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JOANNA: He definitely comes across as serious in his pictures sometimes because he really didn’t enjoy having his picture taken a lot.

AUTUMN: Well, also he wouldn’t rarely choose the smiling ones. I would try to get him to pick one—“That one’s so good”—and he would say, “I’m sorry, Autumn, I just, I don’t think it’s tough enough, It’s a nice photo though.” [LAUGHING]

SEAN: Ohh, that’s so Elliott.

(from the Autumn de Wilde book)

Rebel Without a Cause is powerful because of the dynamism. The visual dynamism—the color, the compositions, the locations—tied to the emotional dynamism.

The Cabin in the Woods (2012) dir. Drew Goddard

James Byron Dean (February 8, 1931 — September 30, 1955) photos by Richard C. Miller

“I don’t even want to be ‘the best.’ I want to grow so tall that nobody can reach me. Not to prove anything, but just to go where you ought to go when you devote your whole life and all you are to one thing.” —James Dean

2015 according Back to the Future Part II BACK TO THE FUTURE PART II (1989), dir. Robert Zemeckis.

attached is a link to a tweet that contains a google doc of ways to support the asian american community during this time.

the link: https://twitter.com/sasponella/status/1366331898897825798?s=21

Twitter

sab•睿妍 is THEY THEM on Twitter

“Made an active google doc (linked here) to help consolidate Asian American community and justice organizations to look into, mutual aid lin

CARRIE (1976) dir. Brian De Palma

東京 - 谷中

PSYCHO (1960) | dir. Alfred Hitchcock

We all go a little mad sometimes.