My girlfriend and I talk a lot about our different generations of queerness, because she was doing queer activism in the 1990s and I wasn’t.
And she’s supportive of my writing about queerness but also kind of bitter about how quickly her entire generation’s history has disappeared into a bland “AIDS was bad, gay marriage solved homophobia” narrative, and now we’re having to play catch-up to educate young LGBTQ+ people about queer history and queer theory. It gets pretty raw sometimes.
I mean, a large part of the reason TERFs have been good at educating the young and queer people haven’t is, in the 80s and 90s the leading lights of TERFdom got tenured university positions, and the leading lights of queerdom died of AIDS.
“Excuse us,” she said bitterly the other day, not at me but to me, “for not laying the groundwork for children we never thought we’d have in a future none of us thought we’d be alive for.”
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Häxan: Witchcraft Through the Ages, 1922
This is why I don’t tell 99% people im bisexual
To be able to interact with gods and spirits, or anything of the spiritual, you need to cultivate a bit of, perhaps, child-like wonder and awe for the world.
You need to reorganize your perception of the material world that so everything around you is indwelled with spirit force, and animate consciousness. You did this as a child (it is natural to us!), but then you were taught physiological reasons for animate phenomena.
Those physiological explanations do not discount the spiritual - indeed, they are the RESULT of spiritual animism. Does not the mind, our consciousness, think first before we lift the hand to write or paint or love?
Why should the material world be any different?
Cultivate your wonder and awe. Reorganize your perceptions of the world.
I think about my ancestors all the time. They were people, people who fell in love, people who had pets, people who had a favorite book, people who were passionate about a specific topic, people who went through their own tragedy and suffering. Every single one of them was a person with their own unique life experiences.
And sometimes I think of the really old ones- the ones who spoke languages that are no longer spoken, who lived alongside wildlife that no longer exist, who belonged to cultures that are only known through remnants of pottery. I think of the people who saw the world when it was wilder and more beautiful.
THE VVITCH: A New-England Folktale (2015), dir. Robert Eggers. Witches Sabbath (1789) / Witches Flight (1798) by Francisco de Goya.