The Most Terrifying Monster Isn’t The One Under The Bed—it’s The One The Protagonist becomes to

In my main wip, I don’t think there’s even a moment where Everyone is happy. Like if I’m in a good mood I might actually add a happy ending, or at least a nice little epilogue.

My characters are so happy right now :) Should I... ruin... everything?

Fanfiction Taught Me 90% of What I Know About Writing

That’s the gods honest truth. And I’m saying that as someone who has a literal college degree in writing.

I took SO MANY writing classes in college. All genres. Creative. Playwriting. Screenwriting. Editorial. Journalistic. Business. Technical. I’ve been writing since I could hold a pencil correctly, and really started to pursue it in 2nd grade when every teacher following gushed about my writing skills. I can confidently say I’ve been honing my craft for over two decades.

However, I didn’t really git gud at writing until I started really writing fanfiction. Like, joining a fandom and actively writing an ongoing fic for it.

Again, I’d taken years upon years of writing classes. I learned story structure, grammar, theming, POVs, tone, etc. all throughout school. I learned how to receive feedback and edit my work a little more down the road. I learned from professionals in the field. I worked with mentors.

However, none of that helped my skyrocket my skills like writing fanfiction did.

Fanfiction taught me how to actually write deep, nuanced, and compelling characters. I never once filled out a 200-question character sheet for any character I wrote on some silly school assignment. I never knew how to really know my characters until I was writing OCs for a fandom.

Fanfiction taught me the value of being concise. My schooling had drilled the concept of long, purple prose into me over time and in writing for a fandom for a children’s game, I unlearned that real quick.

Fanfiction really taught me the concept of “show, don’t tell.” I never really knew what a penchant I had for info dumping until somebody pointed out to me most of my headcanon’d lore drops happened in exposition and not in action.

Fanfiction taught me how to worldbuild. Eating the canon of my preferred fandom gave me a lot of time to strengthen my chops while I came up with my own answers to canon lore I hated.

Fanfiction taught me consistency. In school, I mostly wrote short stories. I hadn’t really bitten off a longer project until I started writing a longfic, and in doing so, I learned how to keep my characters, plot, and world consistent for a prolonged period of chapters.

Fanfiction gave me a close-knit community to consistently bounce my ideas off of, and give me feedback that actually served me in terms of bettering my skills and the story I was writing. Not just for the sake of meeting the measures of a grade or rubric given by a teacher.

I could go on and on, but tl;dr, I owe my current skillset and understanding of writing to writing fic. I wouldn’t be at the level I am without it. Honestly, I wouldn’t even be writing my current WIP without it.

So, to anyone who might have told you that fanfic is a waste of time, they are just objectively wrong. And if you’re reading this thinking for yourself that fanfic is a waste of time, well, you’re stupid and also objectively wrong :>

Fanfiction is valuable. Don’t underestimate it.

if you're trying to get into the head of your story's antagonist, try writing an "Am I the Asshole" reddit post from their perspective, explaining their problems and their plans for solving them. Let the voice and logic come through.

I always tell myself I’ll keep it cute, keep it light, and by the end of draft one it’s always dark and or tragic.

Writers be like: "I love my characters!"

Also writers: "What if I made them suffer horribly for no reason except my own entertainment?"

Hardest test I’ve ever taken

Writer Jargon 101 ✨

Show, Don’t Tell – The golden rule! Instead of flatly stating emotions, reveal them through actions, dialogue, and sensory details. Like, don’t say, “She was angry.” Show her slamming a door or clenching her fists.

Head-hopping – When you switch POVs in the middle of a scene without clear demarcation. It's confusing and jarring, like taking a sudden detour while driving.

Purple Prose – Over-the-top, flowery writing that can come off as trying too hard. A little flair is fine, but don’t smother your reader with excess.

In Medias Res – Starting a story in the middle of the action. No boring build-up, just bang—we’re already in the heat of things.

Foreshadowing – Dropping subtle hints about what’s coming next. A small detail now could be a huge reveal later. It’s like dropping breadcrumbs leading your readers to an epic twist.

Chekhov’s Gun – If you introduce an object or detail, it better serve a purpose later. No random things just hanging around. Everything matters.

Canon vs. Fanon – Canon refers to the original source material, while Fanon is the fan-created version. You can take liberties with Fanon, but Canon needs to stick close to its roots.

Saturation Point – That place in your writing where things become too repetitive, too familiar. You’ve got to find a way to push beyond it to keep your writing fresh and engaging.

Bait and Switch – Leading your reader to expect one thing, then suddenly giving them something unexpected. It’s like pulling the rug out from under them.

Plot Device – Any element (object, event, or person) that drives the plot forward or allows the resolution of the story. It’s the item or moment that has to exist for the plot to make sense.

Vignette – A brief, evocative scene that focuses on one moment or idea, often without a formal plot. It's about capturing a snapshot of a bigger picture. Think of it like a small, poetic portrait within a larger narrative.

Mise-en-Scène – A French term used to describe the setting or visual elements within a scene, especially in film and theater. It refers to how everything is placed or designed to create a specific atmosphere.

Framing Device – A structure or technique used to tell a story within a story. It's like having a character tell their experiences through flashbacks or letters, giving the plot a layered, nested feel.

Endowment Effect – When writers unintentionally overvalue a character or plot point simply because they created it. It’s the I’m so proud of this, it’s got to stay! mindset. Sometimes less is more, so watch out for this.

Conflict (Internal/External) – Internal conflict is the emotional struggle within a character (e.g., wanting something but being afraid of it), while external conflict comes from forces outside of the character (e.g., fighting an enemy or dealing with societal pressures).

Pacing Breathers – Moments in the story where the action slows down to allow the characters to breathe and reflect. These help balance the high-energy scenes and give readers time to process.

Symbolism – Using objects, actions, or settings to represent larger ideas. Think of a wilting flower symbolizing the decay of a relationship. It’s subtle but adds layers to your story.

Subtext – The hidden or underlying meaning in a scene or dialogue. What isn’t said, what’s implied but not directly stated. Like that tension between two characters that’s so obvious but never spoken aloud.

Red Herrings – Misdirection! These are the details or clues that seem significant but lead readers down the wrong path. It’s like planting a fake trail to keep your reader guessing.

Narrative Whiplash – When you suddenly change tones or perspectives, jerking the reader’s expectations. It’s like riding a bike and then suddenly taking a sharp, unexpected turn. Used well, it adds suspense, but too much can feel disorienting.

To those readers who became writers ✍🏻, we instinctively and intuitively know what works and what doesn’t, but just in case I’m putting it out here so writing becomes easier. The more you write, the more these little tricks and tools become second nature. Keep going, trust yourself, and keep honing your craft. ✨

As a writer, words fail me.

Man, we have got to stop treating art like it has an expiration date. That show stopped airing? Doesn’t mean it can’t haunt your every waking thought. Everybody’s into this album, but you don’t have the energy for new music right now? It’ll be waiting for you when you’re ready. That movie’s fifty years old and indie as shit? Incredible, you have the chance to share it with folks who might never otherwise feel that particular punch of delight. Books don’t go bad. Shows inspire fandoms decades after they’ve wrapped up. We’re still looking at cave paintings and statue work from ancient times and letting the joy of creation bring tears to our eyes. That’s the point of art. It’s as close to immortality as we ever get. Why try to give that magic a shelf life?

Because I’m working on some long fics (that I might not finish if I’m being honest with myself) but I kind of wanna post some shorter stuff, ya know?

On an unrelated note, should I start writing really indulgent one shots for my favorite fandoms? I’m tired of searching for my specific preferred flavor of bullshit and not finding what I want

Of course my insomnia struck full force right when ao3 is scheduled to go down for maintenance :(