I only have the finale episode of Wolf 359 left and I don’t know if it will have a happy ending or not and I’m a bit afraid to listen to it. I hope Eiffel makes it home to his little girl...
Beautiful moodboard, by the way. It really captures that loneliness and guilt that underlies all the space drama and humor. Or, to put it in the modern parlance, this hits me in the feels.
wolf 359 aesthetics- doug eiffel and anne garcía for @whoopsiedaisiedoo, @remembersunflowers, and @mossylog5
(requests are open)
(via blagueofchaos, fuckyeahbillbeckett-blog)
So I decided to try stripping the blue tones out to see what this would look like with more natural coloring. It still looks weirdly off because I think there wasn't that much color left underneath the blue, so even boosting the saturation didn't really make it quite normal-looking, but here's my best try with what I can do on my phone:
Then I messed around with it a little more on my laptop and boosted the contrast and messed with the tones a little more, though it’s still flatter than I’d like, especially in the background.
Well, it was a fun experiment at any rate, and it does look a touch more true to color! To get it really realistic, I think you’d have to color it section by section, almost like colorizing a black and white picture, but I don’t really feel like messing with Pixlr right now so I think I’m going to call this good enough. Enjoy! :)
Putting on "The End" and wiping off my makeup in the sharp white light of the hotel room mirror as Gerard sings for me to do so. Thinking about them towelling the bloody bullet hole off of their forehead somewhere, either in a nicer hotel room than this or perhaps on the bus. Picturing all the makeup coming off all the faces of all the fans, rinsing down a thousand drains as adrenaline fades to weariness and the concert high fades to a vague, aching yearning for more. There is a mournfulness at the end of the celebration, but there is yet a celebration in the mourning, a togetherness even still. And after all, is that not what this band is about? The twinned emotions of mourning and rejoicing and the times when the two are inextricable?
Putting on eyeliner this morning for the My Chemical Romance concert and thinking about how many other fans might also be doing this at the same time; thinking about how many fans have done their eyeliner for a show over the years in the past. Thinking about Gerard doing his own eyeliner. Achieving spiritual union with the MCR fandom through slightly messy eyeliner.
My mom and I are always debating what color things are, like I’ll say something is blue and she’ll say it’s green, so I took this quiz and then had her take it in the hopes that it would finally settle which of us is right about colors. Unfortunately, we both got 0... But I guess it’s a quiz on how well you can distinguish colors from one another, not what you call them.
How well do you see color?
I’m cry I scored 60, I feel blind
I completely agree, this is the best happily ever after for them. Like “get married, have kids” doesn’t have to be everyone’s happy ending always, but I do think it would’ve been the best fit for these particular characters (and it’s certainly a darn sight better than Ben winding up dead).
After all, as a lot of people have been saying, Rey has always been looking for a family, and as great as her friend group is, I still think she would have loved this life. It’s the opportunity both characters need to do better with their own family than what they had in the past (no offense to Han and Leia’s parenting, but just things obviously went awry). Also this would be a perfect setup for future movies if they wanted them, with another next generation.
Anyways, mini-rant aside, this is simply gorgeous art; I love the coloring and the depth of it. And, of course, it fills the heart with much-needed warmth.
This is how it should have ended
Credit to jabberwockyface
My boyfriend @ravenfal told me he had something that would make me laugh...
(Inspired by this post)
I love reading all the stories here; I’ve been up and down the notes and I have several versions saved to my drafts, one of which I’ve begun writing out my own Fae story on. However, this post has actually had an influence on how I interpret the play I’m currently in, so it seems only appropriate to reblog a version of it on the eve of our play opening as well.
The play is called Almost, Maine, and it’s a subtly surrealist series of small town romances. The blurb on the back of the script describes it as “a midwinter night’s dream”. Basically, weird, seemingly mystical things are happening in the lives of people in this town as they fall in and out of love, and at the end of the night, everyone sees the northern lights. You could read it just abstractly as ‘the northern lights make weird (or should I say wyrd) things happen’, or you could even rationalize most of the things away, but I’ve decided that it makes sense that Almost (that’s the name of the town) just has a very heavy Fae presence and the Fae--likely excited by the northern lights--are meddling in everyone’s affairs--much like in Midsummer Night’s Dream.
I even decided that one of the characters I play, Ginette, actually is a Fae who left the Fae realm because she’s in love with a human, Pete. That explains, for me, how she *SPOILERS* walks all the way around the Earth in about 10 minutes for him--it’s done with the Fae magic she has, but in my interpretation, she has literally travelled all that distance for him. Then, when the northern lights appear at the end, it’s even deeper for me, because I’ve decided that for Ginette that’s a sign that the Fae have finally approved of her romance with Pete.
Pete would be incredibly overwhelmed by all this. He freaks out when she says “I love you” for the first time. It’s best he doesn’t know all this.
Anyways, I know this is a digression from the main subject matter of this post, but I just wanted to share how considering the Fae has been useful to me in deepening my acting and my character backstories. Thanks for all the great stories!
Irish people; The faeries aren’t real
Irish people; No fucking way will I go in that faerie ring
This reminds me, just the other day I was thinking about which MCR album would correspond to which house! I feel like Danger Days has pretty obvious Gryffindor energy, what with the whole Killjoy storyline being all about impulsive bravery and a fight for ideals. Then, I decided I’d put Black Parade with Ravenclaw, since it’s a very contemplative and philosophical album, reflecting on and exploring death as it does. Also, it’s theatrical as heck, and you know Ravenclaw has plenty of theatre nerds (including me, and several other theater people I know).
The last two I had a harder time with, because I feel like a good case could be made for both Bullets and Revenge for being associated with either Hufflepuff or Slytherin. Bullets has that close-knit family-feel of the “van days”, and there’s something hardworking and loyal and bristling with Hufflepuff energy about the band just starting out, that whole “us vs the world” mentality they had. (I know this is based less on the album and more on the era than the first two, thought I feel it’s also somewhat reflected in the songs- you’re not in this alone...). At the same time, though, early MCR were certainly ambitious, and there’s perhaps somewhat of an edge of dark cunning in some of the songs, too.
Revenge, on the other hand, is also underlaid by loyalty, albeit a darker, murderous loyalty, that of one Demolition Lover to another. The quest for 1,000 souls and the ideals of vengeance could perhaps be construed as Slytherin ambitiousness, but at the same time, if we’re going by the narrative of the Demolition Lovers, then a desperate, tragic love is really the driving source more so than personal ambition; but then again, the pair only got themselves separated in the first place because of their criminal ambitions.
My gut says that Bullets is more Hufflepuff and Revenge is more Slytherin, but it could easily be the other way around.
Shoot I'm running out of time! I’ve had like four different versions of this saved in my drafts and I never get it posted before the time stamp is no longer relevant so I better get this one out now.
Also holly poofarts, 2020 starts in less than a month!!! When did I stumble into the mythical FUTURE??
This is literally the last month you can reblog this joke
Speaking of sharpie tattoos, the way Gerard and Lyn Z used them to write messages back and forth to each other on tour is adorable <3 I had heard that the lyrics to Summertime came out of this exchange, but it’s super cool to actually see pictures of it.
I wonder if there’s a story behind the unicorn shirts or if they were just being funky.
Gerard Way Sharpie Writing - Part 7 of 7 (the rest)
Gerard/Lynz co-ordinating words:
I *heart* U // MORE TODAY (Projekt Revolution 08/17/07, Cleveland OH)
4 EVER // AND EVER (Projekt Revolution 09/03/07, Denver CO) - on their wedding day, complete with matching unicorn shirts!
RUN AWAY WITH ME // ANYTIME YOU WANT (Project Revolution 08/24/07, Mansfield MA)
IN LOVE // 100% (Projekt Revolution 08/15/07, Jones Beach NY)
KISS // TELL
This is so gorgeous and emotional and dramatic! I haven’t watched the Netflix finale yet--I guess I’m saving it for a little bit--but I’ll never forget all the feels I felt reading the beach scene in The End, back before “feels” was even a thing people said. This song beautifully captures all of those emotions and gives me plenty of its own. I’m pretty sure it gave me goosebumps although I admit it is also a bit chilly in here. But the emotion in the lyrics and the singer’s voice are certainly goosebump-worthy!
Also, FYI, the volume is fine on my end. It sounds lovely!
Edit: I realize now that I was using my cheap headphones when I wrote this; they’re not great headphones and so I always have to turn the volume up on things to compensate. I just didn’t realize that I wasn’t turning the volume up for this song. So, yes, the volume is indeed loud. It’s not hard to deal with though, and this is still a gorgeous song. I was listening to it on repeat at work the other day.
I think it’s best to listent to it at low volume because I still can’t use garage band properly and the volumes are wrong
Kit and Olaf love story was my insipiration for this song, they are one of my first ship and it felt like a nice way to honor it.
I hope you enjoy it. I’ll be posting the lyrics in a reblog so keep an eye open. also as soon as I’ll fix the volumes I’ll be putting it on band camp.
Welcome, dear traveller, to our fantastical lande shrouded in swirling violet mists. Here we study how stories shape our lives, how words weave wonders before our eyes. Here we are enamoured of love and the connections betwixt people. Here we seek daring adventures in our wild lande, delving into the unknown at every turn. But mostly, here you'll find my obsession with any number of things, like Doctor Who, the Vampire Diaries, or any number of others from the ever-shifting tide of obsessions through which I cycle. My more-used sideblog is blagueofchaos if you ever wish I posted more :) She/her, 28
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