Joan Mitchell, To The Harbormaster, 1957.

The Light and the Dying

Artist: Gilliam Hornstein (American)

Date: 20th century

Medium: Oil on canvas

Collection: North Carolina Museum of Art, Raleigh, NC, United States

Le Corbusier (Swiss/French, 1887-1965), Nature morte à la bouteille et au violon [Still Life with Bottle and Violin], 1943. Oil on canvas, 81 x 100 cm.

Painting - Jarda

Painting on paper,

acryl, pencil, pen and wax crayon,

high gloss varnish,

mixed media, 40 x 47 cm

L’atelier de l’artiste by Paul Serusier.

Francis Bott, Komposition in hellem Rot

signed and dated 60

oil on canvas

100 by 100 cm. 39 3/8 by 39 3/8 in.

The White Night  - Alessandro Tofanelli, 2005.

Italian, b. 1959  -

Oil on canvas , 60 × 60 cm

Max Ernst (1891-1976), “Noces Chimiques [Chemical Wedding]” (1948), oil on canvas, 66.5 x 150.5 cm.

Sonia Delaunay, “Solar Prism,” 1914,

Collage with additions in brush and ink, watercolor, and crayon,

Overall: 49.5 x 33 cm (19 ½ x 13 in.),

Courtesy: The National Gallery of Art

Willi Baumeister, Abstraktion (Konstruktion Rot-Oliv III), 1923

board on thin board

32.2 x 21.8 cm (12.6 x 8.5 in), board: 35,5 x 24 cm (13,9 x 9,4 in)