I Think I’ve Been Putting Too Much Pressure On Myself Lately. I’m Trying To Revise Some Poems For

#56

Writing and words are all that keep me going. I cry and bleed and yell and scream through my words, each one cutting me as sharp as a blade. 

If I cannot live the life I wanted to, then I shall live it through the sorrows and joys of words. Words and books and poems and characters for all those feelings that were never felt. 

masterlist

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

Reasons Why 80% of Romantic Plots Fall Through.

Haven't you wondered why a romantic story you have so much hope for suddenly flops? Whether it's yours or not, let's see what could be the problem.

• Relying Too Much on the Outcome

Unfortunately, no romance is complete without an arc. In other words, it is more than just the intimacy. When writers don't allow the relationship to develop naturally, it feels forced. Rushing to the final romance without building a solid foundation will make the story feel shallow and unconvincing. Take your time, flesh out the idea, and follow the plot gradually.

• Creating Unnecessary Victimization

I often see writers make the mistake of portraying one character as too weak or pitiful only for the sake of it. This unnecessary victimization can undermine the character's depth and make the story less compelling. Your readers won't cry along with a female character whose decisions are pretty sour compared to a five-year-old. It's just simply annoying.

Instead, both characters should have strengths and weaknesses, make realistic decisions, making them more relatable and balanced.

• Cringy Conflict.

Realistic conflict is essential for a compelling romance. Over-the-top or contrived conflicts can make the story feel forced and cringy. Conflict should come naturally and blend perfectly into the plot. It's not advisable to pop a challenge that's definitely not necessary in the name of 'keeping the stakes high.'

Rather, focus on creating believable challenges that the characters must overcome, adding depth and authenticity to the plot.

• Neglecting Other Emotions Outside Romance.

It's not only about love, or roses, or dinner nights, or lucky dates with the billionaire. Show the other emotions fighting for dominance: the hurts, pains, joy, frustration, desperation, anger, sadness, jealousy, anxiety, or even moments when a character falls out of love with the other and can't understand their feelings.

Focusing solely on love can lead to a one-dimensional story. For a well-rounded narrative, explore these emotions to create a richer and more immersive experience for the readers.

• Underdeveloped Characters.

What's a story without a fully-fledged character, especially if they are the main character in a story?

You might have heard people talk about the importance of backstories and others saying too much of it tires them out, but here's the thing—balance. It's what people fail to incorporate. I'll try to cover this in any of my upcoming blog posts. Follow to keep up.

To better understand why we should cry for, laugh with, pity, admire, adore, scold, yell at, advocate for, and smile with your character, we need to know why they are what they are, who they are, and why they make the choices they make.

It's important to create characters with distinct personalities, backgrounds, and motivations. When readers care about the characters, they become more invested in the story and its outcome.

And that's my Christmas gift from me to you 🎁. Merry Christmas 🎄

fat character who becomes a vampire and loses a ton of weight and blood can not sate their hunger but they can't eat anything they used to like anymore. everyone views it as a positive healthy positive development but they're starving and dying slowly but never truly dying, a living corpse. this is a metaphor for something

Fanfiction Taught Me 90% of What I Know About Writing

That’s the gods honest truth. And I’m saying that as someone who has a literal college degree in writing.

I took SO MANY writing classes in college. All genres. Creative. Playwriting. Screenwriting. Editorial. Journalistic. Business. Technical. I’ve been writing since I could hold a pencil correctly, and really started to pursue it in 2nd grade when every teacher following gushed about my writing skills. I can confidently say I’ve been honing my craft for over two decades.

However, I didn’t really git gud at writing until I started really writing fanfiction. Like, joining a fandom and actively writing an ongoing fic for it.

Again, I’d taken years upon years of writing classes. I learned story structure, grammar, theming, POVs, tone, etc. all throughout school. I learned how to receive feedback and edit my work a little more down the road. I learned from professionals in the field. I worked with mentors.

However, none of that helped my skyrocket my skills like writing fanfiction did.

Fanfiction taught me how to actually write deep, nuanced, and compelling characters. I never once filled out a 200-question character sheet for any character I wrote on some silly school assignment. I never knew how to really know my characters until I was writing OCs for a fandom.

Fanfiction taught me the value of being concise. My schooling had drilled the concept of long, purple prose into me over time and in writing for a fandom for a children’s game, I unlearned that real quick.

Fanfiction really taught me the concept of “show, don’t tell.” I never really knew what a penchant I had for info dumping until somebody pointed out to me most of my headcanon’d lore drops happened in exposition and not in action.

Fanfiction taught me how to worldbuild. Eating the canon of my preferred fandom gave me a lot of time to strengthen my chops while I came up with my own answers to canon lore I hated.

Fanfiction taught me consistency. In school, I mostly wrote short stories. I hadn’t really bitten off a longer project until I started writing a longfic, and in doing so, I learned how to keep my characters, plot, and world consistent for a prolonged period of chapters.

Fanfiction gave me a close-knit community to consistently bounce my ideas off of, and give me feedback that actually served me in terms of bettering my skills and the story I was writing. Not just for the sake of meeting the measures of a grade or rubric given by a teacher.

I could go on and on, but tl;dr, I owe my current skillset and understanding of writing to writing fic. I wouldn’t be at the level I am without it. Honestly, I wouldn’t even be writing my current WIP without it.

So, to anyone who might have told you that fanfic is a waste of time, they are just objectively wrong. And if you’re reading this thinking for yourself that fanfic is a waste of time, well, you’re stupid and also objectively wrong :>

Fanfiction is valuable. Don’t underestimate it.

So right now I have 9 wips (well, and 2 other ideas that I’ll come back to eventually).

4 of the wips are fanfiction. Because I don’t always finish things, I haven’t posted them yet, but one is close to posting level, probably in the next few weeks if I have time.

3 of the other wips are all different books in the same series that I know for sure I want to publish one day. (I’m just taking my time with it because I need to sort my life out before I’m able to dedicate time, money, and energy into publication)

1 wip I barely ever touch. It will be a series as well and I’ll get to it after the other series.

The last wip is one I’ve had mixed feelings about since I had the idea.

But today I had another idea, that would involve getting rid of the last wip to use the world building and one of the characters.

My life is still a mess, so publishing won’t happen any time soon, but there’s a part of me that wants to abandon my fanfics and just write original stories. I’ll just have to be okay knowing nobody will read them anytime soon.

I've got a lot of respect for smut writers. you write something incredibly sexual, it's probably somewhat of a look into your own soul, and then bitches are too scared to leave kudos of comments half the time, so it looks as though everyone hates your work. And yet yall still do it, and I love that

I'm popping up this random Tuesday to share a few reminders with my fellow fanfic writers

Even your favorite authors had to work hard to get good. We are all awful writers until we decide to improve and take steps.

Every day is an opportunity to be a better writer than you were yesterday if you put in a little work

The love for your works must start with you. Be your own biggest fan

You're allowed to write at your pace.

its okay to embrace some "imperfections" in your writing. Imperfection is part of art because it makes you unique.

It's okay to let go of the writer you were yesterday. Change is normal and it's okay. You're still awesome and your new work will still have an audience. It's okay to look fondly upon a past you perceive as your "glory days" but don't let that make you insecure. Your heart of a writer and your creative talent remain true. Embrace the writer you've become and confidently run with it

Any story you come up with, and your writing style are both special and precious because it's your art

its okay to crave validation and compliments for your fanfic-writing. You poured your blood, sweat and tears into it like any other artist.

No matter how you feel about your writing, it is special because no one can do it like you.

It's okay to be satisfied with just being a fanfic writer. Having amazing writing talent doesn't mean you must force yourself to write original works or to be published.

Fuck AI

I just made an actual schedule for what writing projects I should focus on each day for the next week. So that way I can hopefully make progress on my fic and on revising poems for my slam team at the same time. We’ll see if the adhd cooperates.