Fandom Wars

Fans and Creators of Webtoons!

I want to talk about Line Webtoon’s new “Super Like” program and why it sucks for literally everyone.

Fans And Creators Of Webtoons!

What is a “Super Like?”

According to their website, super likes are a new way for webtoon creators to monetize their work. Readers can pay real money to buy a super like for their favorite webtoon, and the creator gets a fraction of that money.

Wait, a fraction? Not all of it?

Yep! Webtoon skims quite a chunk off the top.

30% goes to Webtoon, and then another 30% of that amount goes to the payment processor.

So what do creators get? 49 cents for every dollar their fans try to give them. Literally half.

That’s pretty ludicrous, right?

Interestingly enough, they announced that they had a “tipping system” in the works in the same email they ended the CANVAS creator rewards program (and many comic creators livelihoods)

Fans And Creators Of Webtoons!
Fans And Creators Of Webtoons!

They said tipping system in their social media posts too

Fans And Creators Of Webtoons!

Obviously this tipping system is referring to super likes right? They say they’re going to do a tipping system, and then this rolls out.

But “tips” are not something that buisinesses can just take a cut of, at least not in the United States. According to the Department of Labor, it is illegal for any amount of tips from customers to go to an employer.

Webtoon is trying to walk back this language, of course. You won’t find the word “tip” anywhere on their website page explaining how it works. But those old social media posts are still up.

This is all pretty scummy

But wait, it gets worse!

They removed the Patreon button at the end of episodes and replaced it with this:

Fans And Creators Of Webtoons!

Yep! That’s right. Webtoon really said “what if we replace the tipping system that already existed with a shittier one where you only get half of it 🥺”

Unsurprisingly, they faced a ton of backlash.

Webtoon was quick to point out that the Patreon button was only removed from the end of episodes and there was still a button on the creator’s homepage. But of course, the end of episodes is where that button matters the most.

Creators know this. Webtoon knows this.

Eventually, after days of continued complaints from creators on social media, Webtoon went on damage control mode and announced that they would be putting the Patreon button back at the end of episodes—

Fans And Creators Of Webtoons!

As of right now (May 11th, 2024) the Patreon button is still not back.

***

So…Super likes are “super totally not a tip.”

But if they aren’t tips…what are they?

Well there’s a bit more to the story of what a super like actually is. After announceing the program, the app updated to reveal a new ranking category on the front page

Fans And Creators Of Webtoons!

When you click on this ranking tab, you can see that there is now both a daily and weekly ranking

Fans And Creators Of Webtoons!
Fans And Creators Of Webtoons!

If you’re a CANVAS creator, you know how difficult and seemingly random it can be to get your comic on the front page of the app—so my immediate worry was that comic creators were going to buy superlikes on their own series to get in this ranking and…

Fans And Creators Of Webtoons!

Yep, that’s already happening.

But why would webtoon even allow creators to buy superlikes for themselves? How does that make sense?

Surely goading desperate creators into buying superlikes can’t be that lucrative, can it?

No. I think there’s another, possibly even worse reason.

Fandom wars

If you’re into music, you probably are aware of how common it is for super fans to make concerted efforts to get their favorite musician to the top of the billboard charts. They coordinate over social media, stream music on loop as soon as an album drops to inflate the numbers, buy albums in bulk to increase sales, all so that they can say their fav is number one. It’s especially common among K-pop fans and swifties

This phenomena is well documented

Fans of Webtoons can be just as ravenous as K-pop, so I think Webtoon is trying to capitalize on this. They want to encourage fandom war and make money. That’s why they have this ranking. Not only can super fans brag about their favorite series topping the charts but they can wear their super like proudly on their reader profile that webtoon will be rolling out soon.

They’re just testing this super like stuff out on CANVAS right now, but once this starts up with originals? Oh. It will be a very profitable, very terrible mess.

(Oh and I mean profitable for webtoon, not creators, in case that wasn’t clear.)

***

Anyway, if you’re a creator, do yourself a favor and don’t enable super likes.

If you’re a fan of a webcomic, just donate to that creators patreon or Ko-Fi to show your support. Don’t give a red cent to webtoon because they did not do any of the work to make the series you love, alright?

Also check out my webtoon haha.

More Posts from Abz----123 and Others

11 months ago

no moderation at all would be better than this. legitimately. i can block the nazis and zionists and transmisogynists myself, the only time moderation staff step in is to remind me nd my friends that we're not welcome. they're fucking cops, they dont serve shit, they dont protect shit, they're just in it to hurt people and exert power

10 months ago

Donate to restore the lives of the Baalousha family

Hello my dears, I hope you are well. Please help me

I, Mahmoud Baalousha, have lived through five wars in my life, and in the 2006 war, the biggest shock in my life was the loss of my older brother, Muhammad...

Donate To Restore The Lives Of The Baalousha Family

I will tell you a little about my life

I had ambition and a bright future. I loved life and living in stability and security, and I loved working hard in my future...

Donate To Restore The Lives Of The Baalousha Family
Donate To Restore The Lives Of The Baalousha Family

I had a few days to go and I was about to start a new life and look for a suitable woman to marry.

I had achieved some things that I had dreamed of since October 7, which was buying a house, but the war destroyed my dreams and ambitions.

I had a nice exhibition related to children's and women's shoe sales

Donate to Donate to restore the lives of the Balousha family, organized by Marleen Tipu
gofundme.com
Hello my dears, I hope you are well. Please help me. I, Mahmoud Ba… Marleen Tipu needs your support for Donate to restore the lives of t

The exhibition was destroyed by incendiary shells fired by the occupation

I had accumulated debts and obligations to the merchants, and the fair was full of goods ..

And my father also had this happen to him in his exhibition

This destruction has caused us to lose our sources of livelihood and the livelihood of the workers who work in both exhibitions ..

* The war took everything from me

I lost my pets in our house

Donate To Restore The Lives Of The Baalousha Family
Donate To Restore The Lives Of The Baalousha Family

All I hope for now is to reunite my family in Egypt and save them from the disastrous situation in which they are living ..

Directed by my father, mother, and sister, who is studying engineering at Al-Azhar University ...

Knowing that the cost per person now is $5,000 per adult. Price may fluctuate. I ask you to help us by donating even the simplest things or by participating in our campaign. We will be grateful to you

Donate To Restore The Lives Of The Baalousha Family
Donate To Restore The Lives Of The Baalousha Family

Your donation may give us hope to achieve what we aspired to, and restore a little of the loss and devastation that befell us. ..

Thank you for listening to my humble message

9 months ago
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends
A Small Comic About Palestine I Created To Appeal To More Passive Family And Friends

A small comic about Palestine I created to appeal to more passive family and friends

Anyways if you have the money I urge you to donate to Ibraheem Hadi, a Palestinian who contacted me and whom I promised to highlight in relation to this comic:

Donate to Help me and my family to evacuate from Gaza, organized by Devlin Downs
gofundme.com
Title: "Urgent Relief: Support Ibrahim's Family in Gaza Amidst Devastation" … Devlin Downs needs your support for Help me and my family to

Otherwise there is always a need for eSims to keep Gazans connected

1 year ago
Prints

Prints

All profits raised from this print will be donated to the Palestine Children's Relief Fund.

11 months ago

spotify is raising prices again here's the apk that gives you premium for free

10 months ago

Here’s a link to a petition to protect Native American land in NC from a gas station chain which poses immense environmental threats, has violated workers rights, and will destroy land with historical significance to natives. My ancestors traveled the trading path they plan to build over. Please sign if you have a moment

1 year ago
FREE PALESTINE / END THE GENOCIDE ON GAZA

FREE PALESTINE / END THE GENOCIDE ON GAZA

This piece was made to show support for Palestinians. This mountain gazelle was created with the colors of the flag and the meaningful patterning of the keffiyeh. 

10 months ago
Text: How I draw fat people, by a fat person.
Text: BEFORE I SAY ANYTHING! Fat people have many shapes and sizes, all of these tips can exist in different variations and ratios of fat distribution. This is not a comprehensive guide of how to draw fat people, These are just things I like to keep in mind. Study references of real people and pay attention to how fat behaves. Also find more anatomy-based studies of fat! This is more of a cartoon slash illustration based study. I recommend Morpho: Fat and Folds.
Text: Fat distribution rough approximation. Cheeks, Chin, neck, chest, underarms, waist, hips, thighs, calves, crotch, butt, scapula, hips. Mostly bone, Mostly fat.
Text: Fat sags from bones / muscle.
Text: Back rolls: Shoulders, waist top, body bend, waist bottom, hips. Stomach fold ends at hip dip. Torso, Waist, Hip, Thigh.
Text: Fold at bottom of skull. Body rolls act kind of like thick fabric when twisted.
Text: Fat hangs from arms. Armpit fold connects to chest fold.
Text: Neck fold. Double chin. Neck starts closer to front of the chin. Armpit fold.
Text: Some people have ab folds. Tapers into middle. Some people have rib folds.
Text: Cheeks! Cheek bulges at top. Corner of mouth pushes cheek up. Skin stretches.

hey these are some tips for some of the little details in drawing fat folks that some people might not know!

everyone has fat on their bodies so its a worthwhile skill to have, but most art tutorials leave it out. heres some other good tips from artists!!

the strawberry patch
strawberrylind.tumblr.com
as requested- my zine about fat and plus size body types from instagram!💖 happy drawing everyone!
fat bodies tutorial!
artxreferences.tumblr.com
ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on
hometownrockstar
hometownrockstar.tumblr.com
some notes on drawing fat bodies in a stylized or cartoony art style! i tried to explain and illustrate things i keep in mind while drawing
how to draw fat faces and necks better
Tumblr
something i notice a lot with artists trying to draw fat people is that even if they get the bodies decent they often draw the heads and nec

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art
1 year ago
an ask from tumblr user @sourpatchsquids. it reads:

Hi Bee,

I've found myself in a bad creative cycle. I spend months at a time away from my DAW, returning only when the hyperfixation of creation overtakes me. I struggle to make things outside of this window, to the point that opening my DAW can even hit me with the classic ADHD Wall of Awful when I'm not laser focused on creating an idea that came to me.

This has lead to me being very frustrated with making music and unsatisfied with the quality of what I make. I always feel rusty when I come back, and each time I have less patience with myself to shake off the rust. I'm working on the parts of myself that reinforce these cycles, but in the meantime, I also want to ask for some advice on the side of making music. 

As someone who shares the Executive Dysfunction brain worms, do you have any tools/techniques to share that make creating music outside of the hyperfixation window more bearable/consistent?

hi @sourpatchsquids! thank you for your question.

as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)

but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:

changing expectations

the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!

my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.

when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.

so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?

with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.

with that in mind:

#1: work slower

when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.

instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.

i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!

now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.

doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.

however, if you're still feeling truly stuck, all hope isn't lost. you can still try:

#2: switch projects

sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.

this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.

the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.

what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.

but it doesn't have to stop there.

#3: switch focus

maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?

let's say i can't figure out what i want to do with the melody in one part of the song:

what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?

and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?

what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?

any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.

or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.

but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:

#4: learn something new

when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.

for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)

it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)

that said, since our shared focus is music, a few resources i would highly recommend are:

music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang

mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix

general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!

(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)

of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:

#5: consume art you love

not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.

but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.

and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.

what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.

as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.

none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.

and finally,

#6: rest, and live your life

let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?

take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).

it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.

i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.

when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)

before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:

be kind to yourself.

being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.

i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.

i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.

thank you for reading, and i wish you the best of luck in your creating.

with care, bee 🐦


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1 year ago
a red notice for an ao3 fundraiser. the text reads "Thanks to your generosity, we've raised US$120,271.49 so far, surpassing our goal of US$50,000!" below is a green progress bar, full.

instead of continuously over-donating to ao3 when those running the site are racist zionist sympathisers who shut down support of palestine from its volunteers 1 / 2 (among myriad other issues that u should NOT be funding) please direct your attention to these incomplete fundraisers for people in gaza and various tangible operations doing work. this is a call that if u have donated even a cent to ao3 to a) match that in your donations to palestinians/causes and b) stop donating so uncritically and unconditionally to ao3, pressure them. id like to direct u to @end-otw-racism

fundraiser masterpost by @el-shab-hussein

mona

care for gaza

help gaza's children

operation olive branch

the palestinian children's relief fund

unrwa

the palestinian red crescent society

buy an e-sim / donate for mass buying

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