Some genius thought to set one of the best tracks off the new Arcade Fire's record Reflektor to Bill and Ted's Excellent Adventure. Thanks internet.
While I wait for The Sounds show tomorrow, I look ahead to next weekend, when I'll be seeing Brookyln-ites Holy Ghost! open for Aussie synth dance-rock favorite Cut Copy at the Regency Ballroom in SF. Now, this track "Wait & See" seeps with homages to the 80s, completely unapologetically. But instead of ripping the stalwarts like Joy Division and The Smiths, they're taking cues from Information Society and Wang Chung.
Oh my god, I love it, unapologetically.
Zola Jesus opened for the xx nearly two years ago at the Fox Theatre in Oakland, easily becoming the most pleasant surprise of the night. That's saying something considering the show was stacked, with fellow openers Warpaint being as outrageously beautiful as they are, and headliners the xx beefing up their set and presence to suit their ever-growing success.
Sometimes you remember exactly how you felt the first time you heard a song. A song you've heard 100 times. Beyond all the memories and feelings you've since attached to it. You remember the exact drink in your hand and the friends surrounding you that regrettably you forgot you had.
I heard "I Can't Stand" and was instantly taken, especially by her voice, so hauntingly powerful it completely enveloped the 2,800-capacity room. I remember. I remember. I remember. Perfectly.
This is The Horrors. They're from London. This past week, they released their third lp Skying off XL Recordings (home of every artist that seems to matter at the moment, including Radiohead, the XX, and Adele).
The once punk-and-goth inspired five piece continue to lighten up(only slightly) with lead single "Still Life."
It's a catchy, synth-filled cut that grows until bam! We got horns!
I've been reading reviews on other sites(the big fancy blogs you've heard of) that their new sound mimics early Simple Minds. Like those kids ever really listened to Simple Minds. Who makes that up? Regardless it's got that era written all over it. Along with M83's "Midnight City" and Washed Out's "Amor Fati" we're sure building the greatest John Hughes movie soundtrack that never was.
The Horrors play Bimbo's 365 Club September 10 in San Francisco.
The new St. Lucia remix ep "We Got It Wrong" is out of control. This week Lenno's bouncier and disco-y take is a standout, while Starslinger's moody version is no slacker in the goods department either. And eventually, I'll mix the Xaphoon Jones' redux with something grimy and presto!
Listening to the original "We Got It Wrong"(streaming above) and the Brooklyn artist's other breakout track "All Eyes on You" leaves us desperately wondering about a full-length's arrival.
Cat Power's unequaled Jukebox version of her own track "Metal Heart" from 2008.