Do I have a problem for simping to older people? YES
I have to make 6 outputs for our journalism but here i am reading angst and i feel numb.
THE DEVIL WORKS HARD BUT WRITERS WORK HARDER đ GYAT DAMN
Damn.. đŚ
Pairing: Mona Wassermann/Reader
Words: 3.9k
Summary: She said it was love when she asked you to move in. You didnât notice the walls closing in until they felt like home. Now thereâs another girl wearing your old fearâand you, draped in silk and power, wouldnât have it any other
Warnings: Toxic Relationship, Manipulation, Moral Corruption, Being Controlled But You Like It, Suicide (not reader), kidnapping
AO3
AN: This did a complete 180 from what I expected it to be, Oopsies. Enjoy Xx (Requested by: @luvpone)
The eggs are already plated when you wake.
Soft-scrambled, just the way Mona likes themâcreamy, a hint of chive, barely touched by heat. The toast is dry, cut diagonally. The grapefruit has been halved, segmented, dusted with sugar.
You blink the sleep from your eyes and sit up slowly, like youâre afraid to shift the balance of the morning. The sheets are still warm beside you, though sheâs long gone. You smell her perfume before you see the tray. Sharp. Floral. Unmistakably hers.
A folded note rests beside your water glass.
Remember your pills. Wear the blue sweater today. Iâll be home at six. Donât make me come looking.
â M
You stare at the handwriting for a long moment. Neat. Severe. Looped just slightly at the tail ends, like she wants to seem softer than she is.
You do exactly as she says. Not because youâre hungry, but because sheâll ask. And if she finds the plate cold and untouched when she gets homeâno. Better not to find out.
You chew mechanically, gaze drifting across the apartment. Her apartment. All clean lines and pale marble, glass so spotless it reflects the sky, not the city. Everything in its place. Just like you.
Thereâs a faint hum of music playing through the built-in speakersâone of her old jazz records. Mona likes music in the mornings. She says silence makes you brood.
Your phone buzzes once. Then again. You already know who it is.
Have you eaten? Send me a photo.
You donât hesitate. You snap a picture of the empty plate and send it without comment. The read receipt pops up within seconds.
Good girl. Now the sweater.
You rise, dutiful, and make your way to the closet. Not yoursâhers. Everything you own now fits into a curated space of her choosing. The blue sweater is already laid out on the ottoman. You didnât put it there.
It still smells like her. You slip the sweater on. Itâs soft, expensive. Cashmere, probably. Mona doesnât buy anything that isnât the best.
It still fits perfectly, even though youâre sure youâve lost weight. She says thatâs good. Says it makes you look âkept.â Like youâre being taken care of.
You sit on the edge of the bed, sweater clutched around yourself like armor, and let your thoughts driftâjust for a momentâback to before.
Back to the beginning.
Mona had been kind, then. Overwhelming, yesâshe swept into your life like a storm with perfect postureâbut kind. She asked questions no one else thought to ask. Remembered the name of your cat, your mother, your favorite wine. She touched your arm when you were nervous and said things like: âYou donât have to be afraid with me.â
And you believed her.
When she offered her guest suite, just for a while, just until things âsettledâ, you didnât think twice. You were out of work. The lease was ending. She looked at you like she couldnât bear the thought of you struggling.
You told yourself it was temporary. She told you, gently: âI want you safe. Thatâs all. Let me give you that.â
You never even noticed the moment your keys stopped working. Or when she started answering your phone. Or when your old clothes vanished, replaced with carefully chosen alternatives. Mona said they âdidnât suit you.â She said this with a smile, holding a silk blouse to your chest like a gift.
And maybe it was. Maybe thatâs whatâs so confusing.
She loves you. She tells you so every day. She holds your face in both hands like itâs precious. She kisses your temple when youâre quiet too long and murmurs things like: âYouâd fall apart without me, wouldnât you?â
The worst part isâshe might be right.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
The lock clicks at exactly 5:58 PM. She never rings. Never knocks. This is her home. Her space. Her rules.
Youâre already sitting on the couch, sweater smoothed over your lap, a book open but unread in your hands. Youâve been in that position for twenty minutes, heart fluttering with anticipation youâd never call fear.
She walks in without hesitation. A black coat draped over her shoulders. Lips painted like blood and wine. Hair perfectly set, not a strand out of place.
Mona Wassermann doesnât rush. She arrives. âDarling.â Her voice is warm, velvet-thick. âYou wore the sweater.â You nod, managing a smile. âYou said to.â
She hums, low and pleased, and crosses the room in heels that echo like punctuation. âYou listen so well,â she murmurs, and cups your jaw in one hand. Her thumb strokes your cheek, her touch feather-light. âThatâs what I love about you. You know how to be cared for.â
You swallow. âI made tea.â
âIâm not thirsty,â she says, still smiling, still touching. âBut Iâll sit with you.â She takes the book from your lap and sets it asideâdelicately, like itâs fragile. Like youâre fragile. Then she sits beside you and pulls you into her side, your body folding against hers out of habit more than choice.
Her arm curls around your shoulders. Her lips brush your temple. âThere,â she whispers. âIsnât that better?â
You nod again. Because it is. Itâs easier than questioning. Safer than pushing back. And besides, Monaâs warmth is real. Her grip, firm but comforting. Her attention, intoxicating.
If this is what love looks like, you think, maybe you can learn to want it this way. You close your eyes and let her hold you. And you donât ask why the door locks behind her with a soft mechanical click.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
You donât notice when you stop checking the time.
Mona keeps the clocks set fast by exactly six minutes, she says it keeps you sharp, but you donât need them. You know her rhythms better than your own now. You wake when she tells you. Eat when she expects you to. Breathe easier when she walks through the door.
You used to wonder if this was normal. If it was healthy. Now you just want to make her proud.
Sheâs sitting at the dining table with her glasses perched low on her nose, reading something dense and contractual. You curl up beside her on the floor, rest your head against her hip. You donât say a word. You donât have to.
Her hand slips into your hair like it belongs there. âI could get used to this,â she says absently, still reading. You tilt your head up. âTo what?â
âThis. You. Obedient. Quiet. Sweet.â You beam like itâs praise. Because it is. âI just want to make you happy,â you say. She sets her papers down and looks at you fully, her expression unreadable.
âYou do,â she says. Then softer, almost to herself, âYou really do.â
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
She still tells you youâre beautiful, but now itâs in the same tone she uses when approving a purchase orderâdecisive, possessive. Her hands roam absently when she walks past you: a hand at your waist, a gentle grip at your nape, a brush down your spine that makes you shiver in ways you pretend not to understand.
And when she kisses you, itâs with a kind of ownership that leaves no room for doubt.
One night, you whisper to her in the dark, just as sleep starts to take you both: âI love you.â You feel her go still behind you, just for a second.
Then her hand curls around your middle, pulling you closer. Her mouth finds the curve of your shoulder. âI know,â she murmurs. âI love you too.âYou smile, eyes fluttering closed.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
You meet for coffee because Mona said you could.
She picked the cafĂŠ. Chose your outfit. Had the driver wait half a block away. âLet her feel free,â sheâd said with a smirk, lips brushing your cheek. âItâll make her easier to ignore.â Youâd laughed. She kissed you again.
Now you sit at a small table by the window, sweater sleeves neatly pushed to your wrists, hands folded in your lap the way Mona likes. Youâre early, of course. You always are.
When your friend arrives, she looks different. Or maybe you do. She hugs you too tightly, too long. She smells like a life you used to haveâstreet food and secondhand bookstores, not rose oil and Monaâs Chanel.
âYou lookâŚâ She hesitates. âGood.â You smile. âShe takes care of me.â
âYeah,â your friend says, pulling off her coat. âThatâs what I wanted to talk about.â It starts softly. Little questions. How have you been? Are you still painting? Do you see anyone else? Do you ever go anywhere alone?
You answer like youâve been coachedâbecause you have. âShe just wants whatâs best for me,â you say. âSheâs protective.â
âProtective,â your friend echoes. âOr controlling?â You blink. âWhatâs the difference?â She stares at you. Her expression shiftsâfear, maybe. Or pity. You hate it.
âSheâs cut you off from everyone,â she says quietly. âYou used to call me when you couldnât sleep. You used to laugh more. You used to talk about leaving.â You stiffen. âI donât want to leave.â
âShe doesnât love you,â your friend says, voice flat. âShe owns you.â You flinch like she slapped you. âNo,â you say. âNo, she does. You donât understand her.â
âI understand you,â she says, leaning forward. âAnd I know when youâre not okay.â
You push back your chair, carefully. Not angrilyâMona taught you better than that. You gather your coat, your phone, your bag. Everything Mona picked out for you.
âIâm fine,â you say, voice even. âI love her. And she loves me.â She grabs your wrist. âSheâs conditioning you.â You yank free.
âShe saved me,â you say, quieter now. âWhen no one else did. Iâm not going to apologize for being loved.â
Your phone buzzes. A single text: Timeâs up. Car is waiting. You donât look back. You leave with your head high, pride stiff in your spine.
That night, you curl against Mona in bed. She brushes your hair back and kisses your forehead. âSheâs worried about you,â she murmurs.
You nod against her chest. âShe doesnât know what we have.â Mona hums. âNo,â she agrees, stroking your back. âShe doesnât.â She holds you closer. You donât see the way her eyes stay open long after yours have closed.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
The friend doesnât stop.
She starts texting. Calling. Leaving voicemails that pile up unheard in your phoneâs hidden folderâMona showed you how to mute her without blocking. âCruelty,â sheâd said, âis giving them hope.â
At first, you ignore it. Then, you listen. She sounds tired. Worried. Pleading.
This isnât you. You used to fight. You used to have your own mind. Iâm not going away.
You play the last message twice. It ends with silence, then a quiet, broken whisper: Please come back. You delete it.
Later, you tell Mona. Sheâs in her study, barefoot, swirling a glass of red wine. You sit on the arm of her chair, your hand resting gently on her shoulder. âShe wonât stop.â Mona doesnât look up from her book. âThen block her.â
âShe was my friend.â Mona hums. âAnd Iâm your future.â You hesitate. Then: âShe said Iâm not myself anymore.â That gets her attention. She closes the book. Turns to face you fully.
âAnd what self would you rather be, hm?â Her voice is soft, slow. Seductive in its certainty. âThe one who cried herself to sleep in an empty apartment? The one who begged for scraps of affection from people who couldnât give a damn?â
Youâre quiet. She leans closer, brushing her lips over your jaw. âOr this version? The one whoâs loved. Protected. Chosen.â You nod. But something cold settles in your chest anyway. It starts to show.
At lunch with Monaâs acquaintancesânever your friendsâyou speak less. But when you do, itâs with precision. You echo Monaâs cadence, her sharpness, her subtle threats wrapped in silk.
Someone makes a joke at your expense. You smile, cool and unbothered, and say: âCareful. Mona doesnât like people touching her things.â
Their laugh falters. You finish your drink. Mona beams.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
You dream about locking the doors behind her. You dream about telling someone theyâre not allowed to leave. You wake with a sick flush of guiltâand something else. Something hotter. Thicker.
You bury your face in Monaâs shoulder. She strokes your hair and doesnât ask what the dream was. She knows.
Your friend corners you outside the floristâs. You donât know how she found you. âYouâre scaring me,â she says. âYouâre starting to sound like her.â
You look at herâreally lookâand realize sheâs smaller than you remember. Not physically. Just⌠less. You tilt your head. âSheâs not hurting me,â you say calmly. âSheâs making me better.â
âSheâs changing you.â You donât answer. You donât need to. The look in your eyes says it all.
That night, Mona kisses your neck and murmurs, âMy sweet girl. Youâre learning.â And you are. You just donât know if youâre becoming what she wantsâor something even she should be afraid of.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
The friend comes back. She looks worse nowâdrawn, desperate, tired of begging but still clinging to the idea that somewhere beneath all this, youâre still you.
You open the door without hesitation. âCome in,â you say smoothly. She hesitates, but steps over the threshold. The lock clicks behind her.
You lead her to the sitting room, where the lights are low and the air smells faintly of Monaâs perfume, amber, spice, smoke.
She doesnât sit. âI just want to talk.â You nod. âWe will. But not yet.â You cross the room and pour a glass of wine, watching her in the reflection of the cabinet mirror. Sheâs uneasy already. Good.
You hand her the glass. She doesnât take it.
âMona will be home soon,â you say softly, brushing a stray hair from her shoulder. âYou should stay. Since you want me so badly.â Her brow furrows. âWhat?â
âYou keep saying you want the real me back.â You smile, all teeth. âSheâll want to see that.â She takes a step back. âThis isnât funny.â
âOh, Iâm not joking.â You move closer. Not threatening. Not yet. Just present. âYou chased me down. You barged into my life. You said you werenât leaving until I came back.â
You lower your voice. âSo stay.â You motion toward the couch. She doesnât move. You donât force her. You just watch. âLetâs see what Mona thinks of your loyalty.â
When Mona arrives, the energy in the room shifts instantly. She closes the door, tosses her keys on the side table, and pauses when she sees the two of you.
Her eyes land on your friend. Then flick to you with a slow, dangerous smile. You stand and walk to her, all grace and control, and press a kiss to her cheek.
âShe wants to save me,â you murmur, just loud enough for your friend to hear. âTried again.â Monaâs eye glint. âHow sweet.â
âSheâs staying,â you add. âFor now. Since she misses me so much.â Mona looks at your friend like one might look at something pitiful on the street.
âHow generous,â she says, curling an arm around your waist. You lean into her easily, effortlessly. Your voice is silk. âShe doesnât understand yet. But she will.â Mona kisses your temple. âShe wonât like what she sees.â
âShe never does,â you reply. âBut thatâs not our problem, is it?â Your friend stands frozen, uncertain if sheâs still here to helpâor if sheâs already become part of the performance.
You smile, slow and cruel. âDonât worry,â you say gently. âYou wanted to see the real me.â You lace your fingers with Monaâs, lift them to your lips. âWell. Here I am.â
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
She stayed. Not by choice. But she stayed.
It was supposed to be a confrontation. A rescue. But one look at Mona, one long, bone-deep silence between the two of you, and your friend lost her footing. You saw it in her eyesâthe moment her resolve cracked.
Now she sleeps in the servantâs room. You didnât even know the house had one. Mona called it âpractical.â She doesnât call her by name anymore. Just âthe girl.â
âSheâs useful,â Mona says with a wave of her hand. âGood hands. Quiet. Mostly.â You donât ask her to leave. You donât apologize.
Instead, you hand her empty teacups. You set your shoes by the door and let her clean them. You watch her as she dusts the shelves you used to daydream beside, and you feelâŚ
Nothing. No guilt. No ache. Only power.
Mona sees it in you. The way your shoulders donât hunch anymore. The way you speak with weight. The way you look at her like youâve finally earned her.
And when she fastens your necklace in the mirror, she speaks low against your ear: âIâm proud of you.â Your eyes flutter shut. You lean into her touch. Youâre warm all over.
She still tells you when to sleep. What to wear. Where to sit. And you let her. You want to. Because every time she buttons your collar closed or brushes her thumb over your lip to wipe away a crumb, your body reacts before your mind does.
Heat. Obedience. Desire. You used to wonder if it was wrong. Now you just want more.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
One evening, you catch your reflection as you pass the mirror in the foyer. You pause. Step closer. Study yourself. The posture. The lipstick. The velvet around your throat.
You turn, slowly, admiring. Behind you, the girlâyour friendâsets a tray on the table. She doesnât speak. She doesnât meet your eyes.
You watch her in the mirror, then shift your gaze back to yourself. âMona,â you say casually as she enters the room, âdo you think sheâs in love with me?â
Mona raises an eyebrow. âSheâs afraid of yoi.â You smile. âSame thing.â
Mona laughs, low and delighted, and crosses to you. She kisses you slowly, possessively, not caring that the girl can see.
And you melt into her, fingertips grazing the curve of her waist. Because fear isnât love. But it keeps people close. And thatâs all youâve ever wanted.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
Itâs raining the day the girl tries to leave.
You find her in the foyer with her old coat and a canvas bag that still smells like the life she used to have. Sheâs trembling, soaked from the open door. Eyes darting, frantic.
She doesnât speak at first. Just looks at you like sheâs begging without words. You donât say anything either. You just close the door. Quietly. Then you call for Mona.
The aftermath is silent. No shouting. No threats. Just the door locking. The coat taken. The bag burned.
Later, Mona wraps an arm around your waist as you sip wine by the fireplace. The girl kneels at the edge of the room, eyes fixed on the floor, hands folded neatly in her lap.
âYou handled that well,â Mona murmurs, brushing your hair back. âI knew you would.â You smile. You should feel triumphant. But what you feel is settled. Like the final piece of something has clicked into place.
That night, you lie in bed with Monaâs hand at your throat and her breath in your ear, and it hits you: Youâre not afraid anymore. Not of her. Not of what youâve become. Not even of what youâre capable of.
You want her power. You want to share it. And you know nowâyou were never her victim. You were her creation.
The rain has stopped. Thereâs a stillness in the house thatâs almost sacred. No birds, no windâjust the faint hum of quiet obedience in every room.
You pad barefoot into the kitchen the next morning, Monaâs silk robe wrapped around you like armor. It still smells like herâamber, smoke, power. You donât bother tying it.
The girl is already there.
Kneeling by the oven, scrubbing the tile. Her movements are too fast, too frantic, like if she works hard enough she might disappear.
You stand in the doorway for a moment and just watch her. The tremble in her spine. The quick glance over her shoulder. The way she immediately ducks her head again.
You love it. Not in the way you used to love. Not the soft, giving kind. This is something deeper. Sharper. Almost holy.
You walk to the counter and sit. She stiffens when she hears the stool scrape the floor. You let the silence stretch. Then: âCoffee.â Your voice is low. Even. Calm. But it cuts through her like a blade.
She stumbles to her feet and obeys. Hands shaking. You donât help. You donât thank her. You just watch.
When she sets the cup in front of you, you reach outâslowly, deliberatelyâand take her wrist. She freezes. You donât squeeze. You donât threaten. You just hold her there. Make her look at you.
And when she doesâwhen her eyes meet yours, wide and frightened, pleadingâyou smile. âI couldâve been you,â you say softly. âYou know that, donât you?â
She doesnât answer. She doesnât have to. You release her. Take a sip. Itâs perfect. Behind you, you hear the soft click of Monaâs heels approaching.
She enters without a word and leans in the doorway, arms crossed, watching you. You meet her eyes. Sheâs beaming.
Thereâs something almost tender in the way she looks at you now. Something reverent. âLook at you,â she murmurs. âYouâve found your footing.â
You glance back at the girl, who has quietly returned to her corner. Head down. Knees bruised. âFear,â you say, swirling your coffee, âis a kind of worship.â
Mona crosses the room and kisses your forehead. âI knew youâd understand,â she whispers. You rest your head against her shoulder, looking out at your kingdom. The kitchen, the house, the girl. All of it. Yours. Hers. Forever.
â§ď˝Ľďž: *â§ď˝Ľďž:* â§ď˝Ľďž: *â§ď˝Ľďž:*
It happens on a Tuesday.
You find her slumped in the servantâs roomâwrist pale and open, sheets stained a dull brown. She mustâve done it hours ago. No note. No drama. Just quiet defiance. Or maybe desperation.
You stand in the doorway and look at her for a long time. You donât cry. You donât scream. You just sigh.
âShe couldnât even finish the floors,â you say that evening, curled in Monaâs lap, her fingers idly combing through your hair.
Mona hums in mild irritation, swirling a spoon through her espresso. âI told you she wasnât built for longevity. All that convictionâuseless without structure.â
You stretch, slow and catlike, lips brushing the underside of her jaw. âWeâll have to place an ad.â Mona groans dramatically. âUgh. Interviews.â You laugh softly. âCan we get one that doesnât cry?â
âOr pray.â
âOr try to save me?â Mona tightens her grip around your waist. âYouâre not in need of saving,â she murmurs. âYouâre perfect.â You smile into her throat.
Later that week, a new girl arrives. Young. Eager. Nervous. She calls you âMiss.â You offer her a drink. Something calming. She takes it with both hands.
And from the top of the stairs, Mona watches you with pride gleaming in her eyes. Youâve learned to play her game. Noâyour game now.
And the house? The house remains hungry. Always hungry.
Need her tongue to swipe my [REDACTED] [ELIMINATED]
Desperately need more Patti fanfics
I REALLY HOPE THE GWEN FANDOM WILL BE ACTIVE AGAIN WHEN S2 OF SANDMAN COMES OUT đđđđđđ also i was FLABBERGASTED when she appeared in severance its like im going back to my phase again HAHAHAHAHA
just decoded the deseret and now im sobbing đ
Authors Note: Thank u v much to my beta baby @bri-sonat <3 This chapter is a little intense so please take care of yourself during and after reading <3 but if you wanna skip and come back for ch. 8 that's okay too :) I left part of some Deseret untranslated. I wonder if one of you can figure out the translation...
Warnings: Kidnapping, serial killers, blood, torture (cutting), and psychological abuse
Relinquishing his grip on your hair, the killer backed away, retreating back to a workbench. Now given the opportunity, you were able to glance around the room, taking in your surroundings. Concrete floors, walls lined with aged bricks, and the only light sources were a few dangling bulbs. Old metal shelves lined the walls, containing old paint buckets, tools, and miscellaneous housing fixtures that he had probably used to fix things in your apartment at one point or another. If you had to guess, you believed you were in the basement of your apartment building. But why would he choose to stay so close to where he had taken you from?
âYou know... I always thought I was going to be a doctor. You can see by my handiwork that I have a steady hand. Maya was an interesting case... I bled her first. Hung her from the rafters above you and let it all run down the drain.â His tone was so casual, like he was describing his last trip to the grocery store. At the mention of Maya hanging from the rafters, you glance upwards and see a chain dangling overhead. The clinking of metal against the workbench draws your attention back down to him, âWashing the organs was the fun part for me. It really gave me an up close and personal look at each of them. After I called the police, I knew I had made a mistake by putting the organs in the wash.â
The effort to talk makes your entire body ache and your voice cracks as you speak, â...So you killed Abbey?âÂ
He turns around to look at you, delighted you were willing to have a conversation with him, âExactly. I disemboweled her. Iâm keeping her organs nice and fresh in some ethanol on the shelves over there.â He then gestured to the metal shelf with the paint cans that you now realized were filled with human organs, not paint, âShe struggled so much. It was so annoying. The police will be lucky if they get an ID on her with what I did to her. With some patience and experimenting, hydrofluoric acid isnât that hard to make yourself... The internet really is wonderful.â
He crosses the room, approaching a different workbench. Well, you thought it was a workbench, but the straps hanging off of it told you it was where he planned to torture you. Tears welled in your eyes. You didnât want to show your fear, but this was your nightmares come to life, âAnd why me?â
He paused what he was doing, only for a moment, to think. He resumed preparing the dissection table for you as he spoke, âAt first... proximity. It was easy access, but in the end, it was for the challenge. I would have thought you had recognized my voice, but from the look on your face earlier, you really didnât know it was me, did you?â
âNo...â
âOf course, you didnât... Girls are so stupid... You did surprise me with your ability to understand the Deseret Alphabet. I wasnât particularly connected to the language, but every serial killer needs his thing, ya know?â He smiled fondly and gestured wildly with his hands, clearly passionate and remorseless in his killing, âYouâre special. Iâm going to let you choose the phrase I carve into you. Maybe we can write a sweet letter for your boyfriend to read when she finds your corpse.âÂ
------
âRepeat those phrases from the letter back to me again.â Robin requested as she moved slowly about your apartment, checking every nook and cranny for anything unusual other officers may have missed.Â
Miranda pulled the notebook from her jacket, flipping through the pages to find the translation to the letter, ââThe answer is so near, yet you are blind to the possibilities. Many of these old buildings hold more secrets than you can even imagine.â And it was also signed, âyour neighbor.ââ
Robin only hummed in response, her eyes trailing along the baseboards for anything that could indicate âsecretsâ like hidden doors or passages that could have given the killer access to the apartment. Her eyes stopped when confronted with your bookcase and she called over to Miranda to help her, âHere, help me move this bookcase.âÂ
Tucking the notebook back in her vest, Miranda took two long strides to grasp at the bookcase, pushing while Robin pulled. The blonde huffed as she heaved the bookcase out of the way, âDo you think there is a hidden door or something?âÂ
âThatâs what makes the most sense to me...â Robin shrugged, glancing around the bookcase to the exposed wall to find nothing out of the ordinary.
âNothing... Robin... What am I going to do? I need to find her. I-â Mirandaâs hands move up to her hair, ranking through the locks roughly as to take her aggression out somewhere. She began to pace across your apartment, her chest beginning to heave from the stress and panic that was setting in. The sound of Robinâs ringtone made both of the women stop in their tracks.Â
âJust-â Robin pulled the phone from her pocket and glanced down at Adrianâs contact glowing on her home screen. Before she took the call, she looked at Miranda intently, providing her with a couple comforting words, âWe will find her. She will be back with you in no time...âÂ
Answering the call, Robin placed it on speakerphone so she wouldnât have to relay all of the information back to Miranda later on. Adrian spoke before either of the women could get a word out, âGet back down to the station. We caught him.â
Robin let out a light laugh, unable to believe Adrian could be talking about the serial killer they had been searching relentlessly for, âCaught who?â
âThe killer. There is no reason for you to be in Ms. L/nâs apartment any longer.â Adrianâs voice was tainted with annoyance.Â
Mirandaâs eyes widened and she snatched the phone from Robinâs hand, holding the speaker up to her mouth. The way her voice filled with hope made Robinâs heart ache, âIs Y/n there? Is she with you? Can I talk to her?â
âWe havenât tracked her down yet. We are interrogating him right now to get her location. He keeps feeding us this bullshit that he doesnât know who we are talking about. We are checking his âso-calledâ alibis, but we are sure they will fall through.â Mirandaâs face immediately fell at Adrianâs response, a scowl returning to her features. Robin and Miranda exchanged a glance, hesitant to believe they had found the killer so easily. The women were so confident in their suspicions the killer was still in the building that they doubted the other detectiveâs abilities.Â
Robin took her phone back from Miranda with a roll of her eyes, âWe are going to continue with our theories until you confirm or disprove his alibis.âÂ
âWaste of time, Griffin. I want you both-âÂ
âYeah, we will finish up here and get down to the station when we are done.â Robin noticed the way Mirandaâs face fell at the imminent order from their superior, so she opted for the path of disobedience. She cut off Adrian mid-sentence and hung up when she ended her sentence. The brunette smirked at her partner, âLetâs find a killer.â
-------
âNow... Donât be causing any trouble. You are going to get on this dissection table without any fuss or Iâll really make you regret it, hmm?â He spoke to you like you were a toddler which was incredibly infuriating. If you were going to die anyway, wouldnât an attempt at escaping be worth the try? On the other hand, if you were going to die, would trying to escape be worth the additional torture?Â
He pulls the dissection table to your side, a horrible scraping noise accompanying the action from the metal sliding against the concrete floors.Â
âAfter you, I think Iâll move on to Brisbane... They have the medical school there. Iâm sure with all of my experience, I could really impress them with my talents. University of Queensland Mayne... I could be a surgeon.â He situated the table meticulously and moved to fetch a large overhead light he would no doubt use to accurately carve his letter to Miranda into you. His delusional mindset made your brow furrow, âThink of all of the good you will be doing by allowing me to practice on you. This is very altruistic of you.âÂ
Monotone and dripping with sarcasm, you couldnât help yourself, âHappy to help.âÂ
Flicking on the light, he adjusted it over the table and you were then blinded by the LED bulbs, âI knew you would understand. Now, letâs get you all set up here so we can get started.âÂ
He squatted in front of your chair, untying your legs and continuing his friendly chatter, âI could even continue my extra-curricular surgeries for practice when Iâm in Brisbane, ya know? After we are done here, I have a little timer set up to burn this apartment building to the ground. I can collect on that insurance money and buy a couple properties in Brisbane, rent them out maybe? I have time to figure it all out.â
âOh, sure.â
Circling the chair, he began to untie your hands, reminding you to behave before he continued telling you about his master plan, âNow, no running... I made pretty good money with the laundromat and as a landlord, but you really need to follow your dreams.â
From the moment the rope slipped from your wrists, you bolted, scrambling away from him as quickly as possible. He must not have been expecting you to run as he stumbled and tripped over the chair you had been sitting in.Â
You really had no clue where to run, but you dashed past his work bench, pausing momentarily to lift the far side of it and send the tools crashing and skidding across the floor. Hopefully, if you made enough noise, someone nearby would be able to hear you calling for help. You screamed for help, calling out Mirandaâs name, and calling out your own name for any passerby to hear.Â
As you moved through the basement, you could hear his angry shouting behind you, âGet back here, you dumb bitch.â
Glancing back over your shoulder, he wasnât any closer, but you figured you should keep throwing things in his path. Passing by one of his beloved shelves of organs, you yanked the shelf to the floor, taking seconds longer than you should have when you saw him sprinting even closer. The horrible smell of preserved organs and ethanol filled the air when the cans burst open upon hitting the floor.Â
Continuing down a hallway, you realized the opportunity for you to be trapped was growing high. He groaned in frustration behind you, pausing momentarily to look at all of his hard work undone by your action. You attempted to rattle the handle on two different doors to only find them locked. Further down the hallway, there was a final door and metal bars moving up the wall, leading to a hatch in the ceiling.Â
You could hear the sound of his feet hitting the floor- he must have jumped over the fallen shelf, resuming his pursuit of you. Ignoring the door, you assumed it would be locked like the others, so you choose to climb the ladder instead. Your heart dropped when your foot slipped on the second step, knowing you had wasted a split second and the odds of him grabbing your legs and pulling you to the floor was high.Â
You made it up another two steps when your foot slipped again. The adrenaline and anxiety from being caught was making your entire body shake. A glimmer of hope shone through when your hand grasped the latch of the hatch, pushing upwards. It was beyond heavy, but you were able to shift it upwards an inch.Â
A hand around your ankle causes you to yelp out a final cry for help through the small opening leading to the outside world. His other hand came to grasp the back of your shirt and he gave you a yank backwards and you were filled with self-disgust when your hands slipped from their places on the latch and ladder. He sent you flying to the floor, your head hitting the brick of the basement wall.Â
The last thing you heard was the hatch slamming shut under the weight of itself.Â
----
Miranda was trying her best to help Robin, but the pressure of finding you was starting to get to her. She began pacing back and forth across the back wall of your apartment while Robin continued searching for anything out of the ordinary. The shorter woman shot her partner an annoyed glance, wishing Miranda could set aside her feelings for you to make headway on finding you, âMiranda! Can you help me here?â
âIâm doing my best, Robin! Get off my ass!â Miranda shouted, stopping in her tracks and stomping her foot in defiance. A hollow sound from beneath her echoed from the strike of her boot. Furrowing her brow, Miranda glanced down to the floor, repeating the action once more and receiving the same response. Shifting over a meter, Miranda threw her foot down once more to hear solid ground instead of the echo.Â
âThere is no need to throw a tantrum, Hilmarson. We will figure this out.â Robin must not have noticed the change in noises like Miranda had as she rolled her eyes at the blonde. The brunetteâs phone began to buzz in her pocket once more and she huffed in frustration at seeing Adrianâs contact once more. Accepting the call and shoving the phone to her ear, Robin was less than welcoming to her boss, âWhat?â
âWhere the hell are you?â Adrian shouted into the receiver of his office phone.Â
Robin glanced over at Miranda kneeling on the floor, her fingers dancing around the edges of floorboards, attempting to lift them from their place, â...investigating a lead.â
Miranda studied the floorboards, noting a different wear pattern at the edge of where the hollow noise began. Pulling a pocket knife from her vest, Miranda wedged it into the boards, prying up the board enough for her to push her fingers under it and lift. A group of boards were attached to one another, revealing a hole in the floor, a ladder lining one of the walls.Â
âThe suspectâs alibi is airtight. The dental records came back on the second victim. Her name was Abbey Moore.â Robin was only paying partial attention to Adrianâs words as she watched Miranda. âBoth the victims and this kid all have something in common; they are all tenants of the same landlord. We are thinking the landlord could be behind it all.â
At the sight of the secret tunnel, Robinâs eyes widened, a satisfied smile spreading across her face in knowing they had been right. It all made perfect sense that the landlord had been the one to frame his male tenant, kill the two women, and kidnap you. While she didnât know his motive, he had the opportunity and access to harm his tenants, âItâs him. The landlord did it.â
âWe need to- You knew?â Adrian couldnât hide his shock at his detectiveâs statement.Â
Robin crossed the apartment, filling Adrian in before she and Miranda continued their investigation, âWe followed Hilmarsonâs theory. Send backup back to the apartment building. She found a hatch leading somewhere. We are going to follow it down and see what we can find.â
Adrian barked an order, but it was no use. The constable and detective were too determined to save you and catch a killer, âGet out of there, Griffin. Wait until I get down there with a couple more constables. We donât know what we are up against here.â
âThere is no time. We will leave the hatch open for you to find, Adrian.â Robin shook her head, knowing if she or Miranda were to get hurt due to her continuous disobedience, she would be put on desk duty for the foreseeable future. Robin hung up and shoved her phone in her back pocket, âOkay, Hilmarson. You want to go first, or shall I?â
-------
The horrid agony of a scalpel digging into your forearm brought you back to consciousness. You could sense the blinding LEDs before you even opened your eyes. Your head throbbed and there was a tightness across your chest and legs. Straps held your body in place and your head hitting the bricks earlier had left you with a large gash in the back of your head. You attempted to cry out in pain, but your voice was muffled by a rag that tasted of wood stain causing a burning sensation on your tongue.Â
Glancing up from his work, he now donned a pair of magnifying glasses to make sure his work was neat and tidy. He was using a rag doused in hydrogen peroxide to add an extra sting whenever he wiped away the blood,wanting you to suffer as much as possible, not giving you the opportunity to regain your breath between cuts, wanting you to suffer as much as possible, not giving you the opportunity to regain your breath between cuts, âYou shouldnât have done that. Now you wont get to choose the little note I leave on your corpse.â
He had only made his way through two words, đđ¨đ đŁđŽđđ°đđźđ˛, and tears had already flooded your eyes and were pouring down your cheeks. His movements were short strokes, making sure to leave enough room on your forearm for everything he wanted to say. If this experience were to be reflective of your death, this was going to be a prolonged and harrowing experience.
đđ couldn't post the other one cuz its explicit and im shy
Just a funny normal art doodle collab with @akilikesaxolotls!!
Daniela's reaction broke my heart and spirit when Alcina announced her relationship with MC đ
++ my top 3 fav routes
1. Miranda
2. Bela
3. Alcina/Donna (it's a tie rly)
OH GREAT HEAVENS
I'm not gonna lie, she looks so fine in this outfit. đŽâđ¨đŽâđ¨
Literally insane that I saw theyâd elected a new pope and the first person I thought of was Joan fucking Ramsey