you will). But you stand out from the rest. Why? Maybe because you have Aerosmith or Skid Row blasting in your ears as you’re finding an old MTV music video to watch as your friends are talking about the latest drama.
And before you’re all like “Pick me! She’s a pick me!” Don’t even. Aya, the girl I was just describing, is anything but. She’s just a fashionista with music taste that doesn’t align with her style, or the style of anyone around her. And with that in mind, it’s no surprise she’s at least a tad bit lonely.
But this loneliness is short lived once she finds her way into the life of a cute CD store worker, who shares the same music taste as her. Just like that, a crush is born!
Aya can’t help but rant to her friends at school about this new person in her life. Her rants catch the attention of Mitsuki, a girl with a striking resemblance to the guy Aya’s interested in…
My goodness, I binged this series in an entire day. This series perfectly captures the whole “falling for a girl for the first time” feeling in such a fresh way. The characters are extremely well written and fleshed out, especially the main duo.
I find Aya the most relatable to me because she’s just such a hopeless romantic, I love her. And yes! Expect many music references, you’ll be surprised. Not to mention probably the most iconic moment in history (chapter 26).
If you like music and lighthearted romance (that can be real when needed to be), give this one a shot! Btw, on Twitter, the author Sumiko Arai posts many cool doodles of the series!
T-shirt that says “I understand the themes and characterization of media I like, sometimes I just make jokes”
Your Pursuit of Perfection
Story and Artwork By: @GachaWolfieBloom
Chapter 2: A Fun Night With Friends
Summary: A few months after the events of WOTFI 2023, SMG4 starts having really bad dreams about the "Its gotta be perfect" incident. One night however, his fear allows the nightmares to break through and he gets taken to a horrific dimension. He finally meets the tv adware, who manipulates him into returning to his insane ways, intent on claiming much more than the perfect video. Now it's up to his friends to stop this madness and save SMG4. Can they do it in time or will they lose SMG4 forever? (In case you are unaware this is a sequel to the its gotta be perfect movie)
Tags: angst, its gotta be perfect, love confession, luigi, mario, meggy, melony, nightmares, scary, smg3, smg4, smg34, smg3 x smg4, tari, tv adware
Everything had been set up at the castle for the sleepover as a circle of sleeping bags had been placed in the main hall. Each one was fitted with the color schemes and logos of the person it belonged to. "WELCOME TO MARIO'S SLUMBER PARTY!" Mario had on his red pajama top with his spaghetti patterned pants. Everyone was super excited to get started, except for Four.
He clung onto Beeg while thinking to himself. No doubt he was fixated on those awful nightmares of his. Mario tried to cheer him up by saying "Don't worry Smg4. If anything can stop your scary dreams, it's a fun filled night with your best friends!" He turned to Three and said "Right Smg3?"
Three was sitting in his skull pajamas while petting Eggdog. "Yeah whatever you say idiot." Four tried to muster a weak smile. "Thanks Mario..." Mario then noticed his pillow and got a scathingly good idea. He grabbed it and flung it across the room, hurdling towards Saiko. She took a step back to get out of the way and instead the pillow hit Luigi, sending him flying right into the wall.
Bob noticed and grabbed a grenade launcher from out of his bag. "BRO IT'S ON!" Normally Four would come and join his friends in their shenanigans, but he just couldn't shake that awful feeling from his mind, even if Mario had cheered him up a little. Saiko could see Four's uneasiness and went over to Three. She whispered to him "I think you should go check on him." He looks up to her and then to Four. Raising an eyebrow, he asks "Why would I do that?"
She sighed and said "Your the only one who knows what he's going through." Saiko wasn't wrong. He was the one to give Four the idea of the perfect video in the first place. He even admitted back there that he felt the same way when he had control of the channel. Not just that, but he also told Four he would always be there for him so it was kinda his responsibility to take care of that moron.
"Alright fine." Just then, an explosion sent Saiko crashing onto the ground. She got up with furry in her eyes to find Bob, holding a grenade launcher and Meggy beside him with a pillow. They both shared a glance with each other and quickly hid their items behind their backs. Both of them pointed at the other and said
"It was him!"
"IT WAS HER!"
Saiko took out her hammer and started swinging violently, causing both of them to duck out of the way. Bob's eyes began to turn red from anger and he started launching missiles everywhere while Meggy took out her splatshot gun and fired ink in a bunch of directions. Three got up, placing Eggdog down and said "OI! Stop fighting!" Nobody listened to him as the pillow fight was escalating immensely.
Melony had fallen asleep already in her sleeping bag and Tari was using her's to hide. Beeg had managed to squeeze out of Four's grasp and he and Eggdog went to go hide somewhere. A grenade was heading straight for them, but Boopkins quickly scooped them up and ran around the room screaming. Three just watched and facepalmed himself. "God why did I agree to hang out with these losers."
Four was still curled up, burying his face in his knees. That was it. Three had reached his breaking point when he could see that this was not helping Four at all. "EVERYONE SHUT UP! YOU'RE MAKING FOUR FEEL WORSE!" Everyone froze in place and teleported to their sleeping bags while everything else had been instantly cleaned up. Meggy was the first to regret her actions. "Sorry about that Four. We didn't mean to stress you out." He poked his head out from the curled position and muttered "It's fine Meggy. I'm alright."
Tari got the courage to mention another option in mind. "How about we play some monopoly instead." She went to go get the game out of the storage room while everyone else agreed. Three knew that Four was lying so he said "You guys start. I'm going to talk privately with Four." Mario got a smug grin. "Ooooo is Smg3 and Smg4 going to make sweet love in there?"
Three blushes furiously and punched Mario. "MAMA!" Four was a tad confused. "Huh. But-" Before he could get another word in, Three grabbed his hand and dragged him towards his room. Once he shut the door he turned towards Four. "Look. I know you were lying back there." Four tried to cover it up by putting on a fake smile and laughing nervously. "What do you mean? I'm fine."
"No you're not. I can tell that you're stressed and overthinking things. Is this about the nightmares?" No use in pretending now. Three knew him too well. "It just feels like someone is out to get me y'know. I can hear their voice in my head, even when I'm awake." Three's expression softens a little while Four's breathing speeds up. "I just can't shake off these bad memories and if I get taken over again I could hurt someone and-"
"Four. Slow down." He didn't listen and kept rambling on. "And I'm worried that no one forgives me for what I did and they all hate me-" Three tried to calm him down. "Four would you just-"
"IT JUST HAS TO BE PERFECT!!!" Four breaks down and starts sobbing uncontrollably. "SMG4! WOULD YOU JUST LISTEN TO ME!" Four stops from his breakdown to look into Three's red ruby eyes. He was softly holding Four's hand and rubbing his finger to calm him down. "I understand you feel that way, but remember what I said?" Four nods while Three wipes the tears off his face. "No matter what you make, we will always be here to have fun and laugh together."
The two stand in silence for a while till Four speaks up. "I know. I'm just scared it will happen again..." Three lets go of his hand, disappointed. "I understand if you need some space. I'll just leave you alone if that's what you want." He leaves the room to go join the others, abandoning Four to be by himself. Why did he just let Three leave like that? Should he have said something differently? Now he was even more hurt. Letting this whole situation affect his friends like that. They were all having a great time till he ruined it all.
He went back into the hall to sit back down. "Oh Four you're back!" Meggy piped up. "Three told us you want some space. You're still welcome to play with us if you'd like." This time Four wouldn't say a word as he just shook his head and faced the other way. He could hear his friends laughing and having a good time behind him. He wouldn't interfere this time. He wouldn't spoil it for them. They deserved to be happy.
You don't deserve that happiness...Not after what you did...
Chapter 3: Coming Soon
Local deranged presidential candidate attempts to assassinate a child who can speak maybe like 3 words
(AO3 Mirror)
A lot of people in the MILGRAM fandom (especially English-speaking MILGRAM fandom) state that Haruka is autistic-coded, as if it’s fact. Most recognize that Haruka is coded as disabled. (If you didn’t recognize that, I hope this post will help to explain why.) However, to state that he is coded as autistic specifically is incorrect. Haruka is coded as intellectually disabled.
Now, there are likely two things that contribute to this issue. One is the invisibility of intellectual disability as a whole, and another is the fact that a lot of this has to do with things that only someone who speaks Japanese would understand (such as complex vs non-complex words in Japanese).
In this post, I plan to lay out what an intellectual disability is and how it differs from neurodivergencies such as autism or ADHD. After that, I want to discuss the way Haruka speaks and uses words, the symbolism in his MVs, and how this lends to him being coded as intellectually disabled. Finally, I want to discuss why this even matters at all. Because, in truth, viewing Haruka as autistic instead of intellectually disabled leaves the viewer misunderstanding his story in a huge way that seems far too common in English-speaking MILGRAM fandom. So, I hope you listen to what I have to say.
Confusing autism and intellectual disability (henceforth referred to as ID) is not an issue unique to the MILGRAM fandom. They are quite commonly mistaken for each other, in the same way that autism and ADHD are both commonly mistaken for each other. And for the same reason, too – autism and ID are comorbid. This means that, if someone is autistic, they are more likely to have an ID. For this reason, it makes perfect sense to headcanon Haruka as autistic. I headcanon him as autistic, myself, actually. But, in this post, I’m going to be strictly talking about his coding, not headcanons, and he is very specifically coded with an ID.
So, what’s the difference? In the words of the National Institutes of Health, “Whereas ID is associated with general deficits across developmental domains, ASD is in fact defined by the observation that social communication deficits are particularly impairing.” (Source)
To say this in layman’s terms, autism is primarily characterized by difficulties in social communications. Cognitive abilities in autistic individuals vary, just like with allistic individuals, but the defining features are issues with social interaction and nonverbal communication. Autism by itself effects how effectively one communicates, but not intelligence. On the other hand, ID is a limitation on intellectual functioning, just like the name implies. This causes issues in areas like learning, problem-solving, and abstract reasoning.
A lot of people think ID is a synonym for ‘learning disability’. ‘Learning disability’ is an umbrella term that covers things such as dyslexia and dysgraphia. This isn’t the case. For one thing, ID can be a diagnosis on its own. ID is subdivided into syndromic ID, where intellectual deficits are present with other signs and symptoms, and nonsyndromic ID, where ID is, itself, the diagnosis. Examples of syndromic IDs include fragile X syndrome, and Down syndrome. For another, those with learning disabilities tend to have average to above-average intellectual abilities. Their disorder affects their ability to acquire and process information, but they are still able to learn. In contrast, ID affects the ability to learn at all, as well as affecting development and general function.
ID is a debilitating disorder. Many people with an ID cannot live independently, require help with self-care activities, and have limited communicative abilities. Understanding this – particularly, how ID is often a disability that requires a caregiver – is a key point to understanding Haruka as a character. But that’s to be covered later.
The reason why this is a problem in the English fandom specifically is because the main thing tipping off the viewer to Haruka’s ID is the way that he speaks.
‘Weakness’, Haruka’s first-trial song, is written entirely in INCREDIBLY basic, elementary-level kanji – mostly hiragana and katakana. In fact, his first-trial song is misspelled in a lot of official releases of the song (‘Weekness’), which is a good way to get the same effect across. This is not the case across all platforms, though, for whatever reason. He also writes, in his trial 1 interrogation, with only that elementary-level kanji; often only one-word answers. The only complicated characters he knows are usually ones that mean something along the lines of, “I’m a stupid, idiot child,” which can be assumed to be because that’s what he has heard his whole life.
While I’m unsure if it is ENTIRELY in this basic kanji, his second trial song and interrogation is at least mostly written like this, as well. At this point, Muu is teaching him how to read and write (or, that’s what’s implied), but, even with that one-on-one attention, he is still speaking like a child most of the time to the Japanese ear.
When he’s forced to use or listen to words outside of this elementary-level kanji, he gets audibly confused, as well. In the AVIOT earbud collab, he has the voiceline, “Pairing seems to be in progress,” but, if you listen, he says “pairing” like it’s a question. (“Pair-ing?”) He doesn’t know the word is an English loanword that isn’t often used in everyday conversation, so he’s struggling to say it.
He also struggles when speaking to Es in his interrogations. He tries to say, “I will acknowledge any falsehood or silence,” but the words used are very advanced in Japanese. As such, he struggles with it, repeating, “False-hood? Si-lence?” Multiple similar exchanges happen in his interrogations, with Haruka misunderstanding words Es uses, and stuttering over unfamiliar words. The implication is that Haruka struggles with higher vocabulary or unfamiliar words, and with speaking and communication in general. He apologizes multiple times to Es for struggling, saying that he is not intelligent as an explanation multiple times. Additionally, in his second trial investigation, he talks about how he could never do the same things as everyone around him. When Es calls him stupid, he agrees. Es even states, “You really have no learning ability whatsoever.” When, mind you, having delayed or slowed learning is, like, the symptom of intellectual disability. It’s quite blatant. (Why is this not fandom consensus yet, again?)
Moving on from the point of how Haruka uses words, we can talk about other forms of word-based MILGRAM media. For example: when introducing himself, he says he thinks he’s 17, which implies that he isn’t actually sure. Additionally, there is lots of evidence for his intellectual disability in his interrogation questions:
He considers it impossible to learn another language
His dream is to ‘live normally’
He states he disappointed his father (not inherently an ID-related thing, but also, makes sense with his coding in mind)
Many answers imply that he’s been unable to live his own life, and he doesn’t really have any aspirations outside of being given attention
Finally, we have the lyrics to his songs. Again, on top of being written in very basic kanji, we have lines like the following, which include repeated themes of needing a caregiver (being ‘hopeless’ by himself), not being able to do what others can do, hating how he was born, and struggling to function. (I have bolded examples that I think are especially apt.)
“Why was I born like this? Why does it hurt so much?” / “Why was I born to be me? Why does it hurt so much?”
“Instead you kept calling me “hopeless” / You never called me by my name / You were always comparing me to someone else”
“If I tried and couldn’t say it, you would get angry at me and say “You’re hopeless”” / “When I tried to understand it, you’ll make that disappointed face again”
“I just wanted to be your good boy” (what did the MILGRAM team want us to think when they included this line? likely that he’s childish or ‘hasn’t grown up’, right?)
“Mommy, look / I’ve done great” (calling her ‘mommy’ instead of ‘mom’ – again, ask what the MILGRAM team wants us to think when they included this)
“If only I could do what anyone else could do”
“It’s enough, I am a “disappointment””
“My life started in a wrong spot”
With regards to his relationship with Muu, he doesn’t understand why Muu using him would be a bad thing, or how she is manipulating him. People with ID tend to have poor judgment, and Haruka not being able to tell the difference and not caring about the difference between negative and positive attention shows this (although his trauma definitely also plays a role).
Finally, we have the trial song titles.
We’ve already discussed how “Weakness” is sometimes alternatively misspelled as “Weekness”, and that is because the title in Japanese is, arguably, misspelled, too. The Japanese title is a play on the phrase jakuniku kyoushoku, which is equivalent to the English phrase, “Survival of the fittest.” More directly, it translates to, “The weak are meat, the strong do eat.” The character for “strong” (kyou) is replaced by “together” (also kyou) – with the implication being that Haruka forgot which version of the word was correct for this situation. This also works to create a pun, of sorts, as this makes the title more like, “The weak are meat, communal eating”, creating an emphasis on the fact that there are more people eating than there are ‘weak people’. There are differing ways to interpret this pun, but one way is to view it as a statement on Haruka’s status as a minority, oppressed (‘eaten’) by the majority.
On the other hand, we have All-Knowing and All-Agony. In Japanese, this song title is Zenchi Zennou, which can be translated as “Omniscient and Omnipotent”, used to describe the Christian God. Once again, we have what we can assume is Haruka misspelling the title, creating a pun. One that is much more on the nose, as the character for “ability” (nou) is replaced with the character for “worry, distress, pain” (also nou).
It seems that the reason why Haruka uses new complicated words (aside from the words meaning “idiot” and the like) in All-Knowing and All-Agony is because Muu is teaching him. It features the more complicated “食” (shoku; food), when we know from Haruka’s 2023 birthday portal that Muu is bringing him meals. It also prominently features Muu’s name, 夢 (yume; dream), which is more complicated, as well.
Now, we get on to the non-verbal, more visually-based evidence for Haruka’s ID. Be prepared for a lot more images!
Going back to Muu teaching Haruka how to write: it’s not just clear in his usage of kanji, but also how he writes. Comparing his handwriting, it becomes much easier to read after Trial 2’s start, and his writing is soft and bubbly; much like a teen girl’s writing might be.
All of these improvements are able to be linked back to Muu (both his style of writing and in the more complicated words that he knows), who we know is looking after him. Considering this, it’s pretty clear why he sees her like a maternal figure.
One of the Minigram comics shows the prisoners eating curry udon together. Of the four shown (Amane, Haruka, Shidou and Mahiru), Amane and Haruka are the only two who make messes out of their clothes. Since the other two characters in the comic have active roles, and Haruka has the most passive one, Haruka’s inclusion can be assumed to be because he is the only prisoner aside from the child, Amane, who would make a mess while eating.
Childish themes and imagery are seen scattered throughout his MV, as well, especially his first one. He draws with the skill level of a child, which is a very prevalent motif, and he is shown to sleep with a plushie.
Additionally, he seems to have trouble putting on his clothes. He wears two entirely different socks – not just different colors, but also two different lengths. His pant legs are also two different lengths when he tries to roll them up in his Trial 2 art, and he seems to exclusively wear slip-on shoes up until he befriends Muu (where we can presume that she begins helping him, and even then, they're not done properly).
There are various visual parallels drawn between himself as a child and himself as he is now (for example, the way that his clothes are a mix of his current shirt and the vest he wore as a child in All-Knowing and All-Agony), and he often compares himself to a child wanting praise.
Even the violent acts that Haruka is shown committing are also a sign of an ID. People with IDs tend to have meltdowns, and devolve into fits of violence. The reasons for these meltdowns vary depending on the person, but reasons can include anger / frustration (especially in reaction to not being able to communicate well), sensory overload, and confusion.
You may note that Haruka’s mother reacts the exact wrong way for dealing with these meltdowns. When trying to help someone experiencing a meltdown, especially a violent meltdown, the last thing you want to do is appear frightened. The number one piece of advice everyone gives for helping someone experiencing a meltdown is to remain calm. It’s also not advised to leave the person alone, either, because that sends the message, “I want to avoid you when you feel this way.” (Which I suppose, for a neglectful mother like Haruka’s, would be technically accurate, but still not at all helpful.)
It only makes sense that Haruka’s tantrums continue to get worse and worse.
But after the meltdowns fade, he seems to not understand what he’s done. He’s shown experiencing fear and confusion after he hurts something, even shown as his child self at one point. A major part of IDs is being unable to connect actions to consequences.
Finally, we go onto his body language. Frankly, I considered putting, “Imagine this as a real person doing these things and not an anime boy, and you’ll see my point.” Which is true. But I decided to go a little more in depth.
Swaying is heavily associated with people with IDs. This is, in part, because people with IDs have reduced postural balance, and general body balance. Because of that lack of postural balance, people with IDs tend to slump quite heavily, as well. Both of these traits are shown very obviously with Haruka, in All-Knowing and All-Agony.
In the same MV, he’s also shown biting his nails. Like autistic people, people with IDs stim, and this could also be a version of hand mouthing (repetitive contact between the hands and the mouth / tongue), which is also heavily associated with / often seen in intellectually disabled people. He's also shown doing this in promo art.
Haruka being intellectually disabled is a huge part of his story, and, when taking it into consideration, it changes how one views his story a lot.
Haruka being treated better as a child makes more sense with this framework. He wants to return to when he was a child because his level of intellect then was seen as more ‘normal’. There wasn’t as much obviously ‘wrong’ with him yet. Children are expected to be a little slow, but it’s when they remain that way that many parents begin to become concerned. He yearns for when his mother didn’t know he was disabled, and when she treated him better for that reason.
Haruka being severely neglected / abused by his mother would be awful, no matter what, but him being intellectually disabled makes it so much worse. He needs attention and care from his caregivers even more so than the average child does, because he has trouble even functioning on the day-to-day without help. This is why he thrives under Muu’s care; she is meeting his support needs. Likely not perfectly (she’s just a teenage girl, and she is almost certainly not trained or educated in this regard), but even with the amount of support that she is able to give, Haruka is thriving. He’s more confident, he’s learning how to write, and he’s eating more consistently.
Without that care, he struggles so severely that he melts down regularly, going into fits of violence over the fact that his support needs aren’t being met (on top of all of the other emotional baggage that comes with any child being neglected by their parent). Haruka’s mother continued to ignore these cries for attention, for help, for care… Until it went too far.
The way that Haruka’s story is viewed changes drastically with this information. If Haruka was autistic, it would affect very few of the things that I listed. So much of Haruka's story hinges on specifically his intelligence level, not how he socializes. And do you have any idea how many people I’ve seen say, “He’s a neurodivergent with a shitty mom, but so am I, and I didn’t kill anyone about it”? No. If you are not intellectually disabled, you do not get to compare your experiences as if they are equal. If you don’t have an ID, your experiences cannot be compared in this way.
Haruka has a debilitating disability that requires support which he was not getting. He was experiencing ableist abuse at the hands of his mother, and he didn’t know how to handle it. All of his violence happened during his meltdowns, and his disability makes it harder for him to connect his actions to the consequences, or find alternate ways to solve his problems – this is all extremely important information and context when you’re discussing whether or not his crime is forgivable.
If you still don’t forgive him, that’s alright. But to neglect this aspect of his character is, to be frank, baffling, if you’re trying to participate in the spirit of the series and understand everyone’s crime to the fullest extent. And to make jokes, comparing your own experiences to Haruka’s, since you assume him to be neurodivergent and nothing else, does a huge disservice to his story! And, when it’s done to demean him? It honestly comes off a slight bit ableist.
So, I’d like everyone to keep this information in mind moving forward. Don’t infantilize Haruka for his disability. But do consider this information in your analysis posts, your discussions, and so on. I’d like to see this become common knowledge in the MILGRAM fandom, especially since the idea of him being specifically autistic-coded is so widespread by this point.
Thank you!
A lot of adulthood is shouting “AUGH MY LAUNDRY” hours after you put it in the washer/dryer and running to go fetch it
OHHHH THEY ALL DIED WITH SMILES CHAT WE’RE COOKEDDDDD IM INCONSOLABLE
things never to say to someone who just came out, Saiki K edition
I love your art style! it's so.. bonusy no gamey
I’ve been super busy so take an old snippet of a comic I never finished (ignore the designs being outdated shh)
Ceilings - Lizzy Alpine
I saw this clip on Youtube and I immediately thought about them