Trying out an ultra-minimal style.
Scattered Song.
KONTROL-- Here's an old one that I finished probably about 2 months ago and never posted up. Was going for a simple, retro sci-fi look mixed with Cold War propaganda...
This is a favorite of mine because it was completely designed and colored with pencil, pen, and marker... no sprays.
So, I posted a version of this before, thinking it was as done as it could be. And then, as so often happens, I realized it could be a whole lot better. Haha.
This, however, is the final version of my Tonic promo (all kitted out in her glam punk concert attire). So stoked with this visualization of her.
In other fun news... I got another critic review, and this time the book received the distinction of Editor's Pick (!!) from BookLife Reviews (which is the indie-specific branch of Publisher's Weekly). It's a really lovely review, and as always, it's such a pleasure to have someone resonate with what I love about this story.
"...Sensory-rich prose vividly brings to life the sights, sounds, and emotions experienced through Tonic's visor." -BookLife Reviews
Thank you to BookLife for taking the time to review it!
As always, if you're interested in this noir science fiction story and its accompanying dark ambient soundtrack, you can check it out here.
Broken Clef.
(Happy New Year! Here’s to more art!)
A graff-style work while at work...
Coda.
The End.
Expoart #140.
(Stay tuned for new projects.)
Been noodling away at this glam-rock visualization for Tonic (the main character from Color of a Mirror). Very graphic/black and white work so far, which from a design standpoint is probably my comfort zone. Now it's time to see how far I can push this in terms of materials/colors/rendering.
COLOR OF A MIRROR
If Name of the Wind took place in 1950s America, this is what Kvothe’s inscription would look like on his Vintish court rings. And the Eolian would be a diner.