It’s Very Late

life is like a highway

you get hit by a car and then you get hit by another car and then you get hit by another car and then you get hit by another car and then you get hit by another car and then you get hit by another car and then you get hit by another car and then you g

please baby come back I promise I won't transmit horrific images into your mind via our psychic bond anymore

adrienne rich, of women born: motherhood as experience and institution / alexandra levasseur - body of land collection, 2015 / ana teresa barboza - bordados collection, 2004 / margaret atwood, “europe on $5 a day” / tracey emin - it was all too much, 2018 / clarice lispector, a breath of life / gérard lartigue- femme bougie, 2018 / jenefer schute, life-size / louise bourgeois - i DISTANCE myself from myself, 2010 / wayne koestenbaum, “figure” / henrik uldalen - caries and surge, 2017 / andrés cerpa, “the vault” / jennifer’s body (2009) / enrico robusti- food, sex, & irony collection, 2014 / sylvia plath, the bell jar

i distance myself from myself

Dead Ringers (1988) / Louise Bourgeois, Untitled (1986)

“Horror Movie” photographed by Steven Meisel for Vogue Italia, April 2014

are you really idolising Patrick Bateman right now

not only am i idolizing patrick bateman i additionally 100% condone murder.

im writing this email and wishing you well mama we all go to hell

Luke Gilford spent four years immersing himself in LGBTQ+ rodeo culture – and discovered a world where steer-roping meets lip-sync battles and camp glamour

Uncontrollable compulsions