HI ASPEN

i need someone to treat me like a puppy that got shots

okay we're just gonna lock in and scroll all the way to the bottom we got this

what kind? :>

do you wanna walk through a field of flowers

like this (i drew us in there)

YESSSS

"i'm not obsessed with history" i say as a third of my playlist has songs specifically about world war one, world war two, and operation barbarossa and im working on a world war one project for a teacher that isnt mine, and i have an entire playlist dedicated to songs ive heard in ch animatics and ones that make me think of historical moments/ch animations i want to make

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

how to write characters that feel like real people and not NPCs in your brain

You ever read a book and think “this character would survive maybe five minutes in a real conversation”? Yeah. Let’s avoid that. Here’s how to make your fictional friends feel real:

everyone wants something

Even if it’s small. Even if it’s stupid. Every character—from your MC to the one-line barista—should want something. A promotion. Revenge. A nap. World domination. That want shapes how they act.

give them contradictions

Humans are messy. Let your characters be brave and terrified, kind but petty, loyal but deeply in denial. That tension? That’s where the magic lives.

let them make bad choices

If your character is right all the time, they’re either boring or a liar. People mess up. Let your character mess up in ways that feel true to them, not just to move the plot.

interior life > cool dialogue

Quippy one-liners are fun, but what’s going on underneath? What are they afraid to say out loud? What thoughts would they take to the grave? That’s what makes a character feel alive.

how do they show emotion?

Not everyone cries when sad. Some get mean. Some go quiet. Some rearrange their bookshelves obsessively. Find their emotional language.

backstory = spice, not soup

You don’t need a 12-page trauma dump to make a character real. Drip in bits of their past when it matters. Let it shape them quietly.

voice matters

Everyone shouldn’t sound like you. Think about how your character talks. What words do they overuse? Do they ramble? Are they blunt? What don’t they say?

tl;dr: believable characters aren’t perfect—they’re specific. They’ve got fears, flaws, favorite snacks, weird opinions, and conflicting goals. Make them messy. Make them human.

this lowkey makes me want to start an oc ask blog cause i mean its not like i can get my own damn character's personality wrong

aspen whitmore how i love you <3333

CHAT HOW DOES ONE MAKE AN ASK BLOG

how does one attempt social interaction all tips are welcome please help

i laugh at my own jokes im thinking about austria hungary and like if he gave headpats to someone and hes like wow you have a weird texture and the other one is like 'thats a fucking rock im over here'

idk

its not even funny but here i am almost laughing publicly at it