truly the wildest thing about all the Bridgerton discourse about "is Nicola Coughlan too FAT to be a convincing love interest???" is that in many ways she actually looks better in the period costumes than her thinner counterparts because she has the figure to really fill them out. those dresses are incredibly flattering on larger bodies because they emphasise the bust and cleavage whilst creating a very elegant silhouette. there's something unintentionally hilarious about hearing pearl-clutching in the distance over "idk is this FAT WOMAN sexy enough to be believable as an object of lust??" whilst Penelope Featherington's majestic heaving bosoms are almost spilling out of her dress in a category 5 titty event. if anything she's too sexy. they had to spend the first two seasons putting her in ugly dresses in a desperate attempt to conceal the fact that she's serving more cunt than the entire itty bitty titty committee combined
can someone rewrite criminal minds but elle’s storyline and trauma is more explored, less of making her seem like a villain!!! and maeve plotline is better and she lives and they have children and also jeid NEVER happens pleek😭😭😭😭💔
ao3 writers GET. TO. IT.
dana scully is stronger than any other person on this earth bc if I had to listen to mulder's stupid fucking theories every day of my job only for him to be RIGHT?? most of the time I would go insane
Not really a fan of Bridgerton, but I am a fan of Nicola Coughlan's response to everyone shitting on her for being "too big" to play a love interest
new fanfic: i use hozier’s lyric "i’ll crawl home to her" to apply it to an AU with the doyle storyline
genuinely being a tv enjoyer in this current time sucks balls because tv is trying to do what movies do and it makes it WORSE. the best part about tv is that you spend time with it consistently week after week year after year and now because tv shows are fractured and have the budget of major movies they're becoming shorter with way longer time between seasons and it hurts the one (at least to me) best thing about tv!! which is that it's reliable and consistent and has longevity because tv is a long form format!!! But it's being pushed into being made more short term like movies because of all these economic pressures and bonkers expectations. I'm sick of it!!! I'm sick of tv shows being acclaimed when they don't feel like tv shows as if that's a bad thing!!! I'm sick of waiting 2-4 years for 4-8 episodes. I'm sick of reading about the best writers in the business not being able to make a living. I'm sick of it!!!! I want tv back!!! I miss my friend tv!
— Ursula K. Le Guin
I think I'm having déjà vu. The light, the forest. As if all of this has already happened before. A glitch in the matrix.
Dark - S01E01 - Geheimnisse
mulder and scully thinking they're stranded in the middle of this lake when they're actually 5 feet away from shore and they flirt and talk about cannibalism and scully tells him how her dad used to read moby dick to her and she compares mulder to ahab and then mulder catches her off guard by QUOTING moby dick and she mouths the line along and and and
gillian anderson at the 1998 golden globes save me. save me gillian anderson at the 1998 golden globes
*puts hands on hollywood exec's shoulders, staring unblinking into their eyes* listen to me. you will never get people who hate musicals to like musicals by making your musical less of a musical. if you hide the fact that your film is a musical in the advertising, you're going to get a lot of low ratings from people who hate musicals and went into your movie not expecting a musical and got one anyway. people who hate musicals will hate them no matter how realistic and diegetic and lowkey you try to make it. they will hate musicals even if you completely excise anything complicated, over the top, silly, or even slightly challenging. they will hate musicals even if you cut half the songs. they will hate musicals even if you cast that a-lister who can't sing worth a damn. stop trying to market to people who hate musicals. they're a lost cause. your audience should be people who love musicals. this half-assed middle ground pisses off both camps. just embrace the fact that your movie is a musical. lean into it. don't try and trick musical haters into coming to your film when you could be marketing to the theater kids. better cringe than a coward.