'Badger And Book' By Lily Seika Jones (@rivuletpaper)

top/bottom discourse in the Good Omens fandom is so funny because

1. they’re immortal beings who have been alive for 6,000+ years— they are bound to switch

and 2. how do i know one of you isn’t michael sheen???

Some very eloquent notes on violence as a necessity for resistance.

High-ish quality scans of the Silco & Vander pages from the artbook

Imagine you're some skinny revolutionary twenty-something in Zaun. Your whole life you've been disadvantaged and born into a place where your very life is considered unimportant, but you desperately want to be treated with respect, and a life of comfort and luxury is secretly so appealing to you after working yourself into dust since you were old enough to stand. You worked in the mines, your small body struggling to keep up with your brick shithouse colleagues. But you keep up, because you have to. It isn't all bad, you make friends. Good friends. You and your best friend start writing plans and working to give your city the dignity it deserves. You fall in love. Your lover / best friend is practically double your size and filled with righteous anger but you love that about him. You trust all of your people, especially him, with your life.

Tensions with Piltover get hotter and you and he plan an uprising. You've never seen that many enforcers in one place, Zaunites are always easily able to overpower them. You are certain you've got this in the bag. But there are more of them than you expected on the bridge, and the conflict starts immediately with tear gas and bombs. You throw a Molotov at one of those pigs and they're set on fire. You're proud of yourself until bullets come showering down. You're skinny and quick, you're not an easy target, you can hit the ground. But your brick shithouse colleagues can't. You see two of your closest friends, parents to two little girls, dead on the ground. You don't know where your partner is. You keep fighting. At some point a bomb, a grenade, something goes off and shrapnel peels away your eyelid and half the skin off your face.

The smoke settles. You can't find your partner anywhere, but you don't see a body. After looking for hours, you find him wading in the Pilt. People often bury their dead at the Pilt. You figure he saw your dead friends and is here to mourn. You try to join him. Your face is killing you but there's no medical care to be found, your chest is crushed with the agony of seeing your friends' corpses and knowing in some way, it's your fault. Maybe if you didn't throw that Molotov, maybe they wouldn't have shot, maybe your friends would still be alive.

But you're relieved, so relieved, to find your partner alive and uninjured. You want him to hold him in those ridiculously huge arms and you want to mourn with him, for him to make you feel safe like always. But when you approach him, arms outstretched to receive him, he looks at you like you're a monster, like he doesn't recognize you, and before you realize it, the person you love more than anything in the world, one of your only remaining friends, has his hands around your throat and is holding you underwater. You've never experienced his strength like this. You can't believe it's real. He must have lost his mind. You try to get away, but he grabs your neck and shoves you in the water again. You're swallowing it, it's rushing into your eye, a hole directly to your brain, water filled with corpses and necrotizing bacteria and toxic chemical waste. You don't understand why. You only understand that you need to escape.

Then you finally manage to get away and somewhat recover only to learn that everyone you knew and cared about took his side, and blames you for the losses at the bridge, and you're no longer welcome in the thriving district you helped build.

No fucking wonder Silco had a catastrophic crash-out.

If I imagine me and my partner doing an escape room I know I'd take charge and read the initial prompt out loud to try to get us both started. Then I'd immediately start brainstorming out loud on solutions. And I'd hope my partner would "yes and" me and match my energy. But they wouldn't. They'd just follow my lead, so I'd end up solving the puzzles close to solo. And it isn't necessarily great for either of us, because they'd feel left behind with how fast I charge ahead, and I'd feel alone in my enthusiasm and skill. And that just... It matches up with nearly every relationship I've had so far. I just want someone to bounce ideas with. Someone who will take charge with me. An equal. But I always end up in a leader/follower dynamic. And I really gotta reflect on whether I need to slow down or have being at the same level as a must have in a partner, or just continue leading in what I wished was a level playing field.

as a former escape room host i highly recommend doing an escape room as a first date. its a great way to learn how ppl react under pressure and how well they collaborate with you right off the bat. also more than once ive seen people enter an escape room as a couple and exit broken up LOL its a fantastic litmus test

HAPPY JON SIMS AND CATS DAY

@jonsimsandcats

where you go, i go. that's the deal.

lyrics from "work song" by hozier

click for higher resolution. close ups and progress shots under the cut!

Eye nako

"Blisters and bedrock" and The Flashback

So I know the flashback scene with Felicia in s2e5 is controversial. So I wanted to take the time to understand it properly, and do a close rewatch.

And I realized that even though I watched the episode like four times before, I never properly evaluated what was going on with Vander, I wasn't thinking of him as a character in his own right, just as a symbol of Vi and Jinx's past, and hence I didn't understand the scene until now.

Of course, it's all about "blisters and bedrock". That phrase is the name of the episode, the line is repeated three times, obviously it's important. So what does it mean?

The first time we hear it, it's in Vander's garbled memories. The memory that's most impactful to him is the failed rebellion on the bridge and its aftermath.

There's fighting, there's Silco looking at him sadly, with almost child-like sadness, there's Felicia's dead body, then Vander trying to drown Silco.

Those memories are followed by his recent experience killing the enforcers at Stillwater, then by seeing Powder, and a still-blurry image of Vi, even though he hasn't actually seen her yet since he awoke as Warwick, almost as though Powder's presence implies Vi.

Then there's the image of Felicia at the jukebox, and then a disfigured Silco, toasting "blisters and bedrock". It's ghostly, almost accusatory, said as Vander's being faced with the gory injury he inflicted. But what it means is a mystery.

The next instance of the phrase is in Vander's apology letter. He gives his little explanation for his actions, and signs off, "blisters and bedrock." Still not super clear. The letter itself is kind of weak, as far as apologies go. And then there's this cryptic phrase at the end.

Finally, Warwick/Vander is drawn to the girls by the scent of Isha's blood. When he first sees Vi, she almost looks like a two-headed creature from his POV shot, with her massive gauntlets looking sort of like heads, with the glowing hextech gems as their eyes (And I think I need to make a separate post about Vi in this episode, because it's so good). They fight. But then she lowers her guard and he sees her, and that's when we get the full flashback.

Right off the bat, it's established that Vander and Felicia are close. He knows that the song she picked has some special significance. The way they look at each other is kind of flirty too.

They're celebrating the opening of The Last Drop, which they intend to be a pillar for the community of the Lanes (which is a very shop-local approach to politics, but whatever). We knew this was Vander and Silco's endeavor, and Felicia is the only other one there, which means she has a special place in their lives.

Silco is largely passive in the scene. We get a cute little bait-and-switch where it seems like he's going to be a super-serious revolutionary, but then he says something playful instead ("I'm bozo one"), so we get a glimpse of what he used to be like, and what the dynamic of his relationship with Vander was.

And then we get to the reveal that Felicia is pregnant. Now, I think what happens next has been twisted through discourse, so I want to quote it directly:

Felicia: The second I told you I put you on the hook. You two are going to figure this Zaun thing out. I don't care if you have to carve it out of the bedrock covered in blisters. You're not allowed to fail anymore. For her. For me. Vander: What’s the point if we can't raise an ankle-biter or two? Silco: To Zaun, then. Blisters and bedrock.

I've seen people characterize this as Vander and Silco promising to look after Felicia's child. It's not that at all. She's not telling them to look after her kid. She's telling them to succeed at winning independence for Zaun for the sake of her child.

"I don't care if you have to carve it out of the bedrock covered in blisters. You're not allowed to fail." That is: Do whatever it takes. Even if it's hard, and ugly, and painful. That's how you'll help my child.

Vander agrees - what they're fighting for is future generations of Zaunites.

And Silco turns it into a toast. Blisters and bedrock - whatever it takes.

So now we know that in the first ghostly flashback, "blisters and bedrock" was an accusation, it was a manifestation of Vander's guilt. "We said, 'whatever it takes'. And look at Felicia. Look at me."

"Blisters and bedrock" gives Vander's apology letter new meaning too. It turns a kind of weak explanation into something much more meaningful. He's saying he'll do what it takes to patch things up.

In an episode all about regrets and missed chances and forgiveness, it really resonates.

And there's one more instance of "blisters and bedrock" being used - in the song "The Beast" off the season 2 soundtrack.

Vander isn't really able to express himself as Warwick. So the songs providing a very literal window into what he's going through is useful. The lyrics of "What have they done to us", used towards the end of the episode, are just straight-up what Vander's thinking in that scene. I don't think the lyrics to "The Beast" are used in the show, but they're very straightforward too.

Here are the lyrics to the bridge of that song:

What happened to the place where we left off Any progress erased, I was dead wrong Couldn't carve out a place, every dream that we chased Through the blisters and bedrock

Vander is recognizing his failure.

When Vander put down his gauntlets to look after Vi and Powder, he wasn't keeping a promise to Felicia. He was *breaking* his promise to her.

The flashback frames the conflict between Vander and Silco in more personal terms too. In terms of what united them, they both promised to fight for Zaun for the sake of Felicia's child. But when those two things are posed against each other, Silco is willing to kill kids in order to fight for Zaun, while Vander gives up the fight for Zaun to protect the kids.

I think it's significant that the flashback doesn't end on "blisters and bedrock". It ends on Vander suggesting a baby name, showing where his priorities are going to be

And when he sees Vi, as Warwick, he sees the girl who he gave up the fight for. He's remembering his failures, he's tormented by his failures. But Vi, and Powder, are worth it for him.