I’ve Seen So Many Little Kids Who Now Social Distance Automatically Because It’s Been Ingrained In

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nobody warns you that writing makes you obsessed with hands. what are they doing? are they trembling? are they clenched? are they—

Death will not free you of your duties, Jason Grace

I've seen that a part of the fandom seems to think Percy treated Nico horribly or something, but I don't remember anything like that at all. I thought Percy was better to Nico than most people. I thought you'd be able to clarify, where did the whole Percy treated Nico badly thing come from? Is there something I'm forgetting? Thoughts?

Probably came from the part of the fandom that’s just whack. Like, from the antis who hate Nico/Percy and scramble for any “reason” to hate it, because they can’t just say “hey, this isn’t my taste! That’s okay! I’ll be over there, with the thing I like instead, you have fun with yours!”, they need ““valid”“ reasons to hate a ship so they’ll overexaggerate things. There are also, weirdly enough, people in this fandom who dislike Percy - and yes, yes, in a fandom that bears said character’s name and tells five whole books from said character’s perspective it is fundamentally weird if you ARE in this fandom and dislike the titular protagonist why are you even here - so, yeah, I’m sure a lot of it is also just bullshit to hate on Percy and, potentially, to prop certain other things; characters or *cough* ships, up. So, I’m sure that about 85% of those complaints root from those three things.

The other 15% are somewhat based in reality.

Like, Percy being kinda dismissive and annoyed by overly excitable kid Nico when they first met. When. Uh. Percy was a whole kid himself back then and yeah you can get annoyed? Some people also think Percy should have done “more” for Nico in PJO and be nicer to him. More than... spend literally over a year searching everywhere for Nico, trying to find him and bring him back to camp?

I’ll give them one thing; Percy’s reaction in Mark of Athena wasn’t stellar, when Nico had just been kidnapped and tortured and nearly died and Percy was like “I wanna wring his neck for lying to me” - but, deadass, that was less Percy and more Riordan; he wrote real shit in that book, because this was also the book that brought us Annabeth judo-flipping Percy to punish Percy for getting kidnapped and memory-wiped. Riordan was on a real victim-blaming streak there and on a “this child has just been traumatized? Better add physical violence For Funsies!”.

For some reason, Riordan really laid heavy on “villainizing” Percy in HoO; the forgotten promises part, making it look like Percy was a shit friend to Bob and to Calypso and to Nico and then making his own fucking girlfriend act like she’s afraid of him in Tartarus because even she isn’t sure what he’s capable of. It was like a bizarre mirror world where Riordan tried to play dark!Percy but uh with our regular Percy and no real base...?

So I can somewhat see where people took that awful canon characterization of Percy and just applied it to that.

But you’d have to ask someone who actually believes that shit for their opinion on why they think Percy treated Nico poorly, because seeing as how I don’t subscribe to that warped perception of reality I am truly not of much help on that matter. xD

Olá, como tudo bem? Esse é o primeiro post do projeto "Escrevendo histórias". Serão posts semanais, as quintas ou nas sextas. Espero que eles possam te inspirar!

how exactly did the percico family come about?

OOC: sorry for the delay.@multifan24006 you say you want a kiss. well there you have it, owoalso @timwaynetheloser you have the same question so here is the answer :V

Writer’s Guide to Unreliable Narrators

Unreliable narrators are narrators who intentionally or subconsciously mislead the reader with their own bias and lies. I love nothing more than a narrator who deceives me. There is something incredibly charged about not being able to rely on your guide through a story. So how can we write them?

Determine What Kind of Unreliable Narrator your Narrator is.

There are five kinds of unreliable narrator we see in fiction, each with their own way of leading the audience astray.

The Unstable: This narrator is usually an unstable character with problems with grasping reality or having trouble accepting it so they bend it to their own tastes. Example: Arthur Fleck in Joker & Amy Elliot Dunne in Gone Girl

The Exaggerator: the one who spins fanciful lies to embellish the facts of the story around them. Usually they embellish it in such a way to make themselves look good.

The Child: Though children can be a font of truth, they often have a way of muddling facts and being confused by certain aspects of the story they are not versed in. Example. Bran in A Song of Ice and Fire & Scout Finch in To Kill A Mockingbird

The Biased: The biased Narrator is usually an outsider. They enter the world with preconceptions of the world and/or characters around them. Usually they get disabused of their biases by story’s end but not always. Example Damen/Damianos of Akielos in The Captive Prince Trilogy

The Liar: The Liar is simply just a liar liar pants on fire. They twist the narrative and outwardly lie about their actions and the reactions of others. The liar is self-serving, usually narcissistic. Example Cersei Lannister from A Song of Ice and Fire.

How to Write Your Unreliable Narrator

The thing you must remember is that your audience immediately trusts your narrator, they have no other choice. It is a given. However, it is your job to break that trust.

Allow the narrator to outwardly lie. Let them spout half truths or full out lies in the narrative. The audience will take what your character says as the gosphel until slapped with a conflicting account or detail. It provides a wham to the story that becomes a turning point. Perhaps the best example of this is Amy Elliott Dunne in Gone Girl (I recommend). She introduces herself as a sweet housewife who loves her husband despite her fears over his temper. However, in the section of the book she narrates she quickly flips Nick’s account of the events leading up to her disappearance, turning the audience on their head so fast none of us have a chance.

Allow the character to mislead your audience with the absence of details. Your story is one big chain, omit a link and the thing is useless & subject to the questioning you want to draw out of the audience. For example, Daenerys Targaryen believes wholeheartedly that the house with the red door is in Braavos. However, she vividly remembers a lemon tree outside her window and sunsine. But lemon trees cannot grow Braavos and it is notoriously damp and cold. #lemongate

Speak to your audience through the events of the story, bypassing the narrator to get through to the audience. Sometimes the best reveal that the narrator cannot be trusted is showing the audience evidence that they are either not seeing what’s happening or they are ignoring it. For example in Captive Prince, it is almost explicitly suggested that the Regent molested his nephew Laurent as a child. If one ignores Damen’s narration, the signs are there to see from Laurent’s reaction to his Uncle’s presence and in some of Laurent’s words. Damen chalks this down to Laurent being a brat and the Regent just being a villain. He has to be told despite the audience realising or at least suspecting it from the second book onward.

Play off your secondary characters. Use the characters around your narrator to disprove their account if the story and completely flip the story on its head. Usually, I trust the secondary characters when it comes to Unreliable Narrators. For example, Cersei Lannister gets her own POV in a Feast of Crows. Up until this point she has been very mercurial in her reactions in the first few books, to the point where other characters and the audience are confused about who the real Cersei is: the shrewd polictian or the wine mom with way too much faith in herself and her spawn. In truth, Cersei is incredibly paranoid about those around her and she thinks herself the cleverest player in the game. However, from others such as Tyrion, Tywin, Littlefinger and the members of the Small Council (who yes, all have a touch of misgyny to their criticisms of Cersei but really most of their points have a point since she is mad as a box of frogs) we see that Cersei tends to make enemies out of allies, assume the worst in others and make political choices to spite others or to put her faith in those who offer her little more than flattery.

Don't forget to post your fanwork in our AO3 Collection [here] and tag us ( @percico-nicercy-events ) if you share it on tumblr so we can reblog it!

Plain text below.

12 Days of Nicercy Christmas

Dec 14th - 25th, 2024

Prompts

Dec 14: Pears | First

Dec 15: Doves | Two

Dec 16: France | Hens

Dec 17: Calling | Four

Dec 18: Gold | Rings

Dec 19: Eggs | Geese

Dec 20: Swans | Grace

Dec 21: Milk | Eggnog

Dec 22: Dancing | Mistletoe

Dec 23: Jumping | Lordship

Dec 24: Flutes | Eleven

Dec 25: Drums | Ending

The best subplot in Order of the Phoenix tbh…