So there's the idea of "kitchen table poly," AKA "everyone in the polycule needs to be able to sit at a kitchen table together and get along like friends."
One of my roommates just came up with a counter idea, which is "poker table poly." Everyone in the polycule must be enemies. No one is allowed to get too chummy or they're kicked out. They all also likely owe eachother money.
FINALLY!!!!!!!! TMAGP LENT ANIMATION HAS BEEN FREED FROM PROCRASTINATION HELL!!!!!!!!
This took way too long bc the malevolent brainrot got in the way so,,,,,, yeah I hope y’all enjoy!!! started this I mid-march so that’s why this has more first half of s1 vibes :))
also the YouTube link!!
High-ish quality scans of the Silco & Vander pages from the artbook
this post is dedicated forevermore to three people i just saw tonight outside the gay club in the most beautiful interaction of beautiful people i’ve ever seen in my life. it was so beautiful i had to come here to talk about it. like actually writing it out is fucking insane. let me set the scene: two of the hottest men i’ve ever seen in my life were making out with each other outside the gay club…and then picture the HOTTEST woman, i mean quite literally the fucking SEXIEST, jaw-dropping, smoothest skin, nicest-smelling woman running up to the both of them from out of nowhere, i don’t even know where she came from — literally she probably descended from heaven itself (or from the inside of the club and i didn’t see her come out lmao)…the two men see her out of the corner of their eyes, their eyes fucking LIGHT UP when they see her. and not in like a bestie way, like an “i’m in love” way. oh bitch they both had it BAD for her. and THEN!!!! they passionately kissed…ALL THREE OF THEM!!! THEY HAD HER PUSHED AGAINST THE WALL TAKING TURNS KISSING HER!!! and then like the ethereal creatures of the night they were, they locked hands with her, and walked away into the foggy night hand-in-hand together…one of the men gently tucked one of her locs behind her ear and called her princess as they walked away…i would like to personally say, i am a better person for having watched that interaction. thank you. your life is a movie and i was so glad i got to be an extra in that moment. this is the future liberals want and all that
So I know the flashback scene with Felicia in s2e5 is controversial. So I wanted to take the time to understand it properly, and do a close rewatch.
And I realized that even though I watched the episode like four times before, I never properly evaluated what was going on with Vander, I wasn't thinking of him as a character in his own right, just as a symbol of Vi and Jinx's past, and hence I didn't understand the scene until now.
Of course, it's all about "blisters and bedrock". That phrase is the name of the episode, the line is repeated three times, obviously it's important. So what does it mean?
The first time we hear it, it's in Vander's garbled memories. The memory that's most impactful to him is the failed rebellion on the bridge and its aftermath.
There's fighting, there's Silco looking at him sadly, with almost child-like sadness, there's Felicia's dead body, then Vander trying to drown Silco.
Those memories are followed by his recent experience killing the enforcers at Stillwater, then by seeing Powder, and a still-blurry image of Vi, even though he hasn't actually seen her yet since he awoke as Warwick, almost as though Powder's presence implies Vi.
Then there's the image of Felicia at the jukebox, and then a disfigured Silco, toasting "blisters and bedrock". It's ghostly, almost accusatory, said as Vander's being faced with the gory injury he inflicted. But what it means is a mystery.
The next instance of the phrase is in Vander's apology letter. He gives his little explanation for his actions, and signs off, "blisters and bedrock." Still not super clear. The letter itself is kind of weak, as far as apologies go. And then there's this cryptic phrase at the end.
Finally, Warwick/Vander is drawn to the girls by the scent of Isha's blood. When he first sees Vi, she almost looks like a two-headed creature from his POV shot, with her massive gauntlets looking sort of like heads, with the glowing hextech gems as their eyes (And I think I need to make a separate post about Vi in this episode, because it's so good). They fight. But then she lowers her guard and he sees her, and that's when we get the full flashback.
Right off the bat, it's established that Vander and Felicia are close. He knows that the song she picked has some special significance. The way they look at each other is kind of flirty too.
They're celebrating the opening of The Last Drop, which they intend to be a pillar for the community of the Lanes (which is a very shop-local approach to politics, but whatever). We knew this was Vander and Silco's endeavor, and Felicia is the only other one there, which means she has a special place in their lives.
Silco is largely passive in the scene. We get a cute little bait-and-switch where it seems like he's going to be a super-serious revolutionary, but then he says something playful instead ("I'm bozo one"), so we get a glimpse of what he used to be like, and what the dynamic of his relationship with Vander was.
And then we get to the reveal that Felicia is pregnant. Now, I think what happens next has been twisted through discourse, so I want to quote it directly:
Felicia: The second I told you I put you on the hook. You two are going to figure this Zaun thing out. I don't care if you have to carve it out of the bedrock covered in blisters. You're not allowed to fail anymore. For her. For me. Vander: What’s the point if we can't raise an ankle-biter or two? Silco: To Zaun, then. Blisters and bedrock.
I've seen people characterize this as Vander and Silco promising to look after Felicia's child. It's not that at all. She's not telling them to look after her kid. She's telling them to succeed at winning independence for Zaun for the sake of her child.
"I don't care if you have to carve it out of the bedrock covered in blisters. You're not allowed to fail." That is: Do whatever it takes. Even if it's hard, and ugly, and painful. That's how you'll help my child.
Vander agrees - what they're fighting for is future generations of Zaunites.
And Silco turns it into a toast. Blisters and bedrock - whatever it takes.
So now we know that in the first ghostly flashback, "blisters and bedrock" was an accusation, it was a manifestation of Vander's guilt. "We said, 'whatever it takes'. And look at Felicia. Look at me."
"Blisters and bedrock" gives Vander's apology letter new meaning too. It turns a kind of weak explanation into something much more meaningful. He's saying he'll do what it takes to patch things up.
In an episode all about regrets and missed chances and forgiveness, it really resonates.
And there's one more instance of "blisters and bedrock" being used - in the song "The Beast" off the season 2 soundtrack.
Vander isn't really able to express himself as Warwick. So the songs providing a very literal window into what he's going through is useful. The lyrics of "What have they done to us", used towards the end of the episode, are just straight-up what Vander's thinking in that scene. I don't think the lyrics to "The Beast" are used in the show, but they're very straightforward too.
Here are the lyrics to the bridge of that song:
What happened to the place where we left off Any progress erased, I was dead wrong Couldn't carve out a place, every dream that we chased Through the blisters and bedrock
Vander is recognizing his failure.
When Vander put down his gauntlets to look after Vi and Powder, he wasn't keeping a promise to Felicia. He was *breaking* his promise to her.
The flashback frames the conflict between Vander and Silco in more personal terms too. In terms of what united them, they both promised to fight for Zaun for the sake of Felicia's child. But when those two things are posed against each other, Silco is willing to kill kids in order to fight for Zaun, while Vander gives up the fight for Zaun to protect the kids.
I think it's significant that the flashback doesn't end on "blisters and bedrock". It ends on Vander suggesting a baby name, showing where his priorities are going to be
And when he sees Vi, as Warwick, he sees the girl who he gave up the fight for. He's remembering his failures, he's tormented by his failures. But Vi, and Powder, are worth it for him.
Half Goblin, half Hobbit.
Goblit.
There’s more. Read it btw
Arcane writers were too scared to put these two in the same room together smh….
Update for my Beholding portrait.
I haven't gotten to any of the fun detailing yet, but considering that I'm not a good painter, and I have zero experience with any of the mediums involved, and I'm pulling every step of this out of the ether, it's coming together pretty well.
I love you Ceaseless Watcher 🫶🫶
You don't have to love me back.
Really looking forward to being able to see this from my bed. And have it see me, of course.
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top/bottom discourse in the Good Omens fandom is so funny because
1. they’re immortal beings who have been alive for 6,000+ years— they are bound to switch
and 2. how do i know one of you isn’t michael sheen???
I love the concept that Viktor ends up with Jayce’s last name through some originally non-romantic means so much that I have multiple versions.
Jayce accidentally gives Viktor his last name by being so insistent on putting Viktor’s name first in every circumstance. When he’s listing their names on anything he puts them down as “Viktor and Jayce Talis”. When he introduces them to people he says “Nice to meet you, this is Viktor and I’m Jayce Talis” with a pause before Talis because he always forgets that he should say his house name too. Viktor slowly starts to notice that they’re referred to in the tabloids as “the Talises” and that higher ups at the academy will introduce him to investors as “Viktor Talis” without Jayce even being there.
When they first start working together, they put their initials next to things in their shared notes to mark when they have questions or agree with something the other wrote, or to differentiate when someone is dictating while the other talks. In an effort to not have it confused with a variable, Viktor initials VT (VikTor) as a bit of a joke to look similar to Jayce’s JT. However, one day when Heimerdinger is looking over their notes, he marks out a question in the margin for Viktor with “Viktor Talis” written out next to it in full. Viktor and Jayce debate for a moment after he leaves if it was supposed to mean it was for both of them, but the contents of the question makes it entirely clear that Heimerdinger things VT stands for Viktor Talis and has accepted that Viktor has adopted Jayce’s last name with no questions.
At the beginning of Hextech, as they are trying to get investors, Viktor regularly gets identified as being from the undercity and harassed for it by wealthy Pilties when he tells them his name is “just Viktor” when asked what house he is from. So one day Jayce suggests just telling investors that his last name is also Talis, thinking that people will assume they are brothers. Viktor gets flustered and tries to politely decline, but Jayce seems to confident that he lets it happen. It takes him weeks to figure out that Jayce doesn’t realize that everyone thinks they’ve gotten married or plan to. Viktor doesn’t have the heart to tell him and won’t let Mel break the illusion.
Jayce takes Viktor on a tour of the forge and when he gets done takes a hammer to jokingly knight him and dub him “officially part of house Talis” Jayce thinks nothing of it until the next time they meet someone new together when he almost spits out his drink hearing Viktor introduce himself as “Viktor Talis”
Some investor that they fucking hate can’t keep their names straight for some reason but always sees Jayce wearing his house sigil so he says “ah, Viktor Talis” every time he sees Jayce. They find it so fucking funny that even just saying “Viktor Talis” sends them into uncontrollable laughter.
Ximena refers to them exclusively as “my boys” to the point that most people who met her after Hextech was founded assume that she has two sons, Jayce Talis and Viktor Talis. She doesn’t feel the need to correct them as she does truly love them both as her children and is also quietly hoping one day Jayce will get his head out of his ass and ask Viktor out on a date.