Sobbing thinking about how much I love Phoenix and Franziska's rivalry in Justice for All.
The fact that both of them are so attached to winning their cases because they don't know who they are outside of being a lawyer. Phoenix says "let me defend you" and Franziska says "our battle begins now" because they don't know how else to say "don't leave me behind". Phoenix hides his negative emotions because "for a lawyer, the worst of times are when you have to force your biggest smiles" and Franziska hides her vulnerability because "a Von Karma is someone who is destined to be perfect".
Both of them react with anger and bitterness at getting abandoned. Phoenix blames himself for Miles' disappearance and Franziska blames Phoenix because they'd rather do that than feel utterly helpless. And they are too busy fighting each other to realize they both love Miles, they both want to save him, but they're both incredibly wrong about how to do it.
free my girl. she did all that but so did a male character and nobody cared
Hi! My name is Jen and welcome to my writing + fandom blog.
I'll mainly be posting about writing: info about my wips, my poetry, opinions about tropes/writing things, writing tips, etc.
I'm also really interested in typology, mainly MBTI (cognitive functions!!) and enneagram.
My current obsession is Ace Attorney. My favorite characters are Miles Edgeworth, Phoenix Wright and Franziska von Karma. I mainly ship Wrightworth/Narumitsu but also Franmaya, Godonix, and Klapollo. Original trilogy spoilers will not be tagged.
Here is a list of my other obsessions (aka fandoms I will talk about the most) and my favorite characters from each:
The Legend of Korra (Kuvira, Baatar Jr, Korra)
Avatar The Last Airbender (Katara, Zuko, Azula)
Genshin Impact (Kujou Sara, Raiden Ei/Shogun, Collei, Furina, Nahida, Scaramouche, Childe)
Other fandoms I'm in (and will probably talk about sometimes): Dreamcatcher (kpop), Persona 5, The Hunger Games, Divergent, Six of Crows, Once Upon a Time, Warrior Cats, Wings of Fire.
EVERYTHING YOU SAID YES
Notice that Miles never mentions following in MVK's footsteps or the "von Karma creed/blood/name" when talking about his motivations to prosecute. (Compared to Franziska who mentions it as soon as she is introduced in 2-2). Miles only talks about the DL-6 incident and his father's death and punishing himself in relation to why he became a prosecutor instead of a defense attorney.
Now I'm not saying Miles wasn't influenced by MVK, I'm sure he was. But ignoring the reasons that Miles explicitly tells us, and instead claiming brainwashing or abuse, is doing a huge disservice to both Miles's and Manfred's character.
Manfred is a petty, cowardly man who killed a man over a penalty and ruined Miles's life. And considering all the issues Miles and Franziska has, I believe he is also quite a flawed parent. Manfred being abusive, homophobic, sexist, etc however, is not canon (him calling Miles "worthless" is a mistranslation!!).
So yeah, I rest my case. Miles, Franziska, and Manfred are some of my favorite Ace Attorney characters and Manfred not being Pure Evil™️ honestly makes all the angst and pain so much more delicious.
“Manfred von Karma brainwashed Miles into becoming a prosecutor!”
*scratches head*
Not gonna lie, I was one of the people who believed in this claim until a friend told me otherwise and I started replaying Turnabout Goodbyes recently.
It's really wild to me how almost all of Manfred's mischaracterization can be tied back to Miles' mischaracterization from the AA fandom LMAO
Fandom telephone can be such a curse sometimes.
I beta read this!! You should check it out :)
-Shout out to @aceof-stars for beta reading this!
-Tw for suicide
-No spoilers past the beginning of farewell my turnabout please
-Ask about the au if you'd like
Thinking about AA role-swap AUs and if prosecutor Phoenix Wright would also “choose death” and then I remembered that in Farewell My Turnabout, Phoenix tells Edgeworth it might be time for "Defense Attorney Phoenix Wright chooses death". In the bad ending where Matt Engarde is declared "not guilty", Phoenix literally wanders the streets. Before I played this case, I thought Maya dies in the bad ending which prompts this reaction, but no he doesn't even see Maya again.
The more I look at canon, the more I realize Phoenix is as much of an emotional mess as Miles is, likely even worse. Phoenix's identity has always been so tied to being a lawyer, to saving people. He condemns one innocent person (Adrian Andrews) and he completely falls apart. And honestly, the same would probably happen if he got Matt Engarde "guilty" and Maya dies. Of course prosecutor Phoenix Wright would leave like Miles did.
thanks for the tag!!
Favorite color: forest green and light greenish teal (honestly any green + blue combination)
Last song: I love you by EXID
Currently reading: A Crack in the Marble by Steerpike13713 (Ace Attorney fanfic, 3-1 retelling with Bratworth early redemption! It's really good, I recommend it)
Currently watching: Nothing. Well technically the last thing I watched was Better Call Saul but I'm not committed to it.
Currently craving: Bread, like really good European bread
Tea or coffee: Tea 🍵 <3
Tagging (no pressure of course): @shrimppishh @azalawa-scroggs @huldraism @evelinessa @kobitoshiningneedle
Thank you P @jessicamdawn for the tag!
Fav color: White
Last song: A Thousand Years by Christina Perri
Currently reading: 'And here I thought it was me saving you' by @imogenegomi
Currently watching: The Eclipse
Currently craving: Alone time.
Coffee or tea: tea
No pressure tag!
@imogenegomi @midnights-dragon @quillswriting @oregano-gremlin @ririnya7
@theliteraryarchitect @zackprincebooks @randomia-in-wonderland @marlowethelibrarian @rose-coloured-windows
@raeality @dreaminghour
+ an open tag!
Here’s our girl
Still not very good at digital art but I don’t mind how this one turned out :)
Click for higher res
I love this conversation so much.
It's clear in RFTA that Phoenix had an idea of how Edgeworth was supposed to heal after this. Kill the prosecutor in your OR let it help you grow... But Edgeworth did both. He had to kill off his old self before he could truly heal.
Do you think this conversation haunted Phoenix before Edgeworth came back
imo the absence of a feeling in writing is more powerful than directly describing it. people comment about how i do this a lot in writing so i thought i’d share what i mean and how i do it
so basically i’m trying to articulate a feeling without actually acknowledging it in the writing. when people avoid a thought or a feeling they don’t give it a name. it’s like touching around a bruise, you feel a little around it but avoid fully touching it because it hurts. that’s what i mean
in practice i think i have a couple ways of doing this:
1/ does, doesn’t, would, could: even if a character doesn’t take an action or acknowledge a feeling, the possibility is there in the story and i like drawing attention to that, it addresses the periphery of an emotion in an interesting and internal way, examples:
Erik raises the visor of his helmet. A soft summer breeze hits his face, catching on the sweat and cooling him ever so slightly. He feels Istvan’s eyes on him but doesn’t meet them.
Ryunosuke faces forward, letting his hand drop from the hilt of the sword. He takes a short breath. He tries not to focus on the dust.
2/ flat description of actions: you can describe an action without describing the emotion attached to it. i feel this is more impactful than doing both at the same time, or just choosing to focus on an emotion. there is emotion in the action, the reader can decide which one, examples:
“Kate,” he says, a little too sharply. “Be very careful there. Be very careful.” His hands are shaking again. He crosses his arms and shoves his hands under his armpits.
His computer gives a soft chime. An email. A new lead, but the stories are safe and tame, nothing like the danger he was used to. He shakes his wrists again, warding off carpal tunnel for another day. Another chime sounds. He looks out the window again.
3/ bury emotion in metaphor: this one i do constantly, i’ll just go off on a tangent about something else and the emotion will come through, kind of like how a character will try to distract themselves when faced with an emotion they don’t quite know how to process, example:
Sunlight trickles in through the dense tree cover, like water. A ray touches Hans’s golden hair. Henry watches the light play on the yellow strands. His hair is combed back but a few strands fall onto his forehead, pushed around by some invisible wind. They could be harp strings, or silk threads. Something delicate and fine. Another ray of sunlight falls over Hans’s hair and it seems almost to glow.
He unclenches his hands one finger at a time. The stress of muscles tensing no longer exists, not here, but the ghost of tension still lingers, the memory of it, over his knuckles and in his wrists. He wishes he could just have this. Just the pain in his joints of holding onto something too tightly for too long.
You know one thing that I absolutely hate? When one recurring joke about a character overshadows their trauma and complexity. I hate when characters are treated unseriously and frankly disrespected because of one meme or gimmick that is probably massively overused anyway. And why is it always video game characters.
Jen || she/her || 20 I write analysis and meta about my favorite pieces of media! — mostly an Ace Attorney blog [playing AAI2-2]
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