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Ask about your headcanons 

Send questions about your works (fanfics, art, music, RPs, etc) 

Ask about popular ships/headcanons

Ask about plot ideas you’ve had but haven’t acted upon yet (snippets of AUs, a scenario you wish to write/draw but haven’t gotten to yet)

Questions about other ships/headcanons that aren’t as popular or are rarepairs

Questions or comments about favorite tropes, headcanons, characters, foods, weather, or anything else you are okay in answering!

sometimes you need dialogue tags and don't want to use the same four

I like talking to small children because they are comfortable ending a conversation. Adults hate “awkward silence” and will often continue to talk after the most enjoyable part of a conversation has ended. A child will be like “yeah. Anyway bye” and go back to what they were doing two feet away.

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

Sneak Peek

She knew how the protocol dictated and it only gave her three minutes at most. If she didn't remove all traces of her hacking into the victim's computer, they would label her a suspect. She was a cyber vigilante, not a murderer, thank you very much. Criminals are very sensitive about the crimes they commit, and the least you could do is to accuse her accurately.

She began severing each connection, leaving behind no trace, but before she could finish, Detective Alvarez zeroed his eyes on the hidden camera and pulled out a notepad from his jacket. Then, he strode across the Persian rug, and bent low until he was right in front of the camera. He unfolded the paper and held it up. On it was one message.

How long have you been watching, Oblivion?

The screen blacked out. All connections severed from the camera.

NASA released the clearest pictures yet of our neighbours in the solar system

Oh and of course us

Honourable mention

Questions to ask beta readers

General:

Were you confused at any point of the story?

What genre would you say this book is?

When did you put the story down?

Is the ending satisfying?

If you had to cut 3 scenes what would they be?

When did you feel like the story really began?

What was the last book you read before this story?

Characters:

Do you get any of the characters names confused?

Which character is your favorite?

If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)

Which character do you relate to the most?

Which character do you relate to the least?

Do the characters feel real?

Are character relationships believable?

Are the goals clear and influence the plot?

Are the characters distinct (voice, motivations, etc)

Setting:

Which setting was clearest to you?

Which setting was the most memorable?

Am including enough/too much detail?

Plot and conflict:

Are the internal and external conflicts well defined for the main characters?

Are the internal conflicts and the external conflicts organic and believable?

Are there enough stakes?

Are the plot twists believable but still unexpected?

some of you are very nice to me and i just want to say thank you and i love u