cohost fucking exploded so its time for my shameful return. i will be posting art here again. uhhh
my beautiful website
my wretched instagram
my bluesky that im scared of
cara if anyone even uses that
personal/side blog
truly evil i forgor to post them. fursona for @lettucemen
hello minor update im officially posting on bluesky so if tumblr fucking implodes and you still wanna look at my art and other posts, i will transition to that being my main platform. fuck you instagram explode explode explode forever
Hiii I have a new website now!!
https://voids-house.neocities.org/
Coding this was so much fun! I had to learn HTML from the ground up n it was a blast lol. I highly recommend doing this for whatever reason. Neocities rules :) I plan on making some custom animated buttons soon but for now… she is done
It was getting too long, I had to cut it, I’ll make 2 more parts on the Art tips!!
Oh and also don’t hesitate to tell me what you think about this first one, if there’s too much text, if it’s hard to read, if it’s boring etc… I’m still not sure about how to make pretty tutorials ^^’
Have a super good day!! Hope it helps~~
*** Flipping your canvas on traditional media: Look at your painting in the mirror, or turn your paper and put it against a light, to see the reverse image or take a pic of your drawing with your phone, and in the pic editor, just flip it~~
I want to introduce all of you to this amazing place called the ukhairdressers style gallery.
It’s basically a massive database full of high-quality images of different hairstyles. I mean, look at all the options in that sidebar (and part of it’s cut off):
In total they have 976 pages of hairstyles with about 17 styles each, that’s about 16592 hairstyles to look at.
Look at all the stuff they’ve got! Long hair:
Short hair:
Straight hair:
Curly hair:
Afro hair:
Men’s hair:
Hair on older models:
Extra-fancy hair:
Even crazy avant-garde hair:
So if you need help with designing a character or you just want to practice drawing hair, this is a fantastic resource.
what’s up im also on Cara now
I got a great anonymous ask last week from someone who wanted to know how to identify weak spots in their writing. One of the things that comes with time and experience is finding the language to identify, discuss, and address the feeling that something isn’t quite right or that a story is “missing something.” Not knowing them or their writing, of course I couldn’t help them figure out what specifically the problem was. But I did share with them a list of things I’ve done over the years to be able to identify weak spots and improve my writing.
Figure out why you like the writing that you like. Ask yourself: What are they doing here? What are they doing that I’m not doing? Why do I love their writing so much? Take notes on their stories. Plot them. Write in the margins. Read them slowly. Read their reviews—both good and bad. Did that writer you love once write something you hated? Great, even better. Figure out why that particular book was different from the others.
Do you have an older story you wrote that you love? Figure out why. What did you do differently in that story that you’re not doing in the current story you’re writing? Make notes. Draw maps. Reverse engineer everything.
Read craft books, blogs, anything you can get your hands on. Learn about point of view, conflict, character development, dialogue, story structure, syntax, metaphors. Get your advice from good sources, and don’t believe everything you read. If something doesn’t sit right with you, throw it out. But be open to everything.
Over time, you will identify consistent weaknesses that you have. Then, in the future, when you feel like “something is missing” from your writing, you can reference your notes and remember, for example, that you often have difficulty with your protagonist’s motivation, with theme, with dialogue, etc., and you’ll have a better idea about where to go looking.
Be very careful about who you share your writing with. Friends and family are not always the best choice. You don’t want someone who’s just going to throw around their uneducated opinion about your work, who has a big ego, or who won’t be honest with you. Remember: “I liked it” or “I didn’t like it” are useless pieces of feedback. You want someone who can read your work and say, “Your protagonist’s passion for music made them really likeable to me. I was dying to know whether they would get into the conservatory or not!” or “My attention wandered on page two, when you described the couch upholstery for three paragraphs.”
In my experience as an editor, the most likely culprits are unclear character motivation and lack of conflict. There are a lot of good resources (books and blogs) about this. Try a Google search for “most common mistakes beginning writers make.”
Do you keep coming back to the same page or scene in your story, feeling like it isn’t right? You’re probably onto something.
You’d be amazed how much more clear everything will be after a break. Give yourself at least a week for a short story, 3-4 weeks for a novel. It could also be the case that your ambitions for this particular story don’t yet match your skills, and that you’ll have to wait even longer to successfully finish it. I’ve known writers who have given up on a story only to come back to it months or years later once they’d gained the skills and insight to complete it. And then suddenly writing that story seemed really easy!