Latest Posts by aufanim - Page 4
adrienne rich, of women born: motherhood as experience and institution / alexandra levasseur - body of land collection, 2015 / ana teresa barboza - bordados collection, 2004 / margaret atwood, “europe on $5 a day” / tracey emin - it was all too much, 2018 / clarice lispector, a breath of life / gérard lartigue- femme bougie, 2018 / jenefer schute, life-size / louise bourgeois - i DISTANCE myself from myself, 2010 / wayne koestenbaum, “figure” / henrik uldalen - caries and surge, 2017 / andrés cerpa, “the vault” / jennifer’s body (2009) / enrico robusti- food, sex, & irony collection, 2014 / sylvia plath, the bell jar
i distance myself from myself
Food $200 Data $150 Rent $800 Trying to rekindle the lost spark between me and my ex-husband by funding his Institute: $80,000 Utility $150
someone who is good at the economy please help me budget this. my family fortune is dying
insane how movies people commend for their lgbt subtext (reservoir dogs, fight club, the matrix, generally most filmbro movies in this case) oftentimes end up being the best representation lgbt people get, considering most mainstream queer films are exaggerated portrayals of lgbt experiences that miss the mark because of bad representation or unrealistic characters, and films that people interpret as lgbt in any way despite not being explicitly so serve as more realistic portrayals because the characters aren't written like the stereotypes seen in "canon" queer media and they're allowed to have their stories told as fully formed people while also being gay or trans, since hollywood stereotypes don't apply to people irl. in short subtext can and does help subvert harmful characterisations whether it's obvious or not
Donna Beneviento: Nyuta Valerius.
Karl Heisenberg: omu.
fight club, david fincher // man to man, dorian electra // untitled (you construct intricate rituals), barbara kruger
