I Understand You Don't Care For King Shadow, But The Idea Of That Made Me Think Of A Scenario Where For

On the topic of tv shows, if anyone ever wants recommendations for Korean thrillers with solid characterisation and plot, i have watched so many in last couple of years. Including police procedural, sci fi, horror, urban fantasy, courtroom, gangster etc. seriously some of the best shows ive seen and streets ahead in quality than any english speaking shows ive seen in years.

oh my god guys i'm actually really writing the time travel au i could cry. i finished the draft of chapter one i started writing back in 2020. never give up on your dreams.

This isn't a question, but I just wanted to say that I'm loving the way you're writing Shadow in your webcomic! I appreciate how you've shown his humanity and vulnerability so far. Even though this story from the premise alone would basically demand that (Our boy is NOT having a fun time), I will always be glad to see this sort of characterization versus him being an ice cold, self-centered edgelord. Can't wait to see how the rest of your tale unfolds!

Hey Anon! Thanks for reading Infested!

Believe it or not, this more vulnerable sorta writing for Shadow is actually because this is Archie's version of Shadow! Ian Flynn was doing it first!

If you like this specific sorta characterization for the little dude, DEFINITELY check out Archie Sonic (#160+) and Sonic Universe, both of which were mostly written by Ian Flynn when he had the most freedom over how he could write the characters. His take on Shadow in Archie remains my favorite version of the character.

hey! donate to uk trans charities today because it’s gonna be a rough one

by  Anato Finnstark

Limited series Prints @ Artist Patreon

22 Storytelling Tips from Pixar

Waaay back in the olden days (2012) Pixar storyboard artist Emma Coats gave some amazing writing tips. I love these and have read them dozens of times.

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.

#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.

#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.

#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.

#17: No work is ever wasted. If it’s not working, let go and move on - it’ll come back around to be useful later.

#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

#20: Exercise: take the building blocks of a movie you dislike. How d'you rearrange them into what you DO like?

#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?

#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

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Hope you liked these!

what if i told you there was one user on the russian social network/ video sharing website odnoklassniki/oднокла́ссники that has uploaded nearly every movie ever from 1896 to the current day, mostly with subtitles. and including that has uploaded every criterion collection film in full hd with subtitles. for free. all hail ok.ru user fleurinna guta

they keep their films in unlisted folders so you cant just see them all on their profile unfortunately but ill provide links. also don't ask me why this user separates their films in this way, i don't know and frankly it confuses me too.

EUROPEAN FILMS (sometimes includes west asian films?)

JAPANESE FILMS

CLASSIC FILMS (aka american and British films)

"MISC FILMS" (aka films from everywhere that isn't the usa, europe, japan. sometimes films from the GDR are in here which is confusing again because communist germany was still part of europe)

this is a much better alternative to stuff like 123movies or bflix because there are no hot singles in your area or games that you wont last 5 minutes playing. hope u enjoy and let us all praise and embrace user fleurinna guta