How to Paint Light by jonhuangart
A Multi-Step Guide Written by a Visually Impaired Writer and Blogger
I’m hoping this blog will over time develop its own following, and when it does people will inevitably see my bio and notice what I included: I’m visually impaired.
Yes, a visually impaired writer, and I’ve written with two blind characters before so I have some practice in the field.
So, inevitably, someone is going to ask how to write a blind character.
Or, at least, I hope you’ll ask someone who’s actually blind or visually impaired about writing a blind character before you get too involved with your new WIP.
All parts will be tagged #blindcharacter in my blog, and I will add links to every post as I finish each part. Follow my blog for more writing advice.
Note, this post updates fairly often and old versions are still floating around out there. The most current version of this post is pinned to my blog with any new guides or links you might of missed.
As of 24 January 2021, this is the most extensive and screen reader friendly version of this post.
In which I tell you how to begin making a blind character who is more than a cardboard cutout
In which I give you a basic rundown on how to write from the perspective of a character who can’t see and still make the narration descriptive
Your blind readers will thank you for not being the 5000th person to do this and manage to actually finish your story. (Do you have any idea how many stories I’ve noped out of within two chapters because of these clichés? A Lot.)
Everything I can tell you about 1) how to learn how to use a cane 2) how a cane works 3) how to describe what your character experiences with their cane 4) everything I know on guide dogs
5 January 2021 Edit: This link has been fixed to correspond with the correct post
Or, really, very normal everyday things for blind people, the inclusion of which will make your characters more real and authentic. It’s the tiny details.
There’s no way to write a cure for your blind character that doesn’t make blind readers hate you. Sorry. We came here to finally experience a relatable character who experiences the world like us, but none of us are getting cured so seeing this character we learned to love become something alien from us in the end feels like a slap in the face
I thought I’d finally make a post explaining the complicated situation about my vision. Includes an explanation of visual snow and exotropia, two of the three causes for my vision issues.
Someone asked what being blind and falling in love have to do with each other. Honestly, blindness changes your perspective on everything and it makes an impact on every relationship you have. This includes some things that you definitely do not want your character’s love interest to be/do.
You know those flow charts of “should you do x?” going around? It’s like that, but screen reader friendly. Should you write blind jokes. It’s pretty complicated and there are a lot of possible scenarios and details to consider.
In this I discuss what I would like to see done in fanfiction with Toph’s character after ten years of reading Avatar the Last Airbender fanfiction
It’s became a popular question, so to make the answer easier/faster for everyone to access, I wrote what will usually be my initial answer. Below there are a few links to some notable past questions on this subject.
A small personal essay addressing the nuances of the mourning period you experience with a new disability. The mourning period is mentioned in other guides, but this is more detailed.
While Molly talks about the myths and truths about heightened senses, I talk about the correlation with blindness and neuro-divergency and how co-morbid disorders/disabilities might affect sensory processing.
a:tla, I’m looking at you (and my eyes aren’t blank)
My grandmother told me about her blind aunt and how she sent letters. It led me to speculate about all the O&M things people develop on their own but never get a chance to pass onto other blind people. Technology and techniques are lost in history and reinvented, including the white cane ad guide dogs.
Includes a little history on the introduction of guide dogs into the 20th century
Making Links Accessible to Screen Readers
Reblogging to Add an Image Description to Someone Else’s Image
Why I Write Image Descriptions
Advice for a Character Who was Born Blind
Over-Protective Parents of a Blind Character, Why They’re Over-Protective and How to Avoid Crossing a Line
A Blind Character in Victorian Era Historical Fiction
Is It Bad Not to Have Guide Dogs in a Fantasy/Historical Setting Without Guide Dogs (short answer: it’s not bad)
Someone Asked About My Thoughts on a Medusa-like Character Blinding Herself to Avoid Hurting Anyone
-New- Characters Who Have Recently Gone Blind and Avoiding Inspiration Porn
Does Daredevil’s Echolocation Negate His Blindness
Someone Else was Asked How to Write Daredevil Fanfiction
World Setting where the General Population has a Superpower
Superpowers that don’t involve sight, Five questions to ask yourself if this superpower is a bad idea or a good one
-New- Your character would not use a cane as a weapon, it’s a bad idea
-New- Animal Familiars Acting as Service Animals and Advice for Communicating with Your DM
-New- Portraying Older Blind Characters + Causes for Vision Loss with Old Age
Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because they’re used to writing essays rather than prose. I don’t wanna be the asshole who complains about writing errors and then doesn’t offer to help, so here are the basics summarized as simply as I could manage on my phone (“dialogue tag” just refers to phrases like “he said,” “she whispered,” “they asked”):
“For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.
“But what if you’re using a question mark rather than a period?” they asked.
“When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.
“When breaking up a single sentence with a dialogue tag,” she said, “use commas.”
“This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”
“There’s no dialogue tag after this sentence, so end it with a period rather than a comma.” She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.
I was wondering how achieve such a wonderful textured finish on your pieces? They are wonderful and I love their resemblance to aged photographs and the speckles of colors in the backgrounds. Your art is mesmerizing :)
you can see some of the texture brush sets i use in my #info_asks tag but i have some more (procreate) tips aside from just brushes
also hi i made this whole thing and then stupidly hit ctrl z to erase ONE word and i lost the entire bottom half of the post and all my image descriptions so fuck you tumblr i had to make this twice
to get a faded photo or old digital screen look, consider duplicating the canvas (once all the layers are merged) and using a gaussian blur tool on the new duplicated layer. then set that to low opacity to add a misty sort of look. looks nice in combination with some chromatic abberation and a small bloom effect. then a subtle noise filter on top:
for faded print effects, it's really worthwhile to learn how to use layer masks. you can use a layer mask to non-destructively 'weather' blocks of colour or lineart, without erasing the layer itself. the weathered ink/block print effect here was made using layer masks which means that if i just hide the mask, the lineart becomes solid black again and easy to alter or colour in:
for old paper effects you can just set a paper texture on multiply over the art sure, but you can also combine it with the blur & bloom thing, a really subtle drop shadow and canvas tilt, and highlights to make it look like an aged photograph of a card. this originally had a transparent bg but i'll post it here with a white bg so that the drop shadow is more obvious. the scuffed edges of the card (left) were hand drawn, simple white stucco brush. the bigger patch of scuffed ink (top right) was a texture stamp.
for block print looks you can move the colour layer out of alignment by a few pixels - but only after you're absolutely sure you're done with it, otherwise you'll get something like this -
i forgot to erase out her eye before i moved the red layer so now her eye defeats the 'look' of a misaligned print. the black lineart and red layer were also given the same layer mask treatment as described above to make them look faded or like the ink didn't stick down right to the paper
you can do this with multiple colour layers too. if the colour layers are separated and set to multiply (as in this cmyk example), it'll leave halos and edges around each shape which mimic old comic book print
just to show what you can do WITHOUT any special brushes, here's a piece of one of my mez tarot cards from before i got any extra brushsets at all. for this one, i added a green tint over everything to mimic a sun-bleached or faded print (my actual goal wasn't 'medieval illustration' but actually 'trading card from the 60s that got left on someone's windowsill for decades'). the background texture is the procreate noise brush. the texture under the green lion drawing is the procreate concrete brush (to make it look painted onto a wall). the lettering and lineart is procreate's 6B pencil. but to properly aim for The Look of it being a printed physical object, i also used a perspective blur so that the edges are out of focus, and metallic gold highlights which don't match the lighting of the actual illustration and appear to be catching some other external light. that texture was made from the procreate noise brush
it's pretty simple compared to my later stuff but i still really like the effect
in terms of colours, you need to keep them unified so that they all appear to be acting under the same external light source, like if someone is holding up a torch to a painting then the painting colours will be glazed with firelight even if there's no painted fire. a really easy way to do this is to slap a multiply layer over everything in one shade - grey-yellow for a weathered paper look, or greenish blue for sunbleached photos. this unifies all the colours of the drawing. or you can apply a gradient map at a low opacity so that there's only a subtle change. or just do it by hand - if you want everything to be slightly tinted yellow, just pick the colours you normally would, but move the colour wheel towards yellow to get a yellowfied version of the base colour. easy
it's really important to consider how fading and weathering can affect printed colour. white paper yellows, black fades. you will rarely see pure black or pure white. which means you can use pure black or pure white to add external effects like the white scuff marks on the hierophant card. if the whole drawing is yellowed from age but there's some white somewhere, it's an easy shorthand to show that the scuff mark or whatever was not originally part of the drawing (great way to add some nasty stains lol)
Hi pigs "whale yuri Wednesday" with wings!!! I think the colors in your art are very cute nd i was wondering if you have a method with picking them? I struggle a lot with color picking when i dont have smth to work off of!
Also not an ask but you should post more about your original art/reblog it!! ocs too!! :]
well!! i don't have a specific method most of the time I'm eyeballing all of that!! but i can give some general tips on how i personally pick colours...
also: thank you 🫶🫶 ... i do not make art very often so most of the time i feel like there is nothing to post about!! but i will try to reblog my own art more often!! i have been working a lot on one oc of mine so perhaps you will see more of it :]
- i tend to first put all the colours side by side to get a sense of how they'll all look together!!
- usually i start with a very light or very dark colour that i like, and build off of that.
- after i choose a color to work off of, i tend to pick another colour that's similar to the first colour. (black and white can go well with basically every colour if you're stuck!)
i personally try to keep the colours distinct enough that you can tell it's another colour. this isn't totally necessary, it's mostly because i use a lineless style and my shapes won't be distinguishable if i don't make it clear which colour is which. for example with fhese two images - it's easier to tell between the colours on the right than the colours on the left.
specific processes here:
in the top left corner here, i chose the black, then the dark blue/dark purple, then the purple, then the light purple. they're all in the same area of the colour wheel but each one gradually progresses in brightness and moves into another area of the colour wheel.
same with the top right corner - i started with the white and chose a shade of orange that was easy to see against it. then a similar shade of yellow to pair with the orange, and then i wanted a highlight colour to stand out. since the general pattern of this colour set is bright/warm colours, we can choose another bright or warm colour that's different in brightness or shade - in this case i chose a bright green, but a bright red would have also gone nicely with this.
the bottom left and right is mostly the same as above, but finding a colour palette like the bottom right can be trickier. i started with a combination of white, cyan, and purple but thought that it looked a bit boring. so i picked a colour that wasn't blue or purple but a bright(er) red so that it stood out. could have also used bright orange/yellow/pink instead, but i think the red gives it an interesting contrast. i like to think that it's all about contrast
i tend to make colour palettes at random just for fun, so i think that practice or just putting colours together to see what looks good can also help!! some more examples below of just. colour palettes or colours that work well together
and yeah! to be honest i don't really know what i am doing but i like messing around with groups of colours. do what you want, lay down some colours that you like and most importantly have fun 👍👍👍
Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because they’re used to writing essays rather than prose. I don’t wanna be the asshole who complains about writing errors and then doesn’t offer to help, so here are the basics summarized as simply as I could manage on my phone (“dialogue tag” just refers to phrases like “he said,” “she whispered,” “they asked”):
“For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.
“But what if you’re using a question mark rather than a period?” they asked.
“When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.
“When breaking up a single sentence with a dialogue tag,” she said, “use commas.”
“This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”
“There’s no dialogue tag after this sentence, so end it with a period rather than a comma.” She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.
I love your art so much!! It's inspiring me to get back into pixel art (I gave up quickly). A huge problem I had was I didn't know what size was best to set my canvas for specific projects. I always ended up overestimating and making it too big and then it looked less like pixel art and more like grainy digital art. Do you have a rough guide you stick to for landscapes/bedrooms/cities VS. things like animals and characters?
aw thank you i'm happy to hear that! i hope u stick with it ♥
with landscapes/bedrooms/cities i use 275x155. this provides a fair amount of detail while still keeping it pixely, plus it resizes to wallpaper size. for vertical i just reverse it at 155x275.
i've also recently started to use 215x215 (same amount of pixels as above) so that i can resize my art to easily fit both wallpapers, and mobile videos... since tiktok and instagram reels are everything nowadays 😒
for characters and animals, generally i will base the size of the canvas around how i stylize eyes.
so i'll draw the eyes first, then just draw everything else around that.
i also have a smaller resolution style with 2px dot eyes that i use for adding characters to landscapes, since my landscape resolution is too small for my regular style unless the character is close to the screen.
hope this helps!
sideblog for @letardoursprout so i have somewhere to collect all the tutorials/advice that i likeicon by lovelyshiz. header by hexh-pixel
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