Argeau - Untitled

when you're holding me i see this when you're holding me i know this when you're here no hurt can harm us with a quick heart for your slow kiss i will see you in the evening today when the heat is lifted meet you when the sun is leaving leave you only when the last star leaves the dream i had in childhood leaves the room of golden light leaves the heaven i could visit then my angel leaves my sight if you stay i feel forever if you stay i feel we could live in that one place together knowing you, i think you would piece of moonlight gentle never blinding, lighting night time, piece of a dream, A dream I had only as a child

Discount Universe Spring 2019 Ready-to-Wear

Petra Collins

바닥 붙이다 리락이 누워있눈게 너모 기여워서

“[…] women have an affinity for horror, they always have.” Soraya Roberts

“The Linda Williams essay serves as a bridge from Laura Mulvey to Clover by positioning the woman not only or just a victim, but as a symbiotic double for the monster (monster/woman as ‘different,’ ‘freak,’ object-to-be-looked-at, victimized, etc.). Which harks back to the early horror film classics where the monsters were sympathetic figures (wolfman, Frankenstein’s monster, Dracula, King Kong, the Mummy, etc), unlike the demonized and psychologically disturbed human monsters of the modern era. The “otherness” of so many classic horror movie monsters could be seen as metaphoric explorations of different forms of ‘difference.’” Donato Totaro

“Just as these movies and stories can provide a venue for us to talk about how we feel victimized, they can also provide a way for us to walk backward into our own scary parts.” Sady Doyle

Carrie, Thomasin, Jennifer, Ginger

“We all want to be the final girl”: Sady Doyle on true crime, slasher films and surviving patriarchy

FEMINIST HORROR PLOTS AGAINST PATRIARACHY

Horror Lives in the Body

On the Haunted Lives of Girls and Women