young and beautiful by lana del rey plays and I'm immediately seized by the desire to dress in a glorious suit and stare out the window longingly at my unrequited love who lives across the bay. who will never be with me.
“epilogue”
he so fevently dreamed
aged and decrepit
shaking
in the building
flooded with moonlight
he no longer forced praise
and could not
sever ties with
the only connection
to
black-bordered death
a flood of painful memories
roaring
and
beautiful
Mercy never existed
reality never existed
he
just dreamed it all under the influence
a blackout poem made using a page taken from The Master and Margarita. Kind of reminded me of the time Richard almost froze himself to death in the mandolin factory because he was too scared to tell anyone that he had nowhere to stay during break.
“Dionysus is a god who takes human form, a powerful male who looks soft and feminine, a native of Thebes who dresses as a foreigner. His parentage is mixed between divine and human; he is and is not a citizen of Thebes; his power has both feminine and masculine aspects. He does not merely cross boundaries, he blurs and confounds them, makes nonsense of the lines between Greek and foreign, between female and male, between powerful and weak, between savage and civilized. He is the god of both tragedy and comedy, and in his presence the distinction between them falls away, as both comedy and tragedy…”
— Paul Woodruff, The Bacchae (Translated and Annotated)
OSCAR WILDE TO LORD ALFRED DOUGLAS
January 1893
Babbacombe Cliff
My own Boy,
Your sonnet is quite lovely, and it is a marvel that those rose-red lips of yours should have been made no less for the music of song than for the madness of kisses. Your slim gilt soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days.
Why are you alone in London, and when do you go to Salisbury? Do go there to cool your hands in the grey twilight of Gothic things, and come here whenever you like. It is a lovely place – it only lacks you; but go to Salisbury first.
Always, with undying love,
Yours,
Oscar
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“O human race, born to fly upward, wherefore at a little wind dost thou so fall?”
— Dante Alighieri, from “The Divine Comedy”, published p. 1472
Classic literature
Adapted from a workshop I did at my high school Writing Center. One of my more helpful powerpoints; let me know if you need any clarifications. This is all my original work; please don’t remove the source.
“We mistook violence for passion, indolence for leisure, and thought recklessness was freedom.”
~ Toni Morrison (The Bluest Eye)
To Night, Percy Bysshe Shelley
"Death will come when thou art dead, Soon, too soon— Sleep will come when thou art fled; Of neither would I ask the boon I ask of thee, belovèd Night— Swift be thine approaching flight, Come soon, soon!“
Julius Grimm (1842-1906)
In 1888, Julius Grimm used photography and telescope observation to create this intricately detailed and precise oil painting of the moon. In the night sky, the moon is always lit from behind you – so the shadows of the craters can never appear as they do in this painting. Grimm instead regarded the moon as if it were a still life, bathed in golden light emanating from the left side of the painting.
“The picture should only be hung or positioned, that the light falls onto the picture from the side where the arrow is positioned, because otherwise, in the case of incorrect lighting, the effect could be completely lost.”
dark academia | xxi | ♂| INFJ-T | oct.24 — active
192 posts