Redesigning some packaging. Spray paint and pen.
Duskblade. (Of a part with the earlier Moonblade.)
A favorite of mine. Calligraphy done only with a Pilot G2 pen... Playing with making an insignia.
Posting up the first one of these the other day inspired me to make another. As before, I took one of my favorite photos from my abandoned-urban-architecture explorations, stylized it, and then added some sci-fi aesthetic/neon color flair. Perhaps I’ll keep progressing this theme further and further, but for now, I leave it here.
Alright, so as my post yesterday mentioned, I’m taking a Main Title Design course, taught by Ash Thorp over at LearnSquared. This lesson was about typography. The homework was to choose a sample logline and create three different cast-and-crew mock-ups, using different variations of the same font family.
I chose a horror sample called "Three Points," the logline of which is: A World War I pilot briefly loses consciousness inside of the Bermuda Triangle and upon waking, fails to discover land or water, and his gas tank remains full.
Playing around with the fairly standard font family Agency, I created three shots from three different title sequence options. I tried to keep the font fairly intact, making only a few subtle changes to hopefully connect it more to the plot ideas, of mystery and horror.
(Images 1-3 are one set, then 4-6, and then 7-9.)
@ashthorp
Geomancy (and its signs).
Dragon, Coiled Around a Dwarven Column
(Actual Size: 1 inch x 1 inch)