I finally caught The Horrors live at Bimbo's 365 Club in SF last week when they co-headlined two shows with The Black Angels. It was a loud, and achingly gorgeous-sounding set in a beautiful venue.
Back in England, where these decidingly throwback shoegazers are from, they're Album of the Year winners(well, NME says) and doing duets of their single "Still Life" with mega fan Florence Welch. It's about as good as you'd hope, which is close to perfection.
M83's anticipated double-album Hurry Up, We're Dreaming finally and officially dropped on Tuesday. I must admit, I've been apprehensive. How could the self-proclaimed youth and nostalgia-obsessed Frenchman and mastermind Anthony Gonzales live up to the hype(machine)? I mean, everyone loves that sax solo in lead single "Midnight City"! And Urban fuckin' Outfitters had rights to the first complete stream of the album!
Still, I believe true mainstream success will elude M83. Unless within the year he sells out the Fox Theater(I call it) and every track is licensed to movies, tv, and commercials ala Moby's Play.
Regardless, I will continue to listen to standout track "Steve McQueen" with my fist in the air.
today is the end of an eleven day work stretch.
every day i feel stronger. leaner.
Bon Iver recently released the single "Calgary," which contains on the flip-side a gorgeous cover of Bonnie Raitt's "I Can't Make You Love Me."
It's unreal good. My mom may just crap her pants.
The Wisconsin band is slated to perform at Berkeley's Greek Theater on September 22.
Do I contradict myself? Very well then, I contradict myself.
Walt Whitman