Unfortunately I speak this language
Ah, writers. We’re like caffeinated raccoons with a thesaurus—erratic, dramatic, and perpetually on the verge of either brilliance or a breakdown. We love our craft, we loathe it, we panic about it, and sometimes we have midnight sword fights with it (metaphorically… usually). For my long-suffering friends and family, here’s a guide to decipher the cryptic ramblings of an organism like me.
"I’ll finish this draft by the end of the week."
I will procrastinate for six days and have a meltdown on the seventh.
"This chapter just needs a little tweaking."
This chapter is trash, and I’m about to rewrite the whole book instead.
"I love my characters so much!"
I’m going to emotionally devastate them for fun.
"The plot is solid, I just need to flesh it out."
The plot is six sentences, half of which are question marks.
"I’ve got a new idea for a book!"
I’ve abandoned my current project and am fleeing the guilt.
"This is just a first draft."
Please don’t judge me for this dumpster fire.
"I’m doing research for my story."
I’ve been Googling ‘weird medieval punishments’ for four hours.
"I don’t care about reviews."
I’ve read every review. Twice. And cried over three of them.
"The ending needs a little work."
The ending doesn’t exist yet, but thanks for asking.
"I’m editing today."
I’ll spend 30 minutes on commas and four hours rearranging furniture.
"My characters took over the story."
I have no control over anything anymore. Send help.
"I think this draft is almost done."
There’s a 40% chance I’ll delete it tomorrow.
"I’ll outline my next project properly."
HAHAHAHAHA. Sure, Janet.
"I’m working on character development."
I’m Googling psychological disorders and debating tragic backstories.
"I’ll just jot down a quick idea."
I’ve accidentally written half a novel on a napkin.
"I’m worldbuilding right now."
I’ve spent three hours naming a forest and none on the actual plot.
"I don’t get attached to my characters."
I would die for this fictional idiot and cry over their demise daily.
"I’m starting fresh with this new story idea."
I’ve given up on my last three WIPs but refuse to admit defeat.
"I don’t need a deadline to stay motivated."
Without pressure, I will accomplish absolutely nothing.
"My characters feel so real."
I have arguments with them in my head while washing dishes.
"I just write for fun."
I obsess over every word and feel personally attacked by constructive feedback.
"I’m creating a writing playlist."
I’m avoiding my manuscript by curating vibes for the 30th time.
"I’m a writer!"
I am chaos personified, and I occasionally open Google Docs.
why is it that i can write dialogue for hours, but the second i try to have a conversation with a real person, my brain short-circuits? i can have my characters banter back and forth with wit and charm, but ask me how my day is going and i’m like 'uhhhh, fine?'
Me: changes my stories timeline and everyone’s age
Also me: roasts my characters for getting their kids ages wrong while I edit
Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk.
1. Flaws That Stem From Their Strengths
When a character’s greatest strength is also their Achilles' heel, it creates depth.
Strength: Fiercely loyal.
Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.
“She’d burn the whole world down to save her sister—even if it killed her.”
2. Let Their Flaws Cause Problems
Flaws should have consequences—messy, believable ones.
Flaw: Impatience.
Result: They rush into action, ruining carefully laid plans.
“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”
3. Show Self-Awareness—or Lack Thereof
Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.
A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”
4. Give Them Redeeming Traits
A mix of good and bad keeps characters balanced.
Flaw: They’re manipulative.
Redeeming Trait: They use it to protect vulnerable people.
“Yes, I lied to get him to trust me. But he would’ve died otherwise.”
Readers are more forgiving of flaws when they see the bigger picture.
5. Let Them Grow—But Slowly
Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.
Early in the story: “I don’t need anyone. I’ve got this.”
Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”
End: “Thank you. For everything.”
The gradual arc makes their growth feel earned.
6. Make Them Relatable, Not Perfect
Readers connect with characters who feel human—messy emotions, bad decisions, and all.
A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.
A messy emotion: Feeling guilty afterward but doubling down to justify their actions.
A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.
7. Use Humor as a Balancing Act
Humor softens even the most prickly characters.
Flaw: Cynicism.
Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.
“Love? No thanks. I’m allergic to heartbreak—and flowers.”
8. Avoid Overdoing the Flaws
Too many flaws can make a character feel unlikable or overburdened.
Instead of: A character who’s selfish, cruel, cowardly, and rude.
Try: A character who’s selfish but occasionally shows surprising generosity.
“Don’t tell anyone I helped you. I have a reputation to maintain.”
9. Let Them Be Vulnerable
Vulnerability adds layers and makes flaws understandable.
Flaw: They’re cold and distant.
Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.
“It’s easier this way. If I don’t care about you, then you can’t leave me.”
10. Make Their Flaws Integral to the Plot
When flaws directly impact the story, they feel purposeful rather than tacked on.
Flaw: Their arrogance alienates the people they need.
Plot Impact: When their plan fails, they’re left scrambling because no one will help them.
Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.
Obviously I get inspiration from things I’ve read, but I am also inspired by my favorite movies, shows, anime and manga.
It’s bothersome when I feel like I can’t bring that up when I talk to other writers.
Unrelated to writing:
I relate to this so much. I know what most common injuries feel like. Often times, the pain the person is feeling is the same or less than my normal levels.
It’s hard to not seem like an asshole sometimes, because the same person who thinks I’m being mean will literally leave me behind or make my life harder and say it’s no big deal.
And of course none of this is helped by me being black fem presenting. It’s like some people still believe those old studies that we don’t feel as much pain as other people. The second I let my face show how I feel, or heaven forbid I don’t sound pleasant and polite, I have too much attitude or I’m too angry. I’ve literally had people think I was trying to fight them when I was just gritting my teeth through pain they probably couldn’t handle.
Thanks for letting a bitter black bitch rant.
people assume that being physically disabled makes you more empathetic to the pain of others, but that’s not always the case.
for me, it feels unfair when others are in pain and don’t feel the need to hide that fact, because i have internalized the idea that i’m not allowed to talk about my own. it annoys me that, while most are typically understanding if a non disabled person doesn’t operate at their full capacity due to sickness or injury, disabled people are expected to function normally as if that isn’t our every day. as much as i want to feel solidarity towards a suffering person, it feels impossible not to be envious when their illness or ailment is temporary, but i will never, ever get a break from mine.
for obvious reasons i would never say any of directly to someone, because my pain doesn’t make theirs any less valid or real. still, i can’t help but feel that my disability has made me bitter and unkind, because i can’t help but compare my own experiences with theirs.
this is the reality of disability- it does not create perfect people. many of us are broken and struggle to connect with others because of our conditions, and that does not mean we are evil people
reblog if you have skilled writer friends and you're damn proud of them
me, struggling to write: hmm, this part is a little difficult. maybe i should check my planning document, which i created as a helpful tool for my writing process!
the planning document:
I think that “there are some fanfiction that are on par with or better than some professionally published books” and “you shouldn’t hold fanfiction to the standards you hold professionally published books as they are often only written by one not professional writer with no editor” are two statements that can and should coexist
Of course my insomnia struck full force right when ao3 is scheduled to go down for maintenance :(
You know it’s bad when you’re writing a fictional story and wonder if you’re a genuinely bad person for what you’re about to inflict upon these characters
21 he/they black audhdWriting advice and random thoughts I guess
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