I really wondered why people were always doing what they didn't like doing. It seemed like life was a sort of narrowing tunnel. Right when you were born, the tunnel was huge. You could be anything. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size. You were a boy, and already it was certain you wouldn't be a mother and it was likely you wouldn't become a manicurist or a kindergarten teacher. Then you started to grow up and everything you did closed the tunnel in some more. You broke your arm climbing a tree and you ruled out being a baseball pitcher. You failed every math test you ever took and you canceled any hope of ever being a scientist. Like that. On and on through the years until you were stuck. You'd become a baker or a librarian or a bartender. Or an accountant. And there you were. I figured that on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.
'Tell the Wolves I'm Home' by Carol Rifka Brunt
annoying as fuck
I don’t know why it had to hurt, the way she dialled the world with her little finger.
'Girl Defective' by Simmone Howell
It began with a kiss. It almost always begins with a kiss.
'Unzipping', in 'Suddenly, A Knock at the Door' by Etgar Keret
I am a dreamer too, and I must wake into a world of dreamers. You can feel it – can’t you? – the peeling off of me, another small loss you have to bear. We all bear it, as best we can, this infinite chain of miniature losses, a hundred thousand stories, a hundred thousand endings. A rehearsal you could call it, for the last ending that’s bound to come, eventually, somewhere in the white space between here and dreaming.
'Only Ever Always' by Penni Russon
‘The Monster of Her Age’ by Danielle Binks - coming August 2021
In a neo-Gothic mansion in a city at the end of the world, Ellie finds there's room enough for art, family, forgiveness and love. A coming-of-age story about embracing the things that scare us from the author of ‘The Year the Maps Changed.’
How do you ruin someone's childhood? You let them make-believe that they are a monster. But sooner or later, the mask must come off...
Ellie Marsden was born into the legendary Lovinger acting dynasty. Granddaughter of the infamous Lottie Lovinger, as a child Ellie shared the silver screen with Lottie in her one-and-only role playing the child monster in a cult horror movie. The experience left Ellie deeply traumatised and estranged from people she loved.
Now seventeen, Ellie has returned home to Hobart for the first time in years. Lottie is dying and Ellie wants to make peace with her before it's too late. But forgiveness feels like playing make-believe, and memories are like ghosts.
When a chance encounter with a young film buff leads her to a feminist horror film collective, Ellie meets Riya, a girl who she might be able to show her real self to, and last comes to understand her family's legacy - and her own part in it.
A story of love, loss, family and film - a stirring, insightful novel about letting go of anger and learning to forgive without forgetting. And about embracing the things that scare us, in order to be braver.
"Words offer the means to meaning, and for those who will listen, the enunciation of truth."
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