A Wondrous Adventure BE - Red Clan’s Bubble Speeches

Hi!! First of all congratulations. :D I would like to make an angsty request if you're still open to it. It's inspired by Kojuro's story event: when MC tried to leave him (for his sake) and lied to him about having a new love. Would you please write about the Lords (plus Shigezane, Nobuyuki, and Hotaru) reactions to MC doing a similar thing and successfully leaving them? If this has been done before or falls into the category of being unfaithful then please ignore this. <3 Thank you xxo

omg this was so much harder than the one about kittens i s2g

MC leaving because of Reasons headcanon

- Nobunaga is enraged and tells you to get out and never come back, so you do just that. He regrets it after a while, but he’s too proud to go after you. He wants to think you still love him, but he’s afraid that maybe you really don’t anymore. Mitsuhide quietly keeps tabs on you for Nobunaga’s sake.- Mitsuhide suspects what’s going on and tries to talk it out with you. You tell him that his persistence is making you very uncomfortable. You move out of his house and back into Nobunaga’s castle. You can’t avoid each other because of work, but you both try to stay professional.- Yukimura is devastated and refuses to hear you out. You explain things to Lord Shingen, who reluctantly agrees to have you sent back to Kyoto. He tries to go after you, and is truly heartbroken when you look him in the eye and tell him that it’s over.- Saizo is fully aware that you’re bluffing. But he knows you’ve always tried your best to hold on to him, and that he can’t say the same for himself. He thinks you can find someone better, so he lets you go. He still keeps watch over you, but you don’t know.- Masamune is shocked but absolutely forbids you to leave. He demands a proper explanation, grabs your hands and begs you to stay. You’re his family, he needs you. Kojuro and Shigezane understand your situation, but don’t think you should leave. They’re afraid that Masamune will stop eating and collapse again. You’re guilted into staying, so you’re forced to rebuff him, over and over and over again…- You’ve pulled this kind of thing on Kojuro before, so he thinks that he’ll get you back sooner or later. By the time he realises that you’re not giving in, it’s too late. He’s always been secretly worried about whether he’s too old and just not right for you. The insecurity gets him.- Hideyoshi sees right through you, but he can’t convince you to stay, and he’s not the type to physically block you from leaving. He sends you letters, reminiscing about the things you used to do and the future you imagined together. He sends you gifts, things that you like, things that you mentioned once offhand in a casual conversation. You don’t reply.- Inuchiyo takes you at face value and is furious. He demands to know exactly who this other guy is. You tell him that this type of reaction is exactly what you hate about him. He’s hurt and stunned and reacts by punching a wall. You double down on your criticism of his violent tendencies, and take the opportunity to escape while he’s still trying to process what’s happening.- Part of Ieyasu thinks that you’re lying, but his knee-jerk reaction is to call you the most awful names. He’s cold and vicious, just like how he used to be. He tells you to get the hell out of Mihara before he decides to kill you.- Mitsunari is annoyed because he thinks you’re kicking up a fuss over nothing. He scowls and tells you to get over yourself. He only realises you were serious after you leave, but is too prickly and proud and contrary to go after you.- Shingen is puzzled. Who is your new lover, and in what way is he superior to Takeda Shingen? He wants to meet him first before letting you go. You stand your ground and the confrontation ends in a stalemate. You alternate between outright hostility and the cold shoulder until he gives in.- Kenshin is Not Impressed (mostly because Kanetsugu has been on top of things and has told him exactly what you’re up to). He tells you that if you really want to leave, it should be for your own sake, and not his.- Shigezane is confused and upset, and tells you he can’t possibly just let you go like this. But he’s always been insecure about relationships, and he especially fears losing his girl to someone else. You tell him he’s too much of a joker, he’s not serious about anything, you want someone more mature, and it hits him where it hurts. - Yeah… Nobuyuki isn’t letting you leave, no matter what. You should just give up.- Hotaru is super confused and hurt when you tell him you never want to see him again. He doesn’t know what’s going on. He doesn’t know how to deal with relationships because of his upbringing. He takes you at face value - you don’t see him, but he sees you. He goes to check on you whenever he can, but stays out of your sight.

Summary:

He is a noble samurai, she is just a lowly maid. For all intents and purposes, she could only watch her lord from afar, serving him as his maid, not harboring any forms of desire for him..Knowing his character, he could easily marry a lot of beautiful ladies and frankly, she doesn’t want to be in that difficult situation where she had to share him...So, even if he is unmarried, even though she was secretly in love with him, she can only swallow her feelings inside.

Inspired from "A Date with Tsunamoto" a story from Grand Samurai Street Fair. NO SMUT.

The ONLY WAY to combat the lack of funding in arts education is for professionals to take a few hours a week to share their skills for FREE, to empower and encourage the next generation of artists. THIS IS WHAT THE INTERNET IS FOR. Here’s 200 tutorials:

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Types of antagonists: Creating riveting opponents

FROM: https://www.nownovel.com/blog/types-of-antagonists/

There are many types of antagonists. Sometimes in a story a primary antagonist starts out as a close ally. Characters who oppose your main character’s goals aren’t necessarily ‘bad’, yet they serve a primary function: Standing between another character and their destiny. Here are 5 types of antagonists with examples and points to remember:

1. The malevolent villain

The standard malevolent villain is particularly common in the fantasy genre, yet they appear in diverse stories. The character Iago from Shakespeare’s tragedy Othello is a classic example. Iago stokes his military superior Othello’s jealousy until Othello murders his wife, suspecting her of infidelity thanks to Iago’s lies and manipulations.

Writing a malevolent antagonist who has an appetite for destruction has pitfalls. A villain who does bad for ‘evil’s sake’ could lack development and motivations that make characters believable.

To create a believable straight-up villain:

Brainstorm reasons for their actions. Sauron in Tolkien’s Lord of the Rings cycle, for example, has lost physical form and craves restored power

Explain the origin of their corruption. Tolkien shows Sauron’s rise and fall in a prologue. Over the course of her Harry Potter series (particularly the second book), J.K. Rowling shows Lord Voldemort’s descent from being Tom Riddle to the most notorious and feared member of the wizard community

Give them vulnerabilities or weaknesses. These don’t have to be emotional or physical. They could be strategic. For example, a villain who surrounds themselves with greedy henchmen is more vulnerable to betrayal if their supporters are easily swayed by material rewards

The next type of antagonist is often surprising, as we don’t typically expect strong opposition from allies or friends:

2. The ally-antagonist

It’s particularly surprising in a story when an ally turns antagonist.

For example, in the first volume of Tolkien’s fantasy cycle, The Fellowship of the Ring, the warrior Boromir joins the main characters’ quest to destroy the One Ring. Yet Boromir disagrees with destroying it, arguing with his companions that they could use its mystical power to defeat the villain Sauron, or restore the city of Gondor. When Boromir tries to take the ring from Frodo by force, its a shocking moment where a morally complex character crosses the line from ally to antagonist.

The ally-antagonist is a useful character because they show how easy it is for a ‘good’ character to make a regrettable choice. In the wider context of Tolkien’s story, it reinforces the idea that doing good is a conscious choice and not always an easy one. It also adds secondary conflicts that illustratethe ring’s corrupting power and danger.

When writing an ally-antagonist, remember to:

Show the flaws in their personality that explain their behaviour. Boromir is headstrong and, as a warrior, used to fighting for his ideals and using force

Give them compelling motivations for their choices.Boromir thinks the ring’s dark power could be harnessed for good

Ally-antagonists add shades of grey in the ‘black and white’ of ‘good vs evil’. They show us how easily people can take destructive paths that result in negative outcomes. Some also refer to this type of antagonist as a ‘hero antagonist since they may be motivated by noble ideals. Boromir’s desire to uplift his city fits this description. The nobility or virtue of this underlying wish makes his actions more tragic, since it appears his intentions are good.

3. The interfering authority figure

The function of an antagonist, in terms of plot, is to stand between a primary character and their main goals.

An interfering authority figure is thus useful for creating challenges and complications that make life harder for your protagonist.

Depending on the interfering authority figure you create, their broader story role could be:

To show something about the nature of power and authority in your book’s society (for example, how little power people have faced with totalitarian leadership)

To show cultural values or practices that stand between your character and their goals (for example, traditionalist parents who oppose a ‘love match’ marriage in romance)

A good example of this type of antagonist is Allie’s mother in Nicholas Sparks’ romance novel The Notebook. Allie is from a wealthy family and her love interest Noah works as a labourer. Because of her class-conscious and controlling nature, Allie’s mother hides love letters from Noah to Allie.

This plot point shows how the interfering authority antagonist can make selfish or value-driven choices that get in your protagonist’s way.

Another example of an interfering authority antagonist would be a border patrol officer who delays characters. Perhaps they are a power-drunk bureaucrat and intentionally delay your protagonists just because they can. This would be a useful secondary antagonist if your characters’ primary goal at this moment is making it to a meeting or other event on time.

When writing this type of antagonist, ask:

What is their reason for interfering? In Allie’s mother’s case, it’s a controlling nature coupled with class snobbery

How will this character’s actions impact your protagonist and create complications in the way of their goal (e.g. being with their lover or making a vital meeting on time)?

4. The force of nature

One of the few types of antagonists that don’t need a clear motivation is the ‘force of nature’.

If you think of disaster novels and films, it’s the unpredictable shark that attacks in Jaws. Some call this antagonist type the ‘beast’, but it doesn’t have to be a living or sentient being. In a survival story, this antagonist could be something with as little intent or motive as a treacherous mountain range your character climbs.

This type of antagonist does not have a character arc, in the sense of (for example) a backstory explaining how they became corrupt. Yet you can still include change and vary this type of antagonist to create tension and unpredictability.

To create an interesting and gripping ‘irrational force of destruction’:

Make it unpredictable. For example, on a tough mountain ascent, where your antagonist is the environment itself, perhaps clouds roll in obstructing vision and making the going tougher

Vary the intensity of opposition. On a tricky mountain ascent, create the occasional surprise rockfall or relief-bringing plateau

Make the danger real. A shark or other antagonist is only fearful and tension-inducing if you show the repercussions of not overcoming them. Maybe someone falls; maybe someone has their leg bitten off

Although not entirely an antagonist in the sense of a separate oppoenent, a character’s ‘worse self’ is also a useful source of tension and opposition:

5. The inner saboteur

In a story where a character’s main struggle is an internal struggle (e.g. drug addiction), the protagonist and antagonist are rolled into one, in a sense. Rather than the main conflict being external, the conflict takes place within a single character.

The danger of this type of antagonistic situation is that your character’s thoughts could dominate the narration, without as much exchange with others. If your character’s main opponent is their own self, remember to:

Show destructive behaviour in action. Instead of having an addict constantly think about their addiction, show how they fight it and sometimes fail. Perhaps they might visit a street hoping to score a fix but end up empty-handed, for example

Think about the origins of their self-destructive choices.What motivated your character originally to embark on a path of self-destruction?

Include secondary antagonists who add external conflict to the mix. An addict character, for example, may have uncomfortable brushes with law enforcement or a dangerous dealer

There are many types of antagonist that bring gripping conflict and opposition to a story. Whichever type you create, make sure you realize each opponent with as much detail and thought as you would a protagonist.

Source: https://www.nownovel.com/blog/types-of-antagonists/

How did Tadakatsu, Kageie, Yasumasa, and Tadatsugu die?

There is a legend that Tadakatsu died after injuring his hand from carving. If this story is true, he might have fallen ill from the infected wound. If not true, then presumably he died of age. 

It was said that Kageie was executed by Kenshin. The story has it that he had sold a horse to Nobunaga, and Kenshin suspected treason. ETA: This was apparently considered a legend, and the official account of his death is due to disease. 

Yasumasa seems to have contracted a disease and died of it. Tadatsugu died normally from age. 

😅 Yes to NOT showering for a week and stayed in my room...unfortunately.

So i’ve found this treasure on pinterest today

Coming into a fandom late

Samurai Love Ballad Party - Ieyasu Tokugawa & Hideyoshi Toyotomi                  

They aren’t smiling with their eyes … T^T  (Click to enlarge the image)

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Seasons in Japan

It’s a common theme in fantasy, that assassins are fed poison from young age to train them to become immune to poison. This is scientifically not possible, as human antibodies/immune system does not work this way.

This practice is known as “Mithradatism”, named after King Mithradates (King over what is now Turkey), the man perhaps the very source of all the legends. As the story goes, he feared assassination by poison and thus started consuming poison to make himself immune, as well as experimenting with medicines to further improve on it.

In the end, after his defeat King Mithradates tried to commit suicide with his family by poison. However, it was said that while his family died, he himself remaimed alive, and either was killed by his enemies or committed suicide by sword.

Since his survival seemed to prove that “poison immunity training” works, the legend might have spread to nearby regions. It’s also bolstered by the fact that snake handlers in India seem to be less affected by snake venom after working with snakes for so long. Still, even if one can build immunity against one type of poison, it’s not possible to train to be immune to any and all poisons that exist.