Landsknecht Bimbofication

landsknecht bimbofication

More Posts from Awaybyrail and Others

7 months ago
He's So Freaking Cool..

He's so freaking cool..


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7 months ago

to go even further, im not sure that "the brain without sensory input" is right either. im not sure that there *is* a brain, while you are in the pale. maybe you are dissolved into concepts, just a memory that remembers its own self. and with the aid of some techniques, you are simply re-embodied in a different place where the pale meets material reality. and the effects of the pale on cognition are a sort of conceptual cross-radiation, where other things become part of this idea of yourself, and as you are re-embodied, you still carry them with you

quick question to the lore masters: is the pale white or black? the paledriver says it's like looking into the ocean at night when harry asks how it looks. but it's called pale lol and in some canon artwork i saw it look like white clouds. i suppose realistically, the light should not be able to penetrate it at some point right? and if it's the opposite to things existing it makes more sense it's a literal hole in the world so should look pitch black?

10 months ago

1st image:

Punta de Hidalgo lighthouse, by Ramiro Rodriguez-Borlado (1994).

Tenerife - Canary Islands, Spain.

© Roberto Conte (2023)

2nd image:

One of the "arkhitektons" by the Russian artist Kazimir Malevich, a series of models of avant-garde architecture produced from 1923 to the early 1930s and a way to apply to the three dimensions the principles of suprematism.

Moscow, Russia.

© Roberto Conte (2017) Follow me on Instagram

1st Image:
1st Image:

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3 months ago

[“In his extended study, Viet Cong, published in 1966, Pike went to some length to show that the success of the Viet Cong came not so much from their use of violence and terror (as many Americans assumed) but from their organizational methods. By 1970 he had given the subject a new emphasis. “Terror,” he said, “is an essential ingredient of nearly all [the Viet Cong's] programs.” And he went ahead to show his own colors:

A frank word is required here about “terror” on the other side, by the Government and Allied forces fighting in Viet-Nam. No one with any experience in Vietnam denies that troops, police and others commanding physical power, have committed excesses that are, by our working definition, acts of terror.… But there is an essential difference in such acts between the two sides, one of outcome or result. To the communist, terror has a utility and is beneficial to his cause, while to the other side the identical act is self-defeating. This is not because one side is made up of heroes and the other of villains. It is because, as noted above, terror is integral in all the communist tactics and programs and communists could not rid themselves of it even if they wanted to. Meanwhile, the other side firmly believes, even though its members do not always behave accordingly, that there is a vested interest in abstaining from such acts.

Interestingly, Pike's “working definition” of terror was the “systematic use of death, pain, fear and anxiety among the population (either civilian or military) for the deliberate purpose of coercing, manipulating, intimidating, punishing or simply frightening the helpless into submission.” And by that definition the entire American bombing policy in Vietnam, North and South, was a strategy of terror. Even within the narrower definition of “terror” as an unconventional, clandestine act of violence — an assassination or a satchel-charge bombing — the Allies had been using terror deliberately for a number of years through professionally trained paramilitary units such as the Special Forces and the Provincial Reconnaissance Units.

As head of the Psychological Warfare section, Pike knew this as well as anyone in Vietnam. Only he, like many Americans who backed the Vietnam War, ascribed the best of motives to the Americans and their allies, while laying all the evil at the door of the enemy. It was the same kind of bad faith and bad conscience that in 1967 inspired all the American rhetoric about “revolutionary development” and “building democracy” in Vietnam. It was the same kind of rhetoric that inspired the unrestricted use of violence upon the Vietnamese.”]

frances fitzgerald, from fire in the lake: the vietnamese and the americans in vietnam, 1972


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awaybyrail - it is what it is until it is something else
it is what it is until it is something else

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