So Me

very specific and intense obsessions as a demarcation of time; the season of this album, the time of that book, the age of that fixation

nothing bores me more than art with the intention of shock value made by equally boring white kids who can only imagine the struggle they try to depict

a kiss like cherries and dirt: as sublime, as corrosively filthy.

Pratyusha Prakash (via granadavirgen)

I clawed my way into the light but the light is just as scary. I’d rather quit. I’d rather be sad. It’s too much work.

Richard Siken, from “Self-Portrait Against Red Wallpaper,” War of the Foxes (via joolabee)

The Plan by Sammy Slabbinck on Flickr.