Aww...Hide is such a tease....WAIT! THIS ISN'T HIS ROUTE!! š¬š¬
Could you explain he difference between self defense and a fight. Because I hear people mix these terms up all the time.
In a fight, both fighters are aware that they are, in fact, in a fight, and the goal is to win by either making the opponent give up, knocking them out, or, if fighting in a ring or cage, by decision from judges. Fighting is usually done under a set of rules, too, whether thatās from an organization youāre fighting under, or a set of rules agreed to by the two fighters. Fighting in this sense is also done using mostly punching and kicking, joint locks and throws in a straight forward manner, as in, both are playing a game, strategizing, looking for openings to strike. In fighting, if itās point sparring, speed is more important than technique and/or power. In fighting in a cage or a ring, a combination of all three things is needed. This is what youād call a balanced fighter.
In self defense, the martial artist is not expecting to fight, but rather to avoid fighting altogether. This means awareness of self and surroundings is the main point in self defense. If anything suspicious is noticed, the martial artist moves away from it to avoid getting caught in a situation. If needed, the martial artist may call the proper authorities to come and help. In case of an emergency, say a fire, the martial artist has the training to remain calm and may be able to lead others to safety. If faced with a fight, it will usually happen by surprise. And the goal becomes either:
- If youāre alone - To defeat your opponent as fast as possible, or to escape unhurt. If you have to fight, it should be because it simply cannot be avoided, and in defeating your opponent, the martial artist has four levels of technique:
1. Infliction of pain (e.g. A joint lock)
2. Temporary incapacitation Ā (e.g. A strike to the groin)
3. PermanentĀ incapacitation (e.g. Breaking a knee)
4. Kill
Part of the goal when fighting in self defense is to use the lowest level of technique possible, and only increase if the opponent is persistent with his attack, or if the opponent presents a serious threat.
- If youāre with friends or loved ones - To protect them by positioning yourself between them and the assailant if possible. If not, to attract the attention of the assailant towards you. This can be done by, first and foremost, remaining calm, and talking to the assailant yourself, keeping him on you as much as possible. If you can fight, and you decide to do it, you have to make sure you can take down the opponent in seconds (keeping to whichever level of technique is appropriate), as you must keep your loved ones safe and as out of the way as possible. However, if youāre not 100% sure you can take down your assailant without getting your friends, loved ones, or yourself hurt, then itās better to cooperate (e.g. if all they want is your money, and you see no chance of getting out the situation for fear of the safety of your loved ones, then just give your money away and hope the assailant leaves. Situation like this, chances are, they arenāt looking to hurt anyone and just want the money or your valuables.)
Your life and that of your loved ones is more important than any material possession.
In self defense, technique execution, coordination and a fair level of power are more important, and though speed balances everything out, reaction time and the ability to āread your attackers moveā or āsee aheadā is more important than speed.
In a fight, you have an OPPONENT. (someone who competes against or fights another in a contest, game, or argument; a rival or adversary, a contender, a challenger, a fellow contestant.)
In self defense, you have an ASSAILANT. (a person who physically attacks another; an attacker, a mugger, an assaulter.)
In each situation, you must act accordingly.
Wow! Nobuyuki, did you just used your tactics what I think you did? šš Good work on this one @ichigo-daifuku šš.
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What a long way to say "PLEASE SAVE HIM"
By: Martini Fisher
Source: https://www.ancient-origins.net/history-ancient-traditions/honorable-death-samurai-and-suicide-feudal-japan-005822
Could you please give me something like a list of things that need to be determined about a character, more than just age, height, gender and things like that, please i need like a list of as many as possible ššš your blog is a miracle
I will try my best. This is a list I usually try to conform to (but I have it stored in my head, rather than as a physical list, so apologies if it doesnāt make much senseā¦!):
Character motivation. What are they doing? Why are they doing it?
Backstory. What happened before their debut in the story?
Greatest fear. Speaks for itself; what do they fear most?
Relationships with other characters. Who do they like? Who do they not like? Who opposes them? Who helps them? Who are they related to (by blood, or circumstance)?
Main personality traits. Positive ones, and negative ones.
Moral limits. What will they absolutely not do? What would they consider doing to meet their goal?
Attitudes/Opinions. What are the main issues in your storyās world, and what is this characterās opinion on it? How do they behave towards other characters, based on their opinions of them? Who or what do they consider to be below them? What behaviours do they choose to do or not do, which gives them a sense of importance/self-esteem (i.e. being tee-total, going to church every Sunday w/o fail, always adopting pets, rather than buying them, etc)?
Abilities. Either magical, or non-magical depending on your setting. What are they best at? What are they not so good at?
Speaking skills/conventions.Ā How do they sound when they speak? What is their vocabulary like? How do they manage/behave in everyday conversations?
Education.Ā According to your worldās standards, how educated is the character?
Family.Ā How were they brought up? What was their family situation like?
Friendships.Ā Which friendships do they value the most? How many friends do they have? How easily can they make friends?
Sexual/romantic relationships. How many relationships has the character committed to? Can they commit to relationships? How do they behave when in a relationship? How do they feel about other peopleās relationships?
Work.Ā What do they think about work? What kind of work would they like to do? What kind of work are they doing? If the character is a student, then consider their work ethic, their favourite subjects, etc.
Sense of self.Ā What is your characterās self-image like? How do they feel about themselves? What do they think about themselves in relation to other people (i.e. how do they compare themselves to somebody else?).
Health.Ā Speaks for itself; what is this characterās health like? In the past, in the present, and in the future?
Housekeeping.Ā How do they live, in an everyday setting? Are they tidy, or messy? What things do they consider to be necessary to a daily routine, and what things do they consistently forget about/deem to be unimportant?
Politics. How they view society, and what should be done in aĀ ācivilā society. What they think of their worldās politics. How they mightĀ āclassā themselves.
Religion.Ā Their views on life, death, and creation. Their understanding of theirĀ āpurposeā, or their beliefs in how everything came to be.
Tastes. In fashion, food, and anything else you might think of.
I hope this helps, Anon! Maybe some of our followers might reblog this and add extra things, or you might think of extra things you can add yourself. Feel free to do so, if this is the case!
- enlee
Source: https://m.facebook.com/story.php?story_fbid=2256688471076332&id=104685412943326
When Dining Table became my Working Table.
Tagging @otome-comments remember 5 things in your room/bag contents? This is what happens when I "get serious" ššš
I know a lot of friends donāt like Kojuro Act 2 for several reasons such as Koju leaving MC and Hide being evilā¦and I do not contest that, but personally, I LOVE ITā¦.EVEN THOUGH Kojuro isnāt my main bias.
Yes, it has a lot of downer scenes that somehow make you like him less, and there are scenes where all you want is to pound your phone with something hard becauseā¦uggh!! (Trust me, I almost did.)
But the real strength of the MS is not on the fluffy romance we expect from an otome gameā¦but on Kojuroās inner conflict and how his subsequent choices affect MC and Date Clan.
Yesā¦Kojuro Act 2 is more about DRAMA than ROMANCE.
There will be SPOILERS (but not that detailed) here, but think of the Trolley Problem. In essence, Kojuro has to make a choice, both arenāt easy. Sacrifice one he loves to save the clan or stay with his beloved and watch his enemy destroy those he swore to protect. No matter what he does, he has to pay a very huge price. And this is clearly seen on the MS, the agony he felt as he weighed his options, and its serious consequences. Yet he has to make a choice. You can guess what he did, brace yourself and watch your temper, guys. You HAVE to.
Yonezawa retainers wanted blood, and they wanted MC to āpay the priceā since Kojuro ābecome rogueā. I really should give praise to Date Boys. Masamune and Shigezane were really supportive of MC, despite the odds stacked against them. Masa could have rebellion in his hands in the light of Kojuroās absence but he stick to his own beliefs. It was epic, I tell you. Shigezane even helped MC convince Masa to let her leave and look for Kojuro so that Kojuro can go home, because despite Kojuroās actions, Shigezane trusted him still.
MC also faces a similar choice: to be with Kojuro and lose her place in Date clan, or stay in Yonezawa without knowing what happens to Kojuro. To leave means to be branded as a traitor and will be killed on sightā¦and she isnāt even sure if she will have a home or a place to stay where Kojuro is held.
Yet she braved all odds and faced the risks. I applaud this MC. And even though Kojuro brushed her away when they met (he did it to protect her from Hide), she still cling to him even though it hurts. At this point Kojuro is really a piece ofā. But we soon see that everytime Kojuro shoved MC away, it was killing him inside because all he want is to see MC safe, yet in the moment of desperation, he failed to see how his actions hurt MC. And because of that, he broke his walls to embrace her once again. Because in the end, he still chose his own heart.
Meanwhile, just as Kojuro faced a difficult obstacle, we see Hideyoshi in a rather different light: the ANTAGONIST. Perhaps one of the reasons why some players liked this MS was that people get to see a new side of him. Yet, I know others HATED Hide in this, and understandibly soā¦he is no longer the cheeky flirty monkey we once knew and though he smilesā¦it is void of joy. He is scary, because he is trully a schemer and a master manipulator in this MS, and not even Kojuro saw him coming.
I will not expound here what Hide did to make Kojuroās life miserable, but anyway, as the chapter progresses, MC began to see that Hide, too, was also suffering from his own hard choices and how he quietly laments that his methods is slowly killing him inside, just like Kojuro. Hideyoshi sacrificed his everything to achieve Divine Rule, even though he loses his own heart. Kojuro sacrificed his own heart to save Date clan, even though he will be seen as a traitor.
For whom does these people fight for? Love or Duty? And what will be the consequence? And what will they give for the sake of their goal?
And these are the questions Kojuro Act 2 is all about. And this is why I love it. And I hope for those who plan to read Koju Act 2ā¦will be able to find the beauty of it as I do.