I Could Literally KILL For An Aziracrow Edit With "Like Real People Do" By Hozier

Okay yes we know that Andrew sprinted, dashed, HURTLED even, when he saw Neil on his knees even after blocking 150 + attempts on his goal because he loves that man. But also-

It had been Andrew’s idea to put Neil against Riko in the first place.

For Andrew it was reach Riko or die. (Die knowing that his contributing to exy ended Neil’s life.)

hello dark mode users :)

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i'm still not over and will never be over logan practically bounding and slashing the steel door down bc he couldn't let wade die. he couldn't lose him. not after everything they've just been through. not everyone can say they saved the timelines by having a guy rip a door apart piece by piece to hold your hand and become a singular anchor.

I must sleep. Sleep is the mind-healer. Sleep is the big-life that brings total ability to fucking do anything. I will face my bed. I will permit the blankie to pass over me and snores to pass through me. And when sleep has gone past I will turn the outer eye to greet the new morning. When the sleep has gone there will be everything. Energy and will to live will remain.

I know that the fandom treats Arena like a joke (rightfully so) but I think it’s an untapped market for spirk shippers. Nobody talks about Spock practically drooling over kirks “impeccable logic” ON THE BRODGE while he builds that stupid fucking canon.

“City on the edge of forever” this and that but Like Guys ignore the rubber lizard guy and let’s focus on the fact that Spock just casually murmurs “good good” in front of all of his coworkers??? and none of them question is???? somebody needs to write a fic I stg

andrew interacts with neil like he's playing episode with no diamonds

What made WH so scandalous at the time?

Many things!

—There were a lot of implied or outright stated “ugly realities” in the novel. Heathcliff is brought to the Earnshaw household as an “orphan” (who we can now interpret as being possibly a person of color, though I don’t know how much Emily intended that—it’s something some readers may also have interpreted from the language she used). He has no real reason to be there being Mr. Earnshaw just picking him up. Why did he pick him up? Is he a bastard? And if that’s the case, did you just read a book about two half siblings being in love?

Even if you don’t, the fact that Heathcliff and Cathy do grow up together and spend all their time together while falling in love suggests a lot of potential intimacy, which extends beyond her marriage to Linton. The book may not say that they FUCK behind Linton’s back, but Cathy and Heathcliff remain IN LOVE behind his back. Or like, basically in front of him. These types of raw emotional issues were not something people on high necessarily wanted the masses reading about.

—Both leads suck! Cathy is a selfish brat who really doesn’t care about stepping on Linton’s heart, and she really fucks with Heathcliff’s head as well. She doesn’t suddenly become a better person through marriage, and even after she has her baby, she seems kinda like a shithead as she’s dying. I love her.

Heathcliff is much worse, obviously. Beats his wife to the point that she flees his house, abuses his sons both biological and surrogate. It was pretty shocking at the time.

—Even if sex is not on the page (exactly—there are definite allusions to Isabella and Heathcliff’s sex life and Isabella being physically attracted to his wild coarseness) it’s a really carnal book. Linton is mild and relates to civilized society, something Cathy does love and knows she should love. Heathcliff relates to the nature she adores and grew up rolling around in. She can’t shake him. He’s very tangible; you get the idea that they grew up cuddled together and constantly holding hands and just being obsessed with one another. His expression of his love for her is very violent—when she dies, he smashes his head against a tree until it bleeds. These things read as very erotic, and would’ve read as more so in an era when you didn’t have sex on the page. And these are, again, two horrible people who never marry and hey! Could be brother and sister for all we know, lmao.

—Heathcliff is an orphan of the lower class who happens to be taken in by a well off family. He nonetheless raises himself to be a wealthy man, and in many ways much of his anger seems fueled by a resentment towards the upper class, in part because it took what he wanted (Cathy). He not only has a child with an upper class woman, but takes revenge by forcing another upper class woman to marry his son, claiming her father’s line. A lower class protagonist rising and essentially unleashing his wrath on the upper class was very threatening and suggests a level of sympathy with this upward mobility.

—It’s a very spooky book. Cathy’s ghost appears at Heathcliff’s window. Heathcliff digs up Cathy’s corpse… why? Uh, who knows….? Heathcliff explicitly begs Cathy to haunt him after she dies because he’d rather have her dead and with him as like, a shade, than dead and at peace. Heathcliff is often described in these demonic terms, which gives you a sense both of people being afraid of him because he is lower class and rich, and because he offers a kind of earthy carnality than doesn’t belong in their society.

Anyway, these are some of the reasons! It’s a gorgeous book, and one of my all time favorites.

I like reading Spock analysis because his character is absolutely awesome. Spock is a character that acts like a prim rule follower, but in reality, he has a complex set of internal rules, beliefs, and a strict moral compass. He is not necessarily a good person, depending on the point of view, but he is both empathetic and capable of viewing the bigger picture, and able to act immediately (but never rashly) while following his personal code. He might regret the outcomes, but he will stand by his choices as the best option available at the time. He is so interesting because he is a rebel, if he has to be, or a rule follower, if the rules agree with his code. He is immovable by the moral standards of society. And he doesn't bother making a scene of it, so most people never notice. But Spock only ever does what he believes to be right.

big fan of airing order putting these right next to each other. i think that sad little drone is in itself a tragic romance more compelling than a lot of the plots intended to be read as such in this series

star trek is great because the episode i watched last night was like: have we as humans progressed to the point where there is no longer any need for gods/faith? maybe the only thing we can and should have faith in now is each-other.

And then the episode i watched today was like: yeah so kirk has this bitch computer son thats weirdly sexist? and then kirk tells his computer son to kill himself and he and spock stick bombs to it and fling it out the window and then spocks like wow captain that sure was a great display of logic when you molotov cocktailed your bitch computer son out the window and kirks like yeah i ate that fr