So–yesterday Was Homestuck Day, And By That I Mean It Was The Nine-year Anniversary Of The First Posted

So–yesterday was Homestuck Day, and by that I mean it was the nine-year anniversary of the first posted page of Homestuck. You may have noticed your entire dashboard going into a maddened, dismaying frenzy. People you thought were your coworkers, your neighbors, your friends, your family, all of them infected by a virus that transmits through gray facepaint and Vriska memes.

Well, okay, I kinda got a little weird there. My purpose in making this post is actually to advise you to read Homestuck–hell, read Jail Break and Problem Sleuth first, if you want, they help you to understand what the hell is going through the author’s head. But read it, especially if you want to be a content creator, because reading Homestuck is a transformative experience–in that it will transform how you understand, process, and create fiction. It pushes…boundaries. It pushes the boundaries of storytelling, of character interaction, of audience participation, of the medium itself–of several mediums themselves. The actual story has some severe execution problems late in the game, but I am firmly of the opinion that Homestuck is gonna be taught in college in fifty years alongside other great works of fiction throughout the history of mankind.

Moreover, it’s helpful to understand the people making content that are Filthy Homestucks. Your favorite artist is a Homestuck. Your favorite cartoon is made by Homestucks. Your favorite indie game was made by Homestucks. You’d be surprised how large a percentage of you this is true for. Homestuck, for better or for worse, is important, and I highly recommend the experience of reading it.

If you wind up buying gray facepaint and pointy anime shades as a joke, all the better.

Sometimes I forget how stereotypically queer I am

Short hair✔️

Likes emo music✔️

Flannels✔️

Listens to welcome to night vale✔️

Says “mood” and “same” unironically✔️

Spends most time online✔️

Gay???? ✔️

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alcorsnightmaresheep

2 years ago

The Beginning of the Overarching Plot and Conflict

In a sense, the Harvest Festival feels like the end of an era in the story. Major story beats are resolved, new conflicts and plot points are presented, and there’s a shift in focus. I’d say the most important question in this first part of the series is whether Iruma wants to stay in the underworld, so with that finally answered, the story must evolve to continue. While Iruma is still the focus, other character like the Misfits and some teachers start gaining more independence, having their own storylines. There’s also a slight tonal shift as the plot gearing up mandates a bit more seriousness and creates a sense of urgency. Since I’ve already covered those aspects in previous sections, I now want to take the time to cover some new conflicts and plot points.

The Demon King prophecy already sets up Iruma to be the next demon king, so it’s not as if this is new information, but there is a key difference. A prophecy is something magical and beyond interference, making it seem like Iruma was coincidentally stumbling into its criteria, but this is an event created by a specific person, likely Delkira himself or someone operating on his orders, and we know that Sullivan served him directly.

The purpose is purportedly to find the “least demon-like demon,” but the criteria to find the legendary leaf seems less concerned about that and more concerned with finding a human. All the necessary traits are natural to Iruma as a human, and the final form of the legendary leaf is a cherry tree. It’s as if the person who created the festival wanted to bring humanity into the underworld. Sullivan is a very good grandfather, and I would never diminish that, but he’s definitely hiding things, including his real reason for bringing Iruma into the underworld. When Iruma tries to question the cherry blossoms, Sullivan cuts him off, establishing that line of questioning as off-limits, but also showing that it, and his role in everything, will become relevant later. He’s an increasingly suspicious figure and I genuinely don’t believe that Iruma fitting the prophecy is a coincidence considering both Sullivan’s connection to Delkira, and his own ability to meddle in the demon world.

Delkira’s involvement is proven by his appearance once the legendary leaf blooms, surrounding Iruma almost as if capturing him, perhaps representing Iruma now being in destiny’s clutches. There are a couple ways the line “So, it’s you?” can be interpreted. It could simply be in regard to the one who grew the legendary leaf, but I’m less inclined to believe that considering multiple people were involved in that while Delkira only appeared to Iruma. The other option, and the one I’m in favor of, is that Iruma’s been chosen, and whatever part of Delkira that was released recognized that. Delkira doesn’t show up that often, but he seems to have strong feelings on what the underworld should look like, so there’s a good chance that he purposefully disappeared as part of some greater plot. A plot that now includes Iruma.

Wrapping up this arc, the demons shaping up to be the main antagonists of the series return in a truly bone-chilling fashion. Iruma’s declaration was a powerful moment, but right at the end, those same words take on a sinister meaning, now haunting every subsequent chapter until the other shoe drops. The one thing that Iruma can’t let anyone know without compromising his safety is now in the hands of the enemy. An enemy who isn’t opposed to killing and eating him. Whatever they’re cooking up, it’s clear that this secret is part of their plans and it’s only a matter of time before Iruma gets exposed. However, Iruma’s words “because I’m human” spark the next big theme of the series. I consider everything from the first chapter to the end of the Harvest Festival as sort of part one in terms of story development and themes. Up to this point it’s all about Iruma discovering what he wants, after this he knows, so the focus changes. The next part is concerned with secrets, things not said or seen, and it all centers around the core lie of Iruma’s identity.