I Don't Like This, Nor Am I Really Sure Of What It Is, And It Is Certainly Not I Wanted It To Be, But

i don't like this, nor am i really sure of what it is, and it is certainly not i wanted it to be, but it exists as it does, and maybe that's alright for now.

As a child, Art spent a lot of time in the nurse’s office, complaining of the typical childhood ailments that Ms. So-and-So, name and face turned beige and fuzzy in the backlogs of his memory, was so weary of seeing. Headaches from staring too long at small font and big numbers, scraped knees from trying just a little harder than everyone else in gym, and stomachaches. Mostly stomachaches. Whenever she asked him to describe the feeling, voice tinged with the sticky-sweet honey of thinly veiled aggravation, he found himself struggling to. It wasn’t pain, per se, or at least not in the traditional sense. No feeling a pulse where there was no heart beneath skin, nothing to dig at with bitten down nails. All that was there was the awareness that something wasn’t normal, or if other kids his age felt that way, they’d never made it known. He chose the word nauseous, usually, and took the time to lay on the old leather bench in the corner of her office, covered in a thin sheet of paper which crinkled each time he moved. The stomachache would never really leave before he went back to class.

When he thought about it, it wasn’t just a feeling beneath the skin that he wasn’t normal, because they clearly felt it, too. Not that he couldn’t hold conversations, tell the right jokes to pull a laugh from a light, youth-filled chest, he could. In fact, he did so quite well. Nana’s little comedian. But he never had friends to come home with after school, crammed in backseats next to the booster of a younger sibling. No one to giggle with over carrot sticks and crustless peanut butter sandwiches at lunch, over girls, sports, maybe just nothing at all. No one who’d send him smiles sans front teeth without having one sent their way first. 

His Nana always said he was perfect, his mother always said it was a maturity thing. The other kids would catch up someday, as if he existed on some superior form of youth more akin to adulthood. An incoming peak in college. But he didn’t know that that was true. He was born a middle-aged man, ready to sleep his days away and eat more than his fill to distract himself from that ache emanating from his very core. And if he was already that old, by the time his peers reached that age, he’d be dead in a living body. He hoped, though, that his mother was right, more for Nana’s sake than his own. He doesn’t think she could bare the weight of a second unlovable child, even if he’s not truly hers.

Tennis had given him something, though. An outlet, in all the ways that didn’t matter. A means of venting his frustrations with himself, his family, his ‘friends’. In the ways it did matter, however, it was medicinal. A balm to alleviate that inherent wrongness within him. The discomfort from being thirty at the age of seven. The overwhelming anger he never showed to anyone, because a boy his age should have no reason to be as upset with the world as he was. It worked magic, though, making strength from thin arms, chiseling stronger features into the stone of a hard-set jaw, pulling new muscle from old bone. It was the youngest he’d ever been, when he was on the court. He hurt afterwards, yes, from soreness, but it felt righteous. Like his suffering, in some form, was meant to be there, even if he hadn’t learned what it was all for yet.

It gave him Patrick, too. The first person who met his eyes and seemed to see through him, not just see what he presented. Patrick was smart, even if he pretended not to be. Art couldn’t understand that for the life of him, why Patrick so often pretended to be stupid. He was naturally more open, confident, out-spoken than Art, yes, but in the quiet of their dorm he found Patrick could be quiet, too. Soft-spoken, gentle if need be. And no one would believe him if he said the boisterous Patrick Zweig had it in him to be soft, much less sweet. But he learned, eventually, as Patrick must have done at a younger age. When Patrick spoke, loud enough to swallow up a room and fill it with himself, and just dumb enough to give people something to poke at, he got attention, validation that he was worth looking towards. Art learned to understand. Art learned to be dumb, too. He learned to become what he wasn’t, or more accurately, who he wasn’t. He felt sick most times for it, the restless, hungry pit in his stomach not necessarily satiated by it, but it quelled it some days. 

When Patrick slung his arm around his shoulders one day, likely only in an effort to show off the corded muscle to the giggling blonde across them, he spoke for Art like he knew what he wanted. 

“We’re going to pro together, y’know, after this is up. Don’t you wanna be able to brag about fucking a tennis player?”

The language made Art wrinkle his nose a bit, but he laughed anyway, entranced by the way Patrick followed up his words with a swig of whatever it was in his cup. Maybe to wash away the gluey, cloying feeling of significance. Maybe just to wash down the guilt. They’d never discussed the matter together, come to think of it, because Art didn’t know what he wanted. He loved tennis, yes, loved Patrick just the same, but he didn’t quite know what it was he wanted to do with himself. It felt like he’d figure himself out if he just waited a bit, after all, that incoming college peak was nearer and nearer to rounding the corner and actually being his life. They still didn’t discuss it when Patrick came home later that night, tugging a shirt back into place where it clearly hadn’t been seconds ago, and he dropped onto the pillow with a heavy sigh, nuzzling his face into it. That asshole couldn’t even be bothered to stay the night. And still, he knew that if asked, he’d do it. After all, who was he without stitching himself to Patrick’s side? He wasn’t sure he knew. It made the offer he’d accepted from Stanford feel that much worse.

After Patrick came Tashi, bright, beautiful, lovely Tashi. And after that Tashi came the hardened one, legs always crossed at the knee like anyone could forget what was hiding. And Tashi saw him reborn into his own greatness, shaky on his knees like a foal. Each time she looked his way, he felt some jagged piece within him, one he’d never known to be out of place, click into position. Maybe it was that she’d kissed him like he thought he’d wanted when he was eighteen, bright-eyed as he could be, but never quite as bright as the other hopeful suitors surrounding her. Maybe it was that he got the attention which she gave out so sparingly. Maybe it was the surgical precision which she stared at him, like she was peeling back each layer of skin to find the brown, softened beginnings of rot. She was like a scalpel in that sense, always opening, opening, opening, and never quite cracking in return. Not even a chip. Each remark, about him, about his game, the occasional reference to a boy they once knew who would never truly be a man, nameless like it’d kill them to say aloud, was a knife. Sometimes, if he thinks hard enough, she can practically feel a stab wound forming where their tongues brush in a kiss, the rising copper from it. He thinks she’d still look beautiful with crimson-soaked teeth. She’d be beautiful if she hurt him.

He called Nana about Tashi quite a bit, her voice always shakier than the last time. It always took more and more effort for her to speak, and less and less words would come out. But he took each one gratefully, like a small gift which he’d never done anything to deserve receiving. Just like Patrick’s stolen personality, or Tashi’s stolen career. After all, where he was was just an amalgamation of his only loves’ stolen dreams. He sometimes wonders where he’d be if he didn’t naturally suck the life from all he touched. Nana seemed to like Tashi. The usual questions always came: marriage, children, the future proposal plans. He always laughed about it, huffed and shook his head like he was already an exasperated father, saying ‘someday’ to placate her. Maybe he would make that true, and maybe he wouldn’t. Because when he looked to Tashi, Tashi brushing her hair, Tashi tying the laces of her shoes, Tashi humming just a bit too loud at six in the morning as she brews her coffee, he thinks he’s never deserved anything less. Then again, maybe it’s not about deserving things. Maybe love can genuinely be unconditional, even if it’s for him. He shudders to think. He feels warm. His stomach hurts.

More Posts from Asheepinfrance and Others

1 month ago

a revival


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1 month ago

ava. oh ava. my god you pull each nerve in my body until everything thrashes with hurt and need and still there's tenderness in the fact that you even know where to search to effect me at all. you are an artist, truly

lavender haze (acoustic) | art donaldson x reader

warnings: age gap (10 years), divorced!retired!art, divorce mention, cursing

Lavender Haze (acoustic) | Art Donaldson X Reader

The world is a blur of cameras and neon when you find him again.

Outside the Monte Carlo hotel, somewhere between a post-match press conference and the second glass of something too expensive, you see him—backlit in the haze of dusk, hands in his pockets like they don't remember how to hold a racket. Art Donaldson, former world number one, standing like a myth trying not to be remembered.

You don’t call out to him. You don’t have to.

He turns like he already knew you were there.

For a moment, you just breathe the same air. He in his shadow. You in your spotlight.

The lavender dusk of the city softens everything but him.

He looks the same as when you saw him this morning. Maybe a little undone. Hair slightly unruly from fingers running through it too many times. 

You’re still sweaty from the match. Still painted in makeup for the cameras. Still dizzy from the reporters who asked more about him than your fifth straight win on the tour.

Is it true you two were seen together in Ibiza?Are you dating a former champion to boost your media appeal?How does it feel to win on a court he made famous?

Your lips had twitched. You’d smiled like a good girl. Like you weren’t screaming underneath.

But now, here he is. And suddenly, you don’t want to be good anymore.

He doesn’t speak, just opens the door to the hotel like it’s a habit. Like you belong there. Like you always have.

And you do.

You’ve been in a committed relationship for nearly a year, not that it stops the press from acting like it’s still gossip. Like you’re still a secret. Like he didn’t sit courtside for every match of your first major title and kiss you in the hallway when no one was looking. Like he didn’t leave behind a legacy and ten million dollars in endorsements just to stop pretending.

You’re twenty-three. He’s thirty-three. It’s never mattered more than it does to everyone else.

To you, he’s just Art. Tired, brilliant, infuriating. To him, you’re the only thing that doesn’t make him feel like a ghost.

The door clicks shut behind you.

And the world falls away.

He doesn’t kiss you right away.

Instead, he walks to the kitchenette, opens the mini fridge, and pulls out a bottle of water. Tosses it over his shoulder. You catch it one-handed, cap already half-twisted before he turns back around.

"You’re still favoring your right hip on the cross-court," he says.

You unscrew the cap. Take a sip. Let the silence stretch.

"You think I don’t know that?"

Art shrugs, leans against the counter. "Didn’t say that."

"Didn’t have to."

You cross the room. He doesn’t move. You stand close enough to feel the warmth of him through your sweat-damp dress.

“You watched from the lobby again?” you ask.

“Better view of you than the court,” he murmurs.

That pulls a breath from you. Not quite a laugh. Not quite a sigh. You let your forehead rest against his chest, eyes fluttering shut. His arms slip around your waist like he’s been waiting all night to remember how you fit.

He smells like something clean and simple. Not soap. Not cologne. Just him.

“God, they wouldn’t shut up about you,” you whisper.

He doesn’t answer. Not immediately. Just runs his fingers up and down your spine, slow enough to still your nerves, steady enough to make you ache.

“Then don’t talk,” he says eventually, like he’s trying to spare you. Like silence is something he can give you.

The words hit. Harder than they should. Not because they’re untrue. Because they’re too true.

“Come shower,” he says, fingers tracing the fabric at the small of your back. "You smell like sunscreen. And sweat."

“And you smell smug."

“Worked hard on that.”

You laugh against him this time, and he kisses the top of your head like punctuation.

There’s a comfort in this. In him. And it terrifies you, a little.

Because nothing this good stays untouched forever.

---

The bathroom is warm and fogged by the time you step out. Art hands you a towel without a word, like he’s done it a hundred times, like the rhythm of care comes easy to him in a way it didn’t used to. Not when he was still married to someone who saw him less as a person and more as a strategy.

He brushes a curl of damp hair from your cheek and presses a kiss just below your temple. Not hungry. Not possessive. Just there. Quiet and certain.

You dry off slowly. He changes the sheets.

Neither of you rush.

It’s the kind of night that unfolds like fabric—creased and familiar. You sit cross-legged on the bed, a hotel robe slung loose around your shoulders, watching him move around the room like he doesn’t need to be looked at to feel known.

You pick at your cuticles. The ring light burn still lingers behind your eyes.

“I don’t want to do media tomorrow,” you say softly, not really to him.

“I know.”

You nod. You want him to say more. Want him to say he’ll fix it, or call someone, or take you away from all of it.

But he won’t.

Because that’s what he used to want from her.

And she knew better than to give it.

Later, you both end up under the too-crisp hotel sheets, the TV glowing in the corner like an afterthought. Art flips through the channels until he lands on coverage of the day’s matches—your match. A rebroadcast already looping into highlights. Neither of you speak. He leaves the volume low.

You watch yourself on the screen, hair slicked with sweat, mouth tight with concentration. You know how it ends. You know the score. And still, your fingers curl into the duvet like you’re bracing for something.

Art’s hand finds your knee beneath the covers. It’s instinctive, steady. Grounding.

“…and while her performance today was characteristically aggressive,” the commentator says, “some are wondering if the pressure of dating former world champion Art Donaldson is beginning to weigh on her—certainly a lot of eyes on her for reasons that aren’t strictly tennis.”

You flinch.

Not much. But enough for Art to notice.

He doesn’t say anything. Just reaches for the remote.

You stop him. “No. Leave it.”

He hesitates, then rests it on the nightstand.

You both keep watching, but something shifts. Not the volume. Not the camera angle.

Just the quiet.

A few seconds later, your voice comes through the screen. The post-match interview. You’re smiling like your cheeks are glass.

“I’ve been working really hard on my serve, and I’m glad it paid off today,” you say.

The reporter laughs. “And is Art Donaldson part of that training routine?”

The smile on the screen falters—barely. A blink. A breath. The kind of flicker no one notices unless they know you.

You feel Art watching you now, not the TV.

You shift your gaze toward the screen and force a smile. “They never asked you about her, did they?”

His hand leaves your leg.

“They did,” he says. “They just worded it differently.”

---

The next day, you win your semifinal in straight sets.

Your serve is sharp. Your footwork clean. Your game ruthless.

You walk off the court flushed and breathless and so full of adrenaline it feels like your skin might split open. You're about to head to your first Open final. The crowd roars. Your chest aches with something like disbelief.

A ball kid hands you a towel. A line judge nods with something close to reverence. Even your opponent lingers at the net longer than usual—something like respect in her eyes.

And then comes the press.

The room is cold. Bright. Every chair filled. You’re barely given time to sip your water before the first hand is up.

Microphone passed. Camera rolling.

“Congratulations on the win,” the reporter says. “You played an incredible match today. Given that you’ve now made it to the final—do you think Art Donaldson plans to propose if you take the title?”

The question lands like a bruise.

Your smile doesn't falter. You’ve practiced it too much for that.

But something in your eyes flickers. The corner of your mouth. The twitch of a muscle in your jaw.

You laugh. Not joyfully. Not even politely. Just—mechanically. Enough to smooth the space around the tension.

“I think I’m focused on the match,” you say. “Let’s keep the attention on the tennis.”

They laugh, too. Some of them. But it’s the kind of laugh that says we’re not done asking.

You field a few more questions—strategy, surface preferences, what you’ll do differently in the final, what the color scheme of your potential wedding may be, what Art's impact on your win was. You answer all of them. Not perfectly. But well enough.

Still, when you leave the room, the only part that echoes is Do you think Art Donaldson plans to propose?

No one asked if you thought you could win.

No one asked what it meant to be here.

No one asked about you at all.

---

The car ride back to the hotel is quiet.

Art doesn’t ask how the press went. He must have watched it—he always does—but he says nothing, just keeps his eyes on the road, one hand on the steering wheel, the other resting on the space between you like he’s thinking about reaching for you and deciding against it.

You stare out the window, fingers tapping a nervous rhythm on your knee.

The city moves past you in golds and grays. Traffic, sky, noise. None of it feels real. Your pulse is still drumming from the match, your skin still humming with everything unsaid.

In the room, he unzips your gear bag before you can. Peels your wristbands off. Unlaces your shoes. Not a word. Just care, mechanical and precise.

You pull away when he reaches for your towel.

“I’ve got it,” you say, sharper than you mean to.

Art’s hands drop back to his sides. He nods once and takes a step back.

You pace the edge of the bed, towel in hand, still breathing like you’re on court.

He stands by the desk, watching you for a beat longer than necessary.

“You played well,” he says quietly.

“I know.”

He opens his mouth. Closes it. Tries again.

“I thought maybe we’d order in. Celebrate a little.”

You laugh. It comes out wrong. Bitter, high in your throat. “Celebrate what?”

His brow furrows. “The win.”

“Oh, right.” You toss the towel onto the floor. “The one I apparently earned just to get proposed to. Lucky me.”

Art flinches like you slapped him.

“I didn’t say that.”

“You didn’t have to.”

He says your name, quiet but firm.

And that—more than anything—makes you snap.

“You know what the worst part is?” you ask. “It’s that I knew it was coming. The question. I felt it before the words even left her mouth. I knew. And I still had to sit there and smile like some fairytale ending was more important than my fucking game.”

“That's not what they—”

“Yes, it is. That’s all they see. I could win a goddamn Grand Slam and they’d still find a way to make it about you. About us. About anything but me.”

His voice is low, careful. “You think I want that?”

You look at him, eyes blazing. “I think you’ve lived through it already. With her. And I think you still don’t know how to stop it.”

The silence is heavier this time. He doesn’t deny it.

---

The next day, you win the Open.

Straight sets. You don’t drop a single game in the second.

It’s one of the cleanest matches of your life. And when the final ball hits the back fence, you drop your racket and scream, but it doesn’t feel like joy. Not really.

You wave to the crowd. You thank the chair umpire. You wipe your face with a towel you can’t feel in your hands.

Art’s waiting at the edge of the court, behind the camera crew. His arms are open. He looks proud. Cautious. Already bracing.

You walk past him.

Not cruel. Not theatrical. You just keep walking.

He doesn’t follow.

And the cameras catch all of it.

---

Back in the hotel room, the trophy sits on the table beside the TV.

You haven’t spoken since the ride back.

Art ordered room service. He didn’t ask what you wanted, just got the usual. Pasta, grilled chicken, a green juice you’ll pretend to drink.

You eat half of it standing up. He eats none of his.

He moves around the room like a ghost—quiet, competent, unbearably gentle. Every drawer he opens, every charger he plugs in, every shirt he folds feels like an apology he doesn’t know how to say out loud.

The match plays on mute in the background.

You sit on the edge of the bed with your knees drawn up, watching yourself lift the trophy in slow motion.

Art disappears into the bathroom. The door doesn’t lock, but he closes it anyway. The sound of running water fills the silence.

You press the heel of your hand into your chest and breathe. In. Out. In.

You don’t cry. Not yet.

You lie down while he’s still in the bathroom. Face turned toward the wall. Back to where he’ll be. If he comes to bed at all.

He does. Eventually.

He doesn’t touch you.

You don’t ask him to.

---

You wake to light on your skin.

Gentle, warm, not quite golden yet. It filters through the curtains, spreads across the bed. The kind of light that feels like a hand on your back, like the world trying to tell you it’s okay to open your eyes.

You blink slowly. Turn your face toward the window.

And then, toward him.

He’s sitting in the armchair by the balcony doors. Hair a mess. One ankle tucked over the other. Elbows resting on his knees. Awake, but not fully. Holding the mug you always steal from him.

He looks like someone who stayed up too late thinking, then woke too early from not enough sleep.

You sit up.

He doesn’t move, but his eyes meet yours.

“I’m sorry,” you say, voice rough. Honest.

He doesn’t ask what for. He just waits.

“I shouldn’t have walked past you like that,” you go on. “I was angry, and I didn’t know where to put it. And I—” Your voice catches. “I wish I could take it back.”

His jaw works, like he’s trying to decide how much to let you see.

“You’ve got nothing to take back,” he says finally. “You were angry. You were right to be. I just wish it hadn’t hurt you so much to prove it.”

Your eyes sting. You pull your knees to your chest.

“I think I needed someone to blame. And you were there. And kind. And that made it worse, somehow.”

He doesn’t flinch. Doesn’t argue. Just stands. Crosses to the bed.

He sits beside you, not too close. Not yet.

“I knew what they’d say about you,” he says. “When we got together. I knew what they’d reduce you to. I told myself I could protect you from it.”

You look at him. “You couldn’t.”

“I know,” he says.

You lean your head against his shoulder. This time, he lets it rest there.

And when he wraps his arm around you, it feels like morning for real.

Not just another day. Not just damage control.

But something softer. Something that forgives you both.

Something worth building from.

You sit like that for a long time. Not speaking. Just breathing. Just being.

And then, quietly, almost like you’re afraid to break it, you say, “I do want to marry you someday.”

You feel the way his body stills. The way his breath hitches. He turns just enough to look at you—like he needs to see your face to believe it.

His eyes are glassy. Open. Younger than they usually let themselves be.

And then he smiles. Not wide. Not smug. Just… honest. Hopeful.

The way someone does when something they didn’t dare ask for is suddenly being offered.

You don’t need him to say it back. He already has.

You just lean a little closer.

And this time, he meets you there.

-----

tagging: @kimmyneutron @babyspiderling @queensunshinee @hanneh69 @jamespotteraliveversion @glennussy @awaywithtime @artstennisracket @artdonaldsonbabygirl @blastzachilles @jordiemeow

1 week ago

annie can we kiss under the slide

Snippits From "Endure" [sfw]

Snippits from "Endure" [sfw]

A longer piece I'm slowly working on, exploring Patrick's life. It jumps back and forth from the past to the present as he recalls moments from his childhood while also visiting his family properly for the first time in years. If you've stuck around, you've seen me post bits from this before.

I'm taking a mini-break for school right now so I don't have anything new and complete, but I'd like to give you guys a little more from what I've shared before. This is my favorite work in progress right now!

Snippits From "Endure" [sfw]

Patrick has a small list of memories he allows himself to think about. He prefers the company of the time he first kissed a girl ('02, Cindie McLoud), or the last time he got a ribeye steak, imagining how the juice pooled down his tongue and throat, the rosemary butter in his nose and the meat in his teeth. They were bittersweet, but they passed the time and dulled the ache in his heart.

His longing heart. How it begged for Patrick to remember more.

There are times he lets himself remember, crystal clear recollections that he calls to only when the cold of winter nips at his bones through the door of his CR-V, the heater cranked too high and Hot-Hands stuffed everywhere he can get them. When the memory of a ribeye does nothing for the groaning rumble of his stomach, as his account mocks him with $27.89, and his tank teasing E. It was a different kind of pain to feel than the freezing bite of cold.

He's biting the end of an unlit cigarette so hard he can taste the filter and even the nicotine, grimacing and spitting it out onto the sidewalk. When he moves to grab another one to light, the pack's empty. Everything Patrick has left is for gas and something to eat tomorrow, so he leaves it, going back to staring at the house before him.

Patrick hasn't been here in almost fifteen years, but it feels like the most familiar place on Earth. He could still map it out, give every corner and every secret and every detail with his eyes closed, tell you the best spots to hide. It almost feels good to be back, like something died in him is giving its last croaking breath and reaching out to that house, and he wants to just shove it back in and turn around.

Snippits From "Endure" [sfw]

His father, narrow-browed and imposing at the head of the table, sipping from wine as he fired accusations across to him.

"How's your forehand? It better be improving."

"I've spoken to your coaches, do you think you're doing good? Don't lie to me, boy"

"Your teachers say you've been slacking off. Is this how your mother and I raised you? A slacker. A failure?"

The last one spoken as he loosened his tie, the table quiet and as tense as a pulled bow. Everyone waited for his fingers to slip, for the arrow to shoot. Patrick could feel it strike him right in his heart. His longing heart.

"Your mother and I've decided you're staying during the breaks. It's a waste of time— I'll pay someone to keep coaching you there."

He was bleeding into his lap, sputtering onto the table, pooling across the floor beneath him and soaking into his socks, and nobody cared to ask.

The next Christmas break is spent on the court, hitting targets and biting the inside of his cheeks. Going back to climb into his empty room with his arms screaming exhaustion and legs shaking with every step, Art's side silent and empty, with a small envelope on his bed and $500 inside. Flipping the envelope upside down. Maybe, just maybe... no. No card.

His eyes stayed on the flashing red and green lights out his window, wondering what they're doing back home, listening to Backstreet's Back low on Art's stereo. Imagining the taste of his grandmother's challah and brisket and wishing his father was pulling that bow and pointing it to his chest at the table. Patrick whispered what he thought he'd say, harsh and cutting and accusatory, the words seeping into the wallpaper and holding them for him.

He couldn't look at it, at those walls holding his pain in its pores. Patrick could hear them spoken back like an echo, and covering his ears did nothing to stop them. The words like water seeping through the cracks in his fingers, pouring and absorbing into him until they became everything he is. His whole body the voice of his father across the table. Even now, at thirty-one, he's never been wrung dry.

Snippits From "Endure" [sfw]
1 week ago

Big Shoes to Fill

Big Shoes To Fill

or, lily follows in her parents' footsteps.

an: i've only ever written small portions of stories from lily's perspective, and i think this was a fun little challenge at expanding that. i feel she needs more love. thank you @tashism for choosing this story, i hope i did you justice. extra thank yous to @newrochellechallenger2019, @artstennisracket, @ghostgirl-22, @grimsonandclover, and @diyasgarden for their willingness to help me out. it is not unappreciated.

tag list: @glassmermaids

Big Shoes To Fill

Lily’s new shoes are pink, and the white rubber toes shine when the sun hits. She had wanted the pretty ones with the rhinestones, the ones that light up when she stomped her feet, but Mommy said no. She insisted the tennis ones were so much prettier, baby. That they were ‘professional’, the kind the big girls wear. As she looks down at them now, laces tied in a haphazard tangle by small fingers on the left, and a precise, delicate bow on the right by her mother’s hand, she thinks she should’ve fought a little harder for the light-up shoes. Her skin is tacky with sunscreen and perspiration, cheeks flushed, hands just a bit too clammy to hold the racket the way she’s meant to. 

“Fix that grip, Lils!”

And then a flying yellow blur floats over the net and to her side, she stretches her little arms to reach, and hears that little tink of connection. It bounces, rolls, rolls, rolls… then stops like it’s proud of itself, right against the bottom of the net, the white line amongst the yellow fuzz beaming smug and stuffed to the brim with schadenfreude. Lily hears a sigh, the steady tap, tap, tap of a foot against the clay court, and then the half-hearted smack of hands against thighs. Mommy does this sometimes, when she’s upset at Lily. Or upset because of Lily’s playing, as Mommy insists is different. But, as far as she can tell, it’s still her fault. Mommy wouldn’t be sad if she could just figure out the tennis thing. And she just can’t. Not with all the coaching, or the miniature rackets, or the nights spent falling asleep on the couch because Mommy and Daddy are up too late watching matches to tuck her into bed. 

Mommy went inside, probably for a break, maybe a little AC, maybe to stare at old photos of herself and breathe just a little bit harder. Sometimes, she swaps Lily out with Daddy. In terms of tennis, he’s rare to disappoint the way Lily was. He racked up win after win after win, smothered in trophies and sunscreen and something blue and bruised beneath his skin, and that’s what he was known for. So, he became therapeutic, in a way. A distraction, a lover, a means of vicarious victory, and the target of misplaced frustrations. Lily sits on the grass for a bit and blows some dandelion fuzz into the breeze. She thinks about what it’d be like to be a flower.

Mommy went to bed right after dinner (Mommy and Lily had a burger and fries, Daddy just ordered a salad), complaining of a headache that just wouldn’t quit. Her lips are quirked politely, something like a smile that never quite made it all the way resting on her cheeks. Lily knows that’s a fake one. She’s learned the difference. Lily knows it’s fake because her chest isn’t burning with that warm, golden feeling. Mommy really smiles when Lily makes a good serve, or when her drawings are deemed good enough to hang on the fridge with a little U.S. Open magnet. And Lily watches her face lift and her eyes crinkle and thinks, for a second, she really is as special as her parents say she is. She doesn’t feel that now. Daddy brushes Lily’s back with his fingers when he passes behind her to put the used forks in the sinks, Mommy doesn’t like the plastic ones, and she doesn’t move. 

“What’s going on in that big brain of yours, Lilybug?”

She shrugs, huffs a little bit, doesn’t giggle when he blows a raspberry into her temple. She wants to, but she’s got to make it clear this is serious. Adults never laugh when things are important, she thinks. That’s why Daddy looks so angry during matches. He pulls back and frowns a bit, hands on his hips. She turns his way, and the visual makes her lip puff out and tremble a little. She can’t help it, really, but she just keeps upsetting people. She’s tired of making everyone so sad. 

“Do you think Mommy is mad at me?”

He does something funny then, curves in by his tummy. It looks like the fallen Jenga tower from last week’s game night. Daddy always chooses Jenga, says he’s too good to beat. Lily always beats him, and it’s the only time he looks happy to lose. She thinks that’s silly. He pulls up a chair at her side, and she doesn’t like the way the metal sounds against the wood floor. It’s easier to be sad when it’s quiet. 

“No, baby, ‘course not. Why’d she be mad at you?”

She shrugs, places a small chin in a smaller hand, stares at the granite countertop like it’s personally offended her. Like it’s staring back.

“‘Cause I’m supposed to be like you guys, and I’m not. It makes Mommy angry that I’m so super bad at tennis.”

He wants to smile, but he can’t, not when this little girl at his side is feeling things bigger than her body, than her vocabulary can provide her with a word for. Sweet girl, too, that she cares. That she just wants her mama to be happy, proud, something that isn’t going to wrack her with guilt for being herself. Still, he takes in that miniature pout, the one her mother so often wears in moments of her own frustration, and places his fingers in her hair, puffing up what had been pressed flat by a ponytail moments ago. 

“She’s not angry. She’s just… well, it’s hard. You know what happened to Mommy. You know how bad she misses it. She just wants to see you grow so, so strong, like she was. That’s all.”

Lily nods. She knows. She knows as much as she’s been told, at least. Not with words or stories, but through little tell-tale signs. Through her mother’s insistence on long skirts, or taking extra with her lotion at the bend of her knee, right where the little white line is. She got hurt. Something band-aids and boo-boo kisses couldn’t make go away. She’ll get an ice pack for Mommy next time she sees her.

“But, what if I can’t grow big and strong like she did? What if I can only do it the Lily way?”

He pauses his hand’s movement in her hair, breathes through his nose like the air was pressed out of him. He wants to say that Tashi could take it, that she’s an adult woman who’s worked through these things, because she’s supposed to have done so. She’s meant to be able to feel pride in other people’s successes, rather than hate that they’re doing what she can’t. But, Art knows the resentment. He feels it some days, when he loses a match she’d have one. When Anna Mueller wins. So, he smiles, presses his lips to the curve of her nose, watches it scrunch. 

“Then you do the Lily thing, and we watch you shine.”

She hums when she smiles, the way Daddy does sometimes when things are only a little funny, but mostly make her feel like her head is a balloon, and it’s flying away from the rest of her body.

“But she’d like me more if I did it the Mommy way, right? If I was good at tennis?”

He squeezes her shoulder with his palm, and finds that it doesn’t fit right in the cup of it. He thinks she’s grown too fast, and yet she’s still so small. And she’s too smart to lie to. He’s too dumb to know.

“I’m not sure, Lilybug.”

The answer is yes.

A few months later, Christmas lists were being made, toy catalogues searched, circled, conspicuously left by coffee machines and Daddy’s yucky green ‘First thing in the morning’ drinks. But they don’t make her all jumpy and giggly, the way a good gift should. So, when Grandma calls, her face shaking in and out of view on the screen of Mommy’s phone, and Grandma asks ‘What does our Lilybug want for Christmas?’, she replies,

“I want more tennis lessons.”

And she watches Mommy smile like she’s never smiled before, even though she tries to bend her head down into the paperwork she’s doing at the coffee table to hide it. It’s still see-able, and Lily can feel herself fill with that gold feeling again, from her toes to the top of her head. She just wants to make Mommy smile. 

She’s been staring at this assignment for hours, and for all her might, she just can’t make sense of these numbers. Stupid logarithms. Stupid math. She shuts her laptop, watches her face turn a glowing white to a healthy gold in her vanity’s mirror. She’ll do it tonight, probably. Or in the morning, before early practice. She hopes her eyes are functional enough to write real, understandable symbols at two in the morning. She hopes she gets enough sleep to even wake up in time. She knows she can help it, but she still feels her stomach sink at the sight of a big, red ‘F’ on a page. She’s glad she does well enough in tests to make up for it, or her spot on the National Honor Society would be someone else’s, and, most importantly, Mom and Dad would flip their shit. 

She flips her phone over where it laid next to her laptop, the screen flashing a text from Amy.

“Sorry babe can’t do tonight i’ve got dance and sth with andrew at like 7 :((( tm tho?”

Dance. It’s always dance. She remembers watching those clips of Amy on her Instagram story like they were miniature blockbusters, watching the way the fabric of her skirt moved when she bent her leg a certain way. How her arms flowed like waves, even if they were made up of jagged bone. Fucking dance. It’s not even a real sport, and Amy breathes it more than air. 

“That’s alright :)) tomorrow then”

She pushes herself out of the spinning chair, pockets her phone and snags her earbuds from off the foot of her bed. Ignores the way her knees pop a bit. She’s been sitting for a while. Besides, she could use the practice.

“Where you going, Lils?”

Her mother calls from the kitchen, not looking up from some ad mock-up. Looks like another Aston Martin thing, if she can read it properly from where she is.

“Practice.”

She calls over her shoulder, stuffing one earbud in. She sees her mother nod, hide a smile behind the palm of her hand. Rare Tashi Donaldson, nee Duncan, approval. Her shoulders roll back, and her spine straightens just a little bit before she makes it through the sliding glass door. 

She came back inside at 11 pm. Four missed calls from Amy and a ‘Hey plans got canceled you still free???’ lighting up her lockscreen, blocking out the tennis ball in the photo of a little her, fairy wings, missing front teeth, and a racket half the size of her current one. Maybe she should change it to her with friends. 

She walks past the empty dinner table, bowl of something still steaming and waiting for her at her usual spot in the corner, dropping with a haphazard flop onto the couch, clicking the TV on.

“So, pick me, choose me-”

“Fifteen found dead in Oakland, Cali-”

“And little Ms. Duncan, daughter of famed tennis couple Art Donaldson and the former Tashi Duncan has had a great season so far. So far, undefeated, and with just a few weeks before the Junior Opens, she really has a shot at the win. Thoughts?”

She sits up a little, watches pictures of her flash, half-way through a grunt, braid whipping behind her. There had to have been a better photo of her.

“Well, Rog, I’d just like to see a little more out of her. I mean, what with her mother being what she was, it’s just a shame to see it look so much more aver-”

The TV is off with a click. She shuts her eyes, rubs at her temples, lightly raps her knuckles against her head like it’d knock out the sound. She thinks they’re wrong. She hates that they’re right. She wishes it was more natural. Everyone knew her mother was dead in a living body till she stepped on that court, and it all clicked into raw, animalistic passion. With Lily? Procedure. She didn’t feel adrenaline, or a spark, or anything but duty. Steps. Tired. She falls asleep in the fetal position, alarm unset. She only has enough time to step out the door before early morning practice when she’s up. 

Her opponent’s get a birth mark on her right shoulder the shape of a ballet slipper. It’s just a little darker than the rest of her skin, only visible when she served. Her mother is sat on the stands behind this girl, hands braced on the rails like she’s ready to pull herself over and onto the warm clay ground beneath her if things go south. But, for now, the score’s even, like it has been the whole match, and that wedding ring is glinting in the light. She’s not even the court and she’s controlling it, back straight and face stony like an emperor watching two gladiators in the colosseum. She just hopes she’s not the one ending with her head detached. 

She can’t see Dad, thinks he’s probably gone to get a hot dog, now that he can eat them again, or maybe he’s just too non-threatening to matter to her right now. But, vaguely, she thinks she remembers hearing a ‘That’s my girl’ in that stupid, slightly nasally voice she pretends to hate as much as she can. You’re not supposed to like your parents at her age. Her mother is staring, she can tell. Those sunglasses don’t hide a thing. She can read her mother better than that, and they both know it. She’s thinking. Something. Something sharp, biting, maybe hurtful. Maybe hurt. She doesn’t see her opponent set up to serve, she doesn’t see the birth mark slip into view, just a bright yellow blur headed her way. She lunges as best she can, practically on the tips of her toes to make it, and she hears a tink. And then a crunch.

She kisses the concrete like it grabbed her by the hair and pulled her in, and her teeth scrape her tongue and leave gapped indents there, heavy and bleeding. She doesn’t hear her mother, or the gasps of the spectators, or the medics asking the other girl to clear the ground. She can hear her own breath, her pulse, and laughter. Wild, hysterical laughter she only notices is coming from her when she looks down and sees her stomach contracting with it. And then she sees it, that abnormal, jagged looking leg of hers. Bone not made to wave. And she cries as hard as she’d laughed.

“Hey, Dad?”

It’s later than he’s normally up. Generally, he’s out at 9 p.m., still careful to be healthy where he can be. Where it’s normal. 

“Shouldn’t you be in bed? You’ve got prac… what’s up, Lily?”

She bites her lip, shifts back and forth on her feet the best she can. Her right leg is just a bit more bent than the left, wrapped in soft, beige bandages. She didn’t like the brace. She doesn’t want to look at him, so she looks at the wall. There’s a photo of Mom, fist raised, mouth agape in a scream, dress white and pristine. The Junior Opens. She sniffs.

“Can I just… I don’t know. Can we pretend like I’m little again?”

He shifts, pats his lap, smiles like it’s the only thing keeping something aching and raw at bay. Something that’s needed to be touched for years.

“‘Course, Lilybug.”

And she falls into place like it hadn’t been ages. Like she’s allowed to like her Dad, head on his thigh, eyes trained on the coffee table. There’s a letter from some college there with her name on it, somewhere cold and rainy. Somewhere they could use a name to their tennis team. 

“How’s Mom?”

He tilts his head to look down at her, the side of her head, the shell of her ear, the soft lashes of her eyes that are slightly damp. 

“Oh, Lily… how are you?”

She swallows, places a hand on his thigh and squeezes there, not tight, but firm. Like it was a natural place to settle. Something unharmed and soft and a healthy, functional leg. Her throat tightens. The world looks blurry. She thinks the letter says Yale. The water makes it hard to tell. Her voice is just a bit too quiet when she responds.

“‘M fine.”

It’s silent for a moment, one heavy breath, then his lighter one. A volley. She rolls onto her back to look him in the eyes, and finds a spot of brown in the left one. How had she never noticed that before? It looks like the color of Mom’s eyes. Even he’s got her little territorial marks on him. 

“Can I say something stupid?”

He nods, hums his affirmation, waiting like it’s all he wants to do. To look at her and wait and let it just be quiet. She appreciated the stillness. It’s easier to be sad when it’s quiet. It’s easier to love then, too, melancholic and bittersweet and sticky like saltwater taffy. 

“I always wanted to dance.”

He buries her face into his stomach when her lip trembles. She wouldn’t want him to see. He doesn’t want her to see his watching teartracks. In the room over, Tashi sits with her head in her hands and her eyes downcast. She hopes Lily would consider a coaching position.

Big Shoes To Fill

Tags
1 month ago

tashi girl. comments and critiques welcome

The hotel bed creaks every time she moves, which is absolutely not helpful considering just how restless she is. She was sure she’d be better about this, she’d assured you as much, and here she is, tossing and turning. It wouldn’t be so bad if this was just a regular bout of sleeplessness, one where she could whip up some chamomile tea, pop one of those strawberry flavored melatonin gummies she keeps in her medicine cabinet, and find someone warm. Sometimes Lily, if she had to, since Lily worried for her mother like she was the parent. Usually, though, it was you. But tour isn’t allowing for that, and she’s cursing herself for having ever hopped the flight into Atlanta for this. It’s 3 in the morning and Tashi can’t sleep without someone to hold her. She feels pathetic. 

The duvet is making her skin feel like felt, dry and fuzzy against the cotton. She throws them off and they land with a thump in an unceremonious pile, covering the slippers she’d laid out for herself. She reaches over to try and pick it up, but it’s just a bit further than her fingers can stretch, though she feels the fabric graze her nails that tiniest bit. She rolls onto her back with a huff, staring up at the ceiling to distract herself. Her eyes sting with exhaustion, practically begging to be closed. She grabs her phone off the nightstand, momentarily blinded by the digital image of you, her, and Lily, pressed cheek to cheek in some rickety mall photo booth. She stares at it just a little bit longer. Her eyes burn. It’s 3:13 in the morning and Tashi needs to make a phone call before she loses her mind. 

“Tash? You ok?”

“Hey, I just- just wanted to talk to you, that’s all”

This is embarrassing. This is so far below her standards for herself, it’s ridiculous. Sure, it’d be fine if it was you, because you’ve got no reputation to uphold, self-imposed or otherwise. You could do just about anything and she’d be endeared by it, regardless of however put off she’d pretend to be. If she let you realize you had her wrapped around your pretty little finger, she’d lose any and all sense of power in the relationship, regardless of if it was real or not. She’d lost control in just about every other aspect of her life, she couldn’t bear to lose it here. It’s 3:35 in the morning and Tashi is gripping her phone so hard it hurts.

She can hear the smile on your face even if she can’t see it. She can picture it, though, clear as day. She’s got pictures of it just about everywhere so she’ll never forget it, even if she thinks she couldn’t if she tried. She remembers meeting you and thinking that there was no shot in hell for someone like you to go for someone like her. She wasn’t really that old, but with you, she felt it. You hadn’t had years of only being disappointed to make you jaded. She hopes you never do. She’ll shield you from it if she can. You were just too sweet for her, that was the problem. You walked around with that wide, shining smile on your face and she knew she’d hurt you just be reminding you of what life looked like beyond the age of 20. But you’d softened her up that slightest bit, despite it all, because she’s only human. She’d been the one to kiss you first. You smiled up at her afterwards and she knew she was done for. It’s 3:15 in the morning and Tashi is dead set on kissing you deeper than she ever has the next time she can. 

Tashi Duncan does not need. Sure, she feels, she wants, she yearns on occasion. But she doesn’t need anything outside of the basic human necessities of food, water, sleep. She listens to your voice ramble on about some show you’d been watching, one she hadn’t bothered to keep up with outside of your conversations about it, and she feels herself settle that slightest bit. She runs a hand through the roots of her hair, watches as it springs back into place in her peripheral. The tension in her muscles is melting away like it’d been nothing more than an inhalation of air, just something to be released as easily as it came. It’s 3:27 in the morning and Tashi is unaware of when you became a basic human necessity.

She listens to you with a smile, interjects with the occasional ‘mhm’, ‘yeah’, ‘that’s nice, baby’ that’s required of her. She’s hardly listening. You know that, too. But you could hear the stress of a long day floating off with each breath she took, each brief word turning slower, pitch deeper, more relaxed. If your job was just to talk to her until she fell asleep, you’re more than happy to do it. You’d carry her across the desert if she asked you to. She’d do just the same. 

“Hey, Tash? Tashi? You still listening?”

She’s been quiet too long now, face nuzzled into the thin pillow beneath her. It’s a little too cold without your skin on hers, but she can make do for now. She has a piece of you close, at least, and she can manage with just that much. She hears your laugh, your sigh, your little ‘I love you, baby. Sleep well.’ She doesn’t hear the harsh beep of an ended phone call. She’d usually roll her eyes at the sheer cliche of falling asleep on the phone, but they’ve already closed. And maybe, just maybe, she’s glad that you took the initiative so she didn’t have to ask for it. It’s 3:56 in the morning and Tashi is sure she’s going to marry you someday.

1 month ago

death with no dignity; patrick zweig

Death With No Dignity; Patrick Zweig
Death With No Dignity; Patrick Zweig
Death With No Dignity; Patrick Zweig

“ amethyst and flowers on the table

is it real or a fable ?

well, i suppose, a friend is a friend

and we all know how this will end ” - sufjan stevens

cw (18+) : mentions of depressive symptoms, masturbation, and heavy yearning.

wc : 1.9 k

Death With No Dignity; Patrick Zweig

When Patrick was eighteen, he killed a doe. 

It was an accident, it truly was, in every sense of the word. 

He had been driving home from Art’s house around 11 PM and had been playing some stupid song on the radio. He’d thrashed his head and slapped his palms against the leather steering wheel to the stupid beat, carefree and unassuming. It had been so dark, and he was distracted, and then suddenly the deer was in the center of the road. Big, black, shiny eyes and pointed ears and a deep brown coat. She was beautiful. For the split moment that he had before the impact, that’s all he could think about. 

He didn’t have enough time to swerve and avoid her because he’d been speeding, and everything afterwards happened in slow-motion. The skidding squeal of his tires against the asphalt. His heart lurching in his ribcage, almost enough to make him feel sick. The harsh jolt of the car and the brutal sound of metal hitting muscle, followed by the animal being sent hurtling a few feet forward and onto her side, accompanied by the painful sting of the seatbelt digging into his chest. When the car finally came to a stop, Patrick froze. His hands stuck to the wheel, shaking, and his eyes were peeled open wide as he stared through the windshield at the lifeless creature he’d just hit with his car. He was practically panting. He didn’t quite recall ever being so scared in his entire life, not even when he’d played his first professional match. Not even when he’d nearly drowned one summer years ago when he and Art were swimming in a lake upstate. 

He’d never killed anything before. Not like that. 

The aftermath was a blur. He almost called the cops to let them know that there was a large, dead animal in the road on so-and-so street, but he didn’t. To this day, he doesn’t really know why. Maybe it was all of the adrenaline. Maybe it was all of the guilt. Regardless, he’d mumbled a soft, “Oh, god, I’m sorry,” and then slowly pulled off and around it. He never told his parents, or anyone for that matter, that he had cried so hard on the rest of the drive home that he felt lightheaded by the time he was in the driveway. 

Mommy and Daddy Zweig offered–no, begged–to get him a new car the next evening (when they got back from Greece) because his hood and bumper were horribly dented, but Patrick had refused. He’d laughed off the incident in front of them, and then waited until they went to bed to slink into their massive garage and pick all of the little tufts of fur out of the vehicle’s grille.

He’d traced his fingertips along the indentations and the scratches in the paint and blinked away the wetness clouding his vision. Tried to mentally retrace his steps that night, too. What if he hadn’t been listening to that stupid song? What if he hadn’t left his best friend’s place so late? What if he’d been quicker? Smarter? Luckier? 

Could things be different? Could he have spared a life? 

Could he have spared the victim, and himself, the pain?

Patrick’s twenty-one now, and he does a lot of retracing his steps these days.

Tennis is his priority; he’s always on the court, or in a car or a bus that’s traveling to a court of some kind. Forehands, backhands, volleying, serving, smashes–it’s all he lives and breathes. And, of course, it’s easier now to focus on tennis when he no longer has friends. 

Art and him haven't talked in many months (has it really been years?), not since Tashi’s knee had gotten injured during that match at Stanford. 

Fuck that fucking match. And fuck them. 

He didn’t need them, he was doing just fine on his own. 

If his best friend of over a decade wanted to kick him to the curb like he was nothing more than a dog that had bitten him a smidge-too-hard to be loved, then whatever. If his grotesquely-talented girlfriend wanted to break up with him because he didn’t want to be treated like a lesser athlete nor sit in her shadow, then fine. He’d enjoy his tennis career and roll freely in the expendable income he was sure to continue collecting.

But that’s not really who Patrick is. 

And so he can’t help but lie awake at night, trying to pin-point where things went wrong–what he could have done to prevent this outcome–and tracing the indentations and scratches in his relationships that surely were only indicative of his faults. Compulsively picking at the tufts nestled in the wreckage. Eyeing the bloody brutalization, punishing himself by reliving the sting.

Sometimes he drags his fingertips over some of his old, banged-up rackets that he can't bear to get rid of, and he thinks about all of it. Tennis academy days with the shy, funny blonde kid that he became close with from day one. Learning and teaching and discussing with him all of the typical adolescent lessons that gave way to life outside of the bubble. Doubles matches–so many doubles matches. So many wins. First beers, first girlfriends, first cigarettes, first kisses. They shared everything with one another and they (almost neurotically) timed their experiences to happen around the same time so that they'd be able to talk to each other about them afterwards. As they got a bit older though, Patrick began to realize that he was feeling things for Art that he probably wasn’t supposed to tell him about. And he usually told Art everything.

That was his first mistake, he thinks, like when he hadn’t heeded the speed limit that night. Or, maybe, that was like playing the stupid song on the radio and going home late. It was the start of their untimely end. 

When he’s in one of his usual depressive spirals, the kind in which he can’t seem to find his appetite and he forgets to shower and he ignores his manager’s texts, he argues with himself about what exactly could be considered the “impact”. Was it when he had cheekily served like Art during that one casual training session, ball to the neck of the racket, confirming that he had slept with Tashi and thus beginning the festering of that awful jealousy in his friend? Or was it when he praised her in front of Art before her match in the singles tournament that fateful afternoon, igniting his friend's interest? Patrick remembers the look that glossed over Art’s eyes when he first caught sight of her; he had looked at her and suddenly Patrick felt like he’d been forgotten–like he’d melted into those bleachers and disappeared. He can’t really blame him, Tashi was talented and beautiful and ambitious and confident and mature–she was everything that Art steadfastly admired in a person. She was twice the person that Patrick had been back then.

Usually though, he comes to the painful conclusion that the impact was certainly the day of the Stanford match. More specifically, it was when Art had yelled at him for the first time in the entirety of their friendship. 

“Patrick, get the fuck out!” 

Those four words ring through his head on the worst of days.

He knew he’d fucked up by not pushing aside his pride and going to support Tashi after their fight, so he could pretty easily swallow down the discomfort that came with being yelled at by her. They yelled at each other pretty often when they got into their little spats, it was relatively normal. But god.. It was so much different when it was him. Patrick's muscles had locked up; he was shaking and breathing hard like he’d just run a marathon, able to see nothing but that pair of angry, familiar eyes. The vitriol that came spurting from the blonde’s mouth was like the worst toxin he’d ever known. It paralyzed him and began to rot his insides from that very moment on. And then all of the suffocating memories came flooding back as he turned and walked out of that campus health center. 

Giggling under blankets with a flashlight, reading comics until the sun started to come up. Practicing for hours on the courts at the academy, sometimes until they both got sunburns and heatstroke. Sleeping in the same bed on summer nights at Patrick’s house–tiredly watching the way Art’s chest rose and fell with each of his breaths and trying not to look at his lips. Holding each other when Art’s parents got divorced and he cried so hard that he got a nosebleed. Bandaging each other’s blisters. Wearing each other’s clothes. Having each other's back.

He doesn’t understand what he did to truly deserve being treated like that in the end by Art.

He’d been a good decent friend, hadn’t he? 

How could Art’s infatuation with her be enough to snuff out everything that they built together? It was supposed to be the two of them for the rest of their lives. Sure, they could each get married, pursue a career, have kids, but at the end of the day it was always meant to be them, wasn't it? Fire and Ice? Did he get that part wrong?

He habitually questions how much he really meant to him.

When Patrick does muster up the strength to drag himself to the shower, he generally stays in there for at least an hour. “Waste of water” be damned. He closes his eyes and lets the warmth run over his hair and his naked body. He presses his back to the cold shower wall and rubs his eyes until he sees white flashes dancing in the darkness. It’s not uncommon for his mind to wander back to you-know-who. In fact, that’s who’s usually on his mind whenever he’s not trying harder to forget. And it’s easy for Patrick to fixate on those blurry white flashes and suddenly see yellow curls, bright blue irises, deep smile lines, flushed cheeks. Breath smelling of that peppermint gum he always chewed. The sound of his nervous laughter and joyous cheers. Patrick would know him even if all of his senses were somehow dulled or taken from him. He would know Art by the feel of his soul breathing life into his own. He would know him, surely.

And maybe it’s an act of pure filth and desperation, or one of flesh-tearing grief, but many times Patrick winds up touching himself. Slow, steady, tender–the way he assumes Art touches Tashi. The way he had always wanted to touch Art, though he never even gathered the courage to try to hold his hand. He thumbs his weeping slit and keens as he feels the sadness and arousal roiling in his gut. He chokes on little moans that sound like sobs that sound like screams. He’s starved. How is it possible to miss someone when they’re everywhere? He thinks it’s funny that he’s forgotten what Art’s speaking voice sounds like but also refuses to watch any of his latest interviews on TV. He doesn’t want to see if there’s a ring on his finger, and he certainly doesn’t want to think about all of the ways Tashi gets to keep him as her own. He was mine, he unfairly thinks as he strokes himself under the scalding water, he was mine and I loved him and you lured him in and then he was gone.

The orgasm usually comes quick, spurred on by the near-lethal dose of petulant thought. He feels his thighs tremble and then his hand starts to lose its rhythm and then he’s crying out as he comes hard over his curled fingers. Sticky, clotted, putrid evidence of his lack of control. When he finally opens his eyes again, salt spills down his ruddy skin from wet lashes. He gets dizzy from the heat and the steam, he feels like he’s choking on all of it. He brings his dirtied hand under the showerhead and watches as his mess is rinsed away, down the drain in a gurgling spiral. It takes everything in him not to collapse.

“Oh, god, I’m sorry,” he whispers, before he forces himself out of the bathroom and collapses in a wet heap over his bed. His skin sticks to the sheets and makes him feel like some sort of dirty, beastly thing that crawls out of swamps and swallows up all of the good it can touch. He figures that the feeling is not far off from the truth.

When Patrick was eighteen, he killed a doe. 

And that doe followed him for the rest of his life.

Death With No Dignity; Patrick Zweig

note : to anyone who's ever had a childhood crush on their best friend. to anyone struggling with the grief.

This was intentionally written to be a bit "all over the place"; I wanted to show how scattered Patrick's thoughts can be. Also I love, love, love Tashi, I just think Patrick maybe sometimes (early on, before he helped her cheat) blamed her for his and Art's split for unjust reasons.

tags : @venusaurusrexx @tashism @grimsonandclover @diyasgarden @weirdfishesthoughts @gibsongirrl @newrochellechallenger2019 @jordiemeow @artstennisracket @cha11engers ♡

1 week ago

happy birthday jaw chokeonher!

Happy Birthday Jaw Chokeonher!

love this goober that i do not know


Tags
4 weeks ago

no woman has ever felt the joy im feeling rn

BOT DUMP By @ 222col °❀⋆
BOT DUMP By @ 222col °❀⋆
BOT DUMP By @ 222col °❀⋆
BOT DUMP By @ 222col °❀⋆

BOT DUMP by @ 222col °❀⋆

norman fucking rockwell! - lana del rey ᯓ★

꒰ notes ꒱ ft challengers & obx characters 𖤓 thank u to those have been patient with me during my break, lotta love for u all <3 any feedback is welcomed!!!

BOT DUMP By @ 222col °❀⋆

JJ MAYBANK

𖤓 ( norman fucking rockwell )

𓇼 you and jj were best friends. always had been. but lines had been crossed, and suddenly he was barely paying you any mind outside his bedroom. fed up of his childish behaviour, you call him on his bullshit at the boneyard.

RAFE CAMERON

𖤓 ( mariners apartment complex )

𓇼 rafe's sweet girl. never could you believe that he was your rafe that shot peterkin, you'd stuck by him through it all. only when he fucks up and confesses in front of you do you realise who he is.

ART DONALDSON

𖤓 ( venice bitch )

𓇼 art's enjoying college life, biggest name on campus thanks to his famous pop star girlfriend. living it up at frat parties, and only occasionally riling up his very possessive girlfriend. when you come back from tour to surprise him,and find him between two girls, it was never going to end well.

TASHI DUNCAN

𖤓 ( fuck it i love you )

𓇼 four years since you'd seen the girl you once loved. tashi had promised to keep in touch, stay friends, but you hadn't heard from her since the breakup. out celebrating another tournament win, and she sees the one she loves.

TASHI DUNCAN

𖤓 ( doin' time )

𓇼 you loved her so bad, and she treated you like shit. tashi never let you put a label on it, despite how often she called you her girlfriend, she'd never make it official. time to give her a taste of her own medicine.

BOT DUMP By @ 222col °❀⋆

RAFE CAMERON

𖤓 ( love song )

𓇼 rafe has always cared more about his image than anything else, and that carried through to his relationship. in reality, he could barely care about you. just the looks that he got when he was with you. prettiest girl on the island, and you were all his.

PATRICK ZWEIG

𖤓 ( cinnamon girl )

𓇼 you were retiring, from your life as a famous band-aid. too many broken promises from musicians, too many boys wasting your time thinking you were just some groupie. one final show, and that's when you spot him. up-and-coming lead guitarist, patrick zweig. retirement was never going to last long. ( almost famous (2000) au )

JJ MAYBANK

𖤓 ( how to disappear )

𓇼 jj could never admit you weren't his anymore, ask anyone and he'd say you were still his girl. whether you had a new boyfriend or not, his answer remained the same. despite the new boy on your arm, you can't help but run back to him.

PATRICK ZWEIG

𖤓 ( california )

𓇼 patrick was finally back in town for off season, months after the breakup. that didn't stop him from spending the whole time with you though. time moves too quickly, and suddenly he's by the door ready to leave you again.

BOT DUMP By @ 222col °❀⋆

JJ MAYBANK

𖤓 ( the next best american record )

𓇼 pogues were starting to get noticed, touring around the us on their first headline tour. but you and jj were still focused on writing the perfect song. everyone could see it was more than that, the two of you spent every minute together, saying it was all for the song. until jj realises, it's not about the song at all.

PATRICK ZWEIG

𖤓 ( the greatest )

𓇼 things were perfect, then patrick goes off to the junior us open and you never hear from him again. it took art and tashi doing the same to him to realise, you were the greatest loss of them all. when he sees your name on the list of coaches at the tennis club he's playing a challenger at, he realises he can't let you slip away again.

JJ MAYBANK

𖤓 ( bartender )

𓇼 the only thing that got jj through his shifts at the country club, was his favourite little kook sitting pretty waiting for the drinks he made. he's playing the long game, desperate to be the one who taints your prissy lifestyle. so when he hears you've been blown off from a kook party, he's waiting to swoop in.

RAFE CAMERON

𖤓 ( happiness is a butterfly )

𓇼 you'd heard the rumours about rafe, about what he did to peterkin and god knows how many others, even before the two of you started sleeping together. you never knew the truth, but seeing your situationship covered in blood when he picks you up answers every question you had.

ART DONALDSON

𖤓 ( ​hope is a dangerous thing for a woman like me to have - but i have it )

𓇼 art had never had his faith tested, never in the way you were testing him. two weeks staying at his house, in your silk nightgown that he couldn't get out of his mind no matter how hard he tried. when you come knocking on his door when you can't sleep, even god couldn't stop him saying come in.

BOT DUMP By @ 222col °❀⋆

© 222col. do not steal or repost my work without permission.

꒰ taglist ꒱ @khartalks @funkycoloured @bluestrd @appleaali @donteventry-itdude @gublerstylesobrien1238 @peachyparkerr @stanart4clearskin @chrattvibe @tacobacoyeet @lexiiscorect @glassmermaids @voidsuites @matchpointfaist @s0ftcobra @artaussi @simmerinsauce @coolgrl111 @hrrysglitter @cinnamoncunt @elsieblogs @tennisthatcher @deeninadream @magicalmiserybore @soulxinxthexsky @sohighitscool @4jjsbank (to be added)

3 weeks ago

hm.....................................

My Theory….
My Theory….

my theory….

1 month ago

It viscerally pains me whenever someone says Tashi pushes Art to do tennis. Pushes him to perform on that level specifically because she wasn't able to. Not only is just a bad take on the characters, depriving Art of autonomy and Tashi of nuance, but also...do people not realize how painful it would be for her to see that? to be close to every achievement she knew she would have reached in half of the time, and knowing she can't even claim it for her own? It's masochistic just to read, and Tashi is many things (strong and ambitious, to name a few) but never masochistic. She starts to coach Art because he asks for it, she continues because he wants it. It is a mutual choice, one that ends up hurting both of them in their own way, but still a mutual decision.

Whatever pleasure some people like to make it seem like she'd gain from pushing Art to his brink is truly nonexistent.

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