do your ever get excited to see certain mutuals in your notes like yes i pleased the Friend
tony tony chopper my g đ«Ą
Shirtless version on Patreon đ«
oooohh i see an usopp wip!! đ
give us some crumbs pleaseee đ
WOAH I completely missed this @chibinasuu , Iâm so sorry đ
My current WIP for this Usopp fic is in plansâŠBUT Iâm still slowly working on it. And basically itâll be like the current Zoro fic that I haveâbut just with a version of Usopp! Itâll definitely be fluffy/cutsie and of course rottenly romantic (I hope)
It will consist of a oneshot of scenes about how much this underrated sniper might show his love, and how he might have his vulnerable moments with you⊠cause who wouldnât love that.
However, I will definitely reply to this again after Iâve written a bit more of it up! Thank you for asking đ«¶
Best moot đ·
redraw
wait i updated it lmao sorry
Trafalgar Law x Reader Zombie Apocalypse AU
Part 2 of my @infixop gift for @namism!
CW: Zombies, graphic depictions of blood, death and violence. Named side character (not super relevant), descriptions of decomposition and bugs. No use of Y/N or gendered pronouns.
WC: 8151
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(A/N at the bottom)
Law wakes up at the crack of dawn. The morning light is just coming over the horizon, casting long shadows across the roads from behind endless skyscrapers. Heâs quiet when he stirs, barely moving under his blanket before he shoots up. Heâs not wearing his hat. In the early morning light, you can see the flattened shape of black hair, usually hidden.
âGood morning.â You say, blinking the dryness away from your eyes.Â
Law turns and frowns at you. âDid you stay up all night?â
You donât bother to answer, taking a sip of the cold water you procured from your bag. Youâre down to one and a half bottles, so you hold the liquid in your mouth, savouring the way it wets your dry tongue and throat. The plastic bottle crinkles in your grip.
Lawâs frown deepens. âIâm not letting your lack of sleep hold us behind today.âÂ
âI donât intend to let that happen.â You say.Â
The morning goes by quickly. After eating a little more of your rations, you finally decide to breach the question thatâs been nagging at you all night.
âWhatâs the plan?â You ask, zipping your grey backpack up around your blanket.Â
Law doesnât look at you. But after a moment of silent contemplation, he answers. âI think we should still try to cross the river. Thereâs another bridge if we travel further west.â
You donât try to smooth the disgusted expression that crawls upon your face. Your hands bunch around the straps of your bag, turning to him and asking: âAre you kidding me, Law? Did you forget what happened last night?â
âI have good reason to suggest this.â Law says, as cryptic as ever.Â
You can tell he knows something more, and it frustrates you that he doesnât seem to trust you enough to share. The frustration melts into hot anger, licking at your ears as your mind wanders to Johnny and Yousaku and Michelle. Strangers who took you in despite knowing nothing about your nature. You couldâve been a maniac that gained their trust only to steal resources, yet they still trusted you. Your stomach turns unpleasantly, and you canât help but let out a few sharp words.
âJust like how you suggested we go to the bridge two days ago?âÂ
âI did not suggest that.â Law retorts. Heâs far too calm in the face of your accusation, arms crossed and expression carefully neutral. âI only confirmed that there are resources on the other side.â
Okay. That part is true. You take a breath. Itâs unfair to blame what happened last night solely on Law. It was a combination of factors and small decisionsâÂ
Letting grief overtake you at a time like this is the worst thing you can do right now.
âSorry.â You mutter. âBut you still havenât told anyone how you know that. We need to work together from now onâ so can you at least tell me why?âÂ
Law stares at you. You meet his eyes. You will not relent. You hope he knows by now.
âI lived on the other side for most of . . . this situation. So I know.â Law says, finally.
Somehow, that sentiment doesnât surprise you. You blink at him.Â
âThat explains some things, I guess.â You say, pushing your bag to the side. âSo, you know another way to get across? Why are you here, anyway?âÂ
Law shrugs. âSomewhat. There are a few things that need to be done before I can say for certain. So letâs get going.â
He stands up, swinging his bag over his shoulders. You follow suit, and the two of you leave the roof quietly.
You donât push the fact that he only answered your first question.Â
~~~~
The streets of the city are mostly empty. The offices and residential buildings loom high over you, caging you in like rats in a sewer. Cars still line the roads, some parked by the curb and others haphazardly in the middle of the street. Scorch marks from fires long put out scar over ashen remains. Itâs really a pity. Usually, during the springtime your city is an oasis of green. There were flowers on every corner and tall, leafy trees. Now, itâs a barren wasteland stretching out far ahead of you.Â
Law doesnât talk much. Youâve been walking for close to two hours now, and he still hasnât said a single thing. A few zombies had to be slashed here and there, and you canât help but feel useless. The only weapon you had was that shovel. The steady weight it had in your hands is not forgotten.Â
At least itâs cloudy today. You think as you look to the sky. Suddenly, a cold breeze blows by. The scent it brings catches on your nose. A slight humidity, the distinct petrichor of precipitation.
Shit, you think. Nature is scary. You know this from living on the streets for the last month. A strong wind can knock over shelter, and the scorching sun depletes water sources far too quickly. Humidity is one you havenât faced quite yet, but the thought of the wet, sopping clothes sticking to your skin and the ailments that come with being too wet for too long is enough to make you shudder.Â
And here, all signs point to rain.Â
You voice your thoughts to Law.Â
âWe can keep going until it starts raining.â He responds.
Yeah, whatever. Mr. Efficiency or something, you think. However, the clouds are congregating at an alarming rate. It takes another block of walking before the blue sky disappears behind a battalion of angry grey. Another two blocks, and the grey turns a deep shade of blue. The cold is setting in fast. Without the sun, the wind is able to thread through your jacket, chilling your fingers. There is a certainty within you that if not for the skyscrapers, the sight you would be seeing is one of the impending rain moving closer and closer, turning the streets beneath it the ink black of wet asphalt.Â
You turn to Law. âWe need to find shelter. Now.â
Almost immediately, a few drops of water hit your head. Then a few more. Then it starts pouring.Â
The streets around you are filling up with little fat dots, much like a colour by number scene. You let out a muffled sound, hurrying to maneuver your bag over your head as some form of cover. Frantically looking around, you lock in on an old apartment building with an extended canvas over its entrance half a block down. You start gunning for it, running as fast as your legs can carry you.
Lawâs footsteps follow your ownâ interrupted with the pitter-patter of rain hitting your bag. The rain is coming down really hard. Youâre sure itâll have you soaked in seconds if you donât get out of it now. Glancing back, the sound of a deep chuckle travels through the thrumming of rain. It startles you enough to make you jump and stumble over your own feet. You almost fall.
Lawâs laughing. You didnât know he could do that.Â
âShut up!â You turn to him, huffing. âIf you havenât noticed, our misfortunes are shared. And what are you doing? Hurry up!â
You duck under the canvas, Law following close behind.Â
The rain is really coming down now. All around you, the world is a misty white, broken by little needles of falling rain. Youâre still somewhat dry, with the exception of your pants and shoes. The squishy feeling when you move your toes means your socks werenât able to escape the downpour either. Thatâs the worst of it. Your clothes will have to dry out with hopes and prayers if the rain does not stop falling.Â
âI hope the rain passes soon.â You say. Itâs already wet and miserable. The only way for it to get worse is for it to last.
The apartment entrance behind the two of you opens with a mechanical click.
Instantly, Law is sliding his sword from its sheath. Itâs out and in his hand before he even turns, and you step back, nerves standing on edge.Â
A short guy with dark hair and dark eyes stands in the doorway. His eyes are wide with alarm. He raises his hands, trying to seem as innocuous as possible. âDo you want to come in? Itâs quite . . . wet outside.â
Despite his kind words, you narrow your eyes in suspicion.Â
âWe donât have anything on us.â Law says.Â
You eye his backpack, very much full with things, but not edible things.
âThatâsâ I donât plan on robbing you.â The guy says again. He pulls the door open wider. The building is dark behind him, full of shadows. Does this man not have any self-preservation skills? You would not be this insistent with the possibility of getting skewered.Â
âIâm Piper.â He says. âIâve been living here for a while. Thereâs no one else here, if thatâs what youâre worried about.â
Law turns to you then, questions in his eyes. You frown, eyes darting back to Piper.Â
âYou can take a look around, if you want.â Piper says.Â
Even if you look around, if there are others inside itâs over before you even begin. But then you turn, and the white mist of rain still surrounds you. You shiver.Â
Maybe heâs actually nice. Maybe, just maybe, there is someone kind in the middle of the apocalypse trying to help others. You look at Law again, then nod.
He nods back.Â
âWeâll take your offer.â Law says.Â
Piper beams, opening the door even wider. Law enters first, you follow close behind.Â
The lobby smells musty. There are a few armchairs to the left of the entrance, pushed against walls covered in yellowing, flowery wallpaper. On the right, is a rickety set of stairs, its handrails a freshly painted pristine white. Further down the hallway, long shadows criss-cross the emptiness like knitted yarn. Itâs quiet, lingering hands stretching out through old cedar floors, only stopped by the thundering rain outside and the small window at the end of the hall. He shows the two of you to a room upstairs. Two hundred two. The second door after going up the stairs. You lock the doors after Piper lets you be, letting Law carefully inspect the place.Â
The rain does not stop.Â
Piper offers to let you stay the night.
Neither of you object.Â
~~~~
You didnât sleep much again.Â
The dawn brought with it more rain. With Law still asleep in the other room, you slowly get up from the spot on the carpet you decided to take, shuffling through to the entrance. You remove the table placed there for extra security, and unlock the door. The hallway is empty. You tip-toe out to the railing, leaning over. The wood creaks and bends, stretching under your weight. Itâs mostly dark on the first floor. The shadows seem to shift, making shapes in your eyes. You blink, leaning further down.Â
âHi!â
You yelp, jumping back. Piper is beside you, an easy smile on his face. He holds out his hand, helping you up with a grunt.Â
âWhatâs your name again? I donât think I asked.âÂ
You tell him your name after little consideration. Heâs probably been lonely, you think, living in such a big building by himself.Â
âThatâs a cool name.â He says. âHave you lived here long?â
The question catches you off guard. âLike here in the city?â
âYeah.â He says.Â
So you start talking, About yourself, about your life before all this. About your dreams, aspirations, your life now that the world has ended. Piper is easy to talk to, you find, good at wrangling out more words from you even when you think youâre done. Itâs more than you even dream about sharing with Law.
âCan I ask you one more thing?â Piper says after youâve rambled enough that the sun is starting to come up. The rain is still falling, but the soft shade of grey is unmistakable. âWhy were you up so early?â
âIâve been having insomnia.â You admit. Piper hums, moving to stand straight. He stretches, then starts making his way down the hall, slowly. âI think itâs the stress. I donât sleep well when Iâm stressed. Especially with the last three days.â A tired chuckle escapes you.Â
âYeah, sounds like it.â He stops by the window, staring out at the falling rain.Â
The silence stretches. You turn away. The wallpaper is coming to life again, the patterns crawling like folklore creatures around the walls.Â
âHave you been bitten?âÂ
What an odd thing to ask. You stop leaning against the guardrail, standing up to your full height.
Piper is walking back towards you, each step slow, careful, like the steps of a predator. The dawn light shining through the clouds is just bright enough to light up the hallway through the window. The thrumming rainfall is a constantâ but the low dragging of metal against the wood is not.Â
âI know the signs.â Piper says. His eyes are so wide. The black pupils seem to have shrunken. âInsomnia, twitchiness, hunger. Iâve seen many like that right before they succumb. I take it upon myself to put people like that out of their misery.â
âThatâs bullshit.â You say. Youâre pretty sure you havenât been exhibiting any of these signs. And you didnât even know if the signs were real. You havenât been bitten. You know that. If you were bitten, you wouldnât be fighting this hard to keep living. âNo one actually knows that stuff.âÂ
âIf you are me, then you do.â His voice drops dangerously low. Piper raises his hand. In it, you see the long and disdainful hook of a crowbar.Â
You need to get Law. You open your mouth to scream but Piper is already rushing at you. The crowbar swings at your head and you have just enough time to tuck it into your arms. The edge hits your elbow, hook thankfully just missing skin, but it sends a shock of pain and unpleasant numbness through the limb. Stumbling back, you shift your weight and grab the curved end of the crowbar as Piper tries to reel it back. He fights you, the weapon rolling forwards and backwards between the two of you in a frenzied game of tug-of-war. Heâs winningâ just barely. You can feel the cold metal slipping from your hand as youâre forced forward, drawing closer and closer to the landing. An idea suddenly strikes youâ and with his next tug you let go. Piper stumbles backwards with the momentumâ and the crowbar flies out of the window behind him with a loud crack, leaving a mosaic of shattered glass in its wake.Â
Instantly, the cold wind from the outside pours in along with the rain. Piper hisses, stepping away from the puddle forming on the floor.Â
Youâre breathing heavily, all senses on high alert.Â
âWhy canât you make this easy for me?â Piper wails. He moves towards you, fingers twitching.Â
In response, you drop low, backing yourself against the landing wall, readying for anything he might try.Â
Click!
Piper spins and you look up. Law comes out from two hundred two, sword lending against his shoulder. Heâs in a plain black shirt and his hat is missing. His eyes are narrowed, mouth pulled down in the same frown someone unceremoniously woken up would wear. But then he looks. Really looks. And you see him shift.
âYou too!â Piper wails, voice cracking.Â
Law tenses. Heâs taking the sword from his shoulder when Piper charges at him.Â
The sword clatters against the ground behind Piper, useless. Youâre still pressed against the landing wall when Piper shoves Law out the window, the remaining wooden frame shattering from the force. Law grabs Piperâs arm, cursing as the man dangles his upper body out in the rain. Piper sneers. You rush forward, grabbing at Piperâs shoulder, trying to get him off but he swingsâ his elbow makes hard contact with your cheek.Â
Your vision blurs with dancing stars and you let go, wobbling towards the landing. The taste of iron fills your mouth with a gush of blood and for a secondâ youâre stunned.Â
Piper pushes Law. You see him teetering for a split second.Â
Then he falls
âLaw!â You shout, running forward as he disappears out the second story window. You get two steps in before you remember him, Piper, still there and alive. Heâs still staring at you, eyes wide and breathing heavy, when he slowly pulls out a knife from his pocket.Â
You glance around. The stairs are right beside you, but he might just chase you down. You can run but butâÂ
Then you spot it. Lawâs sword. Itâs so close. Just behind Piper and if you time this rightâÂ
Piper lunges for you and you dive, the knife missing you by a hair. Your hand closes over the sword as you slide to a stop against the far wall, right under the dead âEXITâ sign. The sheath slides off easily, and you throw the cover at Piper, using that distraction to scramble up against the wall. You spit out the blood in your mouth and aim Lawâs sword right at Piper.Â
âDonât come closer!â The sword feels foreign in your hands but you grip it anyway. Your skin is icy-hot and all you can see is Piper and his knife.Â
He hesitates for a moment there. His eyes are filled with a frenzy. He wants you deadâ and heâs already shown what he can do.Â
He mightâve just killed Law.Â
No. You canât think about that right now. Piper advances, that tiny knife held up, and despite your much larger weapon, you take a step back.Â
You need to do this. To protect yourself. You can make a cut on his legs and render him unable to follow you. Then you can go and check if Lawâs okay.Â
Piperâs staring at you, expression raw. He doesnât try to stab you. Not yet.Â
Heâs readying himself. You realize. Heâs talking himself up to make the kill just like you. But this is the one truth. You need to get him before he gets you.Â
The sword goes through his stomach. The squenching, soft feeling under your hands is alien.
You just stabbed him. You just stabbed someone.
The world spins and on instinct, you pull back, knuckles still wrapped tightly around the hilt of Lawâs sword. The feeling of the metal coming out is just as bad as it going in. Blood flows down his pelvis and legs, pooling around his feet at a rate you didnât want to think about. He takes a step towards you and you step back. His eyes are wide, full of fear. You wonder if he sees the same of you.Â
He opens his mouth, and a garbled sound comes out.Â
You turn and run.
Law. If you only think about Law you can probably keep your mind long enough to find him and make sure heâs okay and get away.Â
You burst out from the fire exit at the end of the hall. The rickety black stairs shake under your weight and the force of the wind. Rain pelts your face, hitting your eyes but you ignore it, hopping down the stairs two at a time. It seems like forever, your hand grazing the railing and the other still grasped tightly around the hilt of Lawâs sword, until your feet finally touch the pebbled path of the alleyway. You turn left, then left again at the next opening between the buildings. The sound of pebbles crunching underfoot and falling rain accompany your steps and all you can think about is Law.Â
You pray heâs okay.Â
The suffocating walls on each side of you break into open streets and you frantically look both waysâ relief rushing through you when you see Law standing in the middle of the road, wet coat standing out from the white mist around you. To his right are bushes, a few more deformed than the others. Your footsteps alert him, and he spins to you, a sharp look ready before he realizes itâs you.Â
âLaw.â You call, jogging the few steps to stop before him. âIâm glad youâre okayâ are you okay?â
âIâm fine. What aboutââ He manages to say before you interrupt.  Â
âHeâs not an issue anymore. Donât worry about him.â You look away. The sword in your hand is glistening with the rain. Itâs almost clean now, the remaining crimson spread around the metal like sunlight dappled upon leaves. âI lost your sheath though. Sorry.â
Law doesnât press. He does sigh, however, the rain trailing down his face in little droplets. âThatâs fine. Just keep holding her now. We need to find a place to wait out the rain.â
âWe . . . can go back inside?â You offer. There isnât a better option. The rest of the apartment is empty, and who knows about the other places?
Law nods.Â
The two of you walk back towards the entrance of the apartment building. Ghosts of the path you took the day before haunt your steps, and the vision of Piper leading the two of you into his home flash over reality. Your throat tightens. A chill, more thorough than that of the rain, seeps into your bones.Â
Law turns to you. His eyes gloss over with concern and he opens his mouthâ
âDid you call your sword her?â The words rush out of your mouth in a shaking string. You need something, anything, to bring you away from the body that is surely laying on the second floor hallway.Â
Law blinks.Â
âYes.â He says.
âIs it like the boat thing?â You ask.
Law moves forward again, reaching out to hold the door open for you. You step inside, and the lobby smells exactly the same. Stale. Vaguely like cigarettes. Just like yesterday.Â
âYou can think of it that way.â Law says. The door closes softly behind him. âHer name is Kikoku, by the way.â
âYou named your sword.â You say. âAre you one of those people that give names to everything?âÂ
Law scoffs, and you canât help the laugh that bubbles up your throat. The tension in your shoulders is finally lifting, leaving behind an exhaustion that grows deep in your limbs. Kikoku is suddenly very heavy in your hand, and you hold her out, urging Law to take her back.Â
Law reaches up his left handâ and winces.Â
You frown. âWhatâs wrong with your arm?âÂ
Law grunts, reaching for Kikoku again, this time with his right hand. You jump out of his reach, carefully setting her against one of the lobby chairs. You turn to Law, crossing your arms. How can you assume Law fell out of the second floor without any consequences?Â
âLaw. Whatâs wrong with your arm?â
Law stands there, looking very much like a child caught red handed for some infantile crime. He attempts to mirror your stance, raising his own arms until he winces again.Â
âLaw.â
âI may have fractured my left forearm.â
Oh.Â
âAnd why didnât you tell me?âÂ
Law shrugs. âI thought there were more pressing things to deal with.â
Okay, fair. Law doesnât know heâs dead.
Actuallyâ you should probably go check and make sure that he is dead.
âIâm going to get our stuff from upstairs.â You say.Â
âBut what aboutââ
âHeâs not a problem anymore.â You insist. You hope the look on your face speaks for you. To admit heâs dead to someone elseâ is to admit you killed someone.
Lawâs face remains passive, but he relents. âTake Kikoku with you.â
You nod. You pick Kikoku up as you walk to the stairs. Each step is agonizing. The muscles in your legs scream with every lift, and the landing of the second floor looms ever closer. That growing, anxious hole deepens. Slowly, oh so slowly, your eyes begin to level with the landing. You turn so you can see around the bend, and a sigh of relief leaves you when you spot Piperâs still body through the railing, sagging against the door to unit two hundred two. Kikokuâs sheath also lies across him in the hall, dropped there from the altercation.Â
You hop up the next two steps, brushing around the railing and his body. Kikokuâs sheath is quickly picked up and tucked under your arm. Opening the door to two hundred two, you spot your bags on the floor. You pull your backpack over your shoulder and Lawâs into your free hand. His hat is on the bed, and you grab that too, tucking it under your arm with Kikokuâs sheath.Â
Piper still doesnât move when you step around him again. His blood splashes against your shoes. The fabrics around his stomach are soaked with blood. A familiar queasiness settles in your stomach. You hurry to the landing and don't look up as you descend the stairs.
Law is waiting for you around the corner. You hand him his hat. It goes back on his head almost immediately despite the wet status of his hair.Â
The two of you begin moving down the hall. There is no desire to go upstairs again, not with the cracked window and all that occurred minutes ago. The first floor is not much different from upstairs, both sides lined with rooms labeled by floor and number. You pass them by, one by one, until you stop at one of the slightly ajar doors. Just inside, a purple, metallic glimmer catches your eye. You press forward, pushing the apartment door open.Â
âWaitââ Law saysâ
A wave of death hits you. The sweet, rotting smell is strong, and you quickly spot the source. A decomposing body, melting into the carpet beside a purple batâ the source of the metallic reflection. The body is mushy, the skin almost completely gone. Law makes a noise of disgust from beside you as you gag inwardly, lifting the collar of your shirt over your nose.Â
âIâm just going to get the bat.â You whisper to Law. Youâre not quite sure why you lower your voice so. Maybe, you think, you hope to disturb the dead less than they have been. You shuffle slowly on the wooden floor. The clack of your shoes are soft, and you reach the bat in three small steps. Bending down, you pick it up. The metal is cold in your hands, but strong all the same. Itâs sturdy, and you turn, ready to leave, when a sound from deeper in the house catches you attention. Glancing towards the little opening at the far end of the living room, you spot the telltale deformed shadow of a zombie.Â
You look to Law. Itâs just one. Youâre sure of it. And whatever happened in this apartment, it must be the romantic tragedy of some poet. Itâs not a story you will know, and now, you canât let that thing keep wandering around.Â
âIâll get it.â You say. Lawâs silence is his agreement.Â
You adjust the bat in your hands, lifting it in a ready position. You shuffle down the room, around the carpet and couch in the living room, slowly approaching the entryway. You stop right before the entrance.Â
Itâs a kitchen. The big windows look out to the side of the building beside it, letting in faint grey light. Rain splatters across the glass like snail trails, drawing long patterns. Itâs a beautiful backdrop for the hideous creature knocking itself against the far counter.Â
You tighten your hands around the handle.Â
One zombie is not so scary as you shuffle closer. Its decomposing skin is greyish, and you gag a little into your mouth when you spot the shadows of maggots crawling just below the surface. Flies buzz in an ever constant hum now. And, as much as you wish, you can never get used to the smell of death. It makes your eyes water, blurring your vision. You canât hesitate anymore.Â
You lunge for it. Your bat makes contact with its headâ bone breaking with a sickening crunch. It goes down without much of a fight. The skin breaks in an explosion of rotting flesh and blood, a wave of maggots crawling over each other in a clear desperation not so different from your own. They spill over the counter, down the wood flooring, and around your shoes.
Your head goes blank. Your arms donât feel like your own. The motion seems automaticâ the only thing you can keep doingâ the endless repetition of the head of the bat making contact with that twitching mess of rot below you. Outside, with the adrenaline and sun and howling wind, slaying a zombie never felt as visceral as this.Â
A soft call of your name freezes you. The bat slips from your fingers and you stumble back. Pain from the sharp edge of the kitchen counter startles you enough to breathe again, a gasp shooting from your throat as you spin, leaning against that same counter, gagging.Â
âAre you okay?âÂ
You look up at Law, startled.Â
âThat is a hell of a question.â You say. âAre you talking about this,â You gesture behind you. âOr this?â You throw your arms out.Â
It feels like youâre losing your mind. The incident earlier. This second wave of adrenaline. You canât breathe, youâre exhausted and the sight of blood has carved itself into your mind. You stumble forward towards him. The world is both upright and sideways, and you drop down into a little ball, wrapping your arms around your head as you lean against the kitchen counter, sobbing. You want to sleep. But you canât. Not right now. Not when Law is still untreated and you havenât even found a safe, zombie-free place to spend the night.Â
You feel a hand wrap around your own, urging you to stand.Â
âItâs filthy here. Thereâs another room down the hall thatâs empty. Comâon.âÂ
His hand is warm. Comforting. And itâs nice that he doesnât offer to go upstairs. You force your focus on him. Only him. Somehow, you find the strength to stand. Your legs are shaking, and warm tears slide down your cheeks. The sticky cold of your clothes seeps into your bones. The world is blurred, and your head hurts. From exhaustion or the cold or disgust, you have no idea.Â
Law pulls you closer then, awkwardly wrapping an arm around your shoulders. His body, warm and alive, grounds you. You take a heaving breath, resting your forehead against his chest. The tears are slowing. The little control you feel is back, and you turn around, picking up your bat. The end is almost alive with wriggling maggots and crushed ones.Â
If you had more food in you, youâre sure you wouldâve thrown up by now. But you donât. You pick up your new bat by the handle, and follow Law out of the kitchen, past the blue couch and matching carpet, where you wipe the remains from the metal. It leaves streaks of mush in its wake. Tomorrow, if you make it until then, youâll clean your new weapon more thoroughly.Â
Law waits for you outside. He looks more concerned. Thatâs another thing you never expected to see from him. There are no words shared even as Law leads you down the hall, to the very last room at the end. You push the door open, and he locks it behind you.Â
The layout of the apartment is quite similar to the one you were in before. The living room is arranged slightly differently, with smaller armchairs, a coffee table, and a T.V instead of just carpet and a couch. The kitchen, one that probably looks the same as the one earlier, gleams at you from the other side of the room. You look away.Â
Law needs help right now. Think about Law.
âDo you know first-aid?â You ask him. You didnât. You were planning on taking a class but then the world exploded.Â
âYes.â Law says, hesitating. But then he continues. âI was a surgeon before all this.â
You blink, then send him a shaky grin. Thereâs an urge in you that needs to be cheeky. Youâre pretty sure itâs the trauma. âOh. That means you can talk me through fixing your arm, right doctor?â
Law scoffs. âYou canât fix a fracture. It needs to heal on its own, and we need to brace it so that the bone sets properly. âÂ
âDetails, details.â You turn then, starting towards the other doorway across the entrance. âWe should probably get you out of the wet clothes first.âÂ
You push the flimsy door open to a bedroom. There is a large bed in the middle, covered in maroon sheets, with a wardrobe tucked neatly at its side. At the far side is another door. One you assume goes to the bathroom.Â
You step across the creaking wood floors and enter.Â
The bathroom is small, with a tub on the far side and a window above. The light is soft and grey, but itâs enough to see most things. You turn around to Law. Heâs followed you in, still quiet, and his arm is still limp at his side.
âSit down.â You say to him. Law looks around, before deciding to gingerly sit down on the closed toilet lid. Heâs only wearing a black shirt and pants. Theyâre both soaked. You lift his hat by the rim, setting it on the counter beside you. Then, you carefully pull the corner of his sleeve, urging him to take his good arm out. The wet fabric clings to his skin. It jostles his other arm as you try to tug the sleeve off. Law grunts slightly, sound penetrating the silence. You freeze.Â
âItâs fine.â Law says. âIt just hurts a little when you touch it.âÂ
You take a deep breath. Trying to ignore the queasy feeling crawling up your back. âIf you say so. But letâs try something else.â
You let go of his sleeve, instead reaching down to the hem. Your hands are gentle, slowly lifting the fabric. The expanse of cold skin grows ever-larger. You urge the shirt over his head, your fingers brushing against his cheekbones. Then you nudge his good arm out. You get ready for the hardest part, the part where you try to get wet, tight clothes off a fractured arm, but then you pause.Â
His body is covered in tattoos. Swirling black ink loop over sharp muscles. Hearts and circles and patterns you have never seen stretch over his chest and shoulders and arms. The patterns are so pretty. The edges are all slightly blurry, a show of time passed. You canât help lifting your hand, ghosting just slightly over the bottom of the large heart stretching right over his chest. Your fingers brushes just barely against his skin, following the pattern with your eyes.Â
âYour tattoos are so pretty.â You say. Law inhales. His abdomen tenses under your fingers.
You rip your hand away in a flight of mild, confused panic.
âSorry.â You mutter. You glance up then, eyes meeting his. The pair of gold are gazing at you with an inexplicable softness.Â
You turn away before that look can drown you. Twisting your hands together in front of you, you look anywhere, everywhere that is not Law. âLetâs get your shirt off completely first.â
You stand. You already thought about how youâd do this. Wiggling your fingers into the shirt from the shoulder hole, a little space is created around his arm. His skin is icy under your fingertips, interrupted by a slight, swelling bump. You swallow, trying to keep your hands steady despite the uncomfortable feeling. Slowly, the material nudges downwards, and you reach to pull the sleeve from his hand. Itâs like an inchworm, bunching up and extending, until finally, his hand comes out from the sleeve opening.
You unceremoniously discard the garment behind you.Â
âWhat do I need to do?â You ask him, resting your hands on your hips. Your heart is pounding. Itâs easy to ignore the way injuries gross you out if youâre not looking at it.Â
Law is still looking at you that way. But he speaks with a steady professionalism that almost knocks you over from the contrast. âBest case scenario, we first get a stabilizer for the forearm. A piece of wood or hard plastic can work. We also need bed sheets and a pair of scissors. If you can find all these, that would be great.â
âItâs like a scavenger hunt.â You say, feeling the edges of your lips tilt up. âDo I get a prize at the end?â
âDepends. If you do well âfixing my armâ, you might get something.â
âReally? What is it?â Â
Law glares at you. Thereâs no real malice behind the look. âDepends on how you do. Now get moving.â
âWhatever you say, doctor.â You laugh, heading out from the bathroom.Â
First things first, you take a look in the living room. There's a sewing kit under the coffee table. You rummage through the threads and needles, feeling a sense of victory when your hands close around a pair of red fabric shears.Â
Now, for the stabilizer. There arenât many flat hard plastics or wood planks in the average household. You look around, trying to find something that could work as a replacement. Your eyes land on a hardcover textbook shoved under the T.V.Â
Hm. You think. It's time to improvise. You pick up the textbook. Itâs for some advanced math subject you remember crying over in school. You bend the cover back, and rip.Â
It doesn't budge.Â
You try again.Â
Its cover still doesn't come off.
You hold up your newly found shears. The sharp point goes through easily enough, leaving an edge of rough, jutting material. You open the shears, carefully holding it open like a knife, and gently scrape the mess. The extra pieces are slowly falling off, leaving a little pile of dust beneath you. Satisfied with the newer, smoother look of the cover, you tuck it under your arm with the shears.
The next course of action is the bed sheet. You head back to the bedroom, straight to the wardrobe. Pulling open the heavy drawers, you shuffle through them, going from top to bottom. A drawer of shirts, then pants, then miscellaneous towels and sheets. You pull one of each out, eyeing the clothes for Lawâs size.
Law is right where you left him. You hand him the towel and shirt, and set the textbook cover on the counter.Â
âNow what?â
âWe need the bedsheet to be triangle shaped.â
âWhat kind?â You ask, spreading the fabric out on the ground.Â
âIsosceles.â
You follow Lawâs instructions, slicing through the fabric with ease. Patches of the cloth fall away, leaving an isosceles triangle with a large base. You then fold the extra pieces strategically into long strips. While you were busy with the bed sheet, Law slipped on the T-shirt you got for him. Itâs just a little small, stretching across his chest. You stare pointedly at the wall behind his head. Â
Law, thankfully, does not seem to notice your predicament. He holds out his arm for you, and the textbook cover is already tucked under the fracture. âSince my forearm is the problem, we need to stabilize it. First, tie the two strips, one right above my wrist and the other below my elbow. Make sure to tie the knot under the brace.â
You do as he instructs. The bed sheet strip loops around his upper arm twice, then you cross it under the cardboard hardcover and pull.
Law doesnât scream. But he does inhale sharply, body following with a noticeable jolt. Vertigo hits you, that familiar queasy feeling fogging your mind. You never liked looking at injuries. Your own or anyone else's. Thatâs why you always played it safe, avoiding situations that may cause you pain and refusing to go into medicine. You regret that a little now. If you had studied medicine like Law had . . . maybe you would feel less grossed out now.Â
âYouâre shaking.â
Lawâs voice snaps you out of your thoughts. You blink, taking a deep breath, and the world stabilizes enough.Â
âJust . . . give me a minute.â
You take a few grounding breaths. The queasiness subsides enough to think again. Your fingers tremble as you double knot the tie under the stabilizer. Then, you repeat the same process with the other strip of bed sheet just above his wrist. You give both a careful tugâ and they hold.
âWhatâs next?â You look up at Law, hoping he doesnât notice the uneasy look that is surely all over your face.
âYouâre doing great.â Law says. He gestures to the cut bed sheet. âWeâll make the sling next. Turn the point to my arm. Yes, like that. Pull this corner under my arm and behind my neck. Now take the other corner and tie it behind my neck.âÂ
You do as he says. The bed sheet goes under his arm, then over. You press the corner on his shoulder, and lean forwards with the other one. Itâs hard to see over him when heâs seatedâ and you're practically draping yourself onto him in your attempt to tie the knot behind his neck. Your thawing fingers fumble against his warm skin, and from here, you can feel the steady rise and fall of his chest. Heâs so close, his face brushing against your shoulder, hair tickling your cheekâ
The knot is so hard to tie from this angle.
You back away, the corners of the sling once again free to fall.Â
âCan you please get down? Itâs hard to tie the knot.â You do not acknowledge the pounding of your heart.Â
Law scoots off the toilet, slowly lowering himself to the floor. The makeshift sling has somewhat fallen offâ so you kneel before him, going through the motions he led you through one more time. You try to drape the other corner around him first. You reach out, lean forwardâ and this timeâ a little too far. Youâre falling before you realize, knocking Law down backwards.Â
His back hits the tiles first. You land on our arms, hands splayed out on either side of him. The shock travels through your shoulders and knees, aching the bones just slightly. You try to get up, but Law begins moving too and his flailing arm hits the inside of your elbow just so that you fall down again into that mess of tangled limbs and legs. The bottom of Lawâs shirt is slowly soaking from your own wet clothes, and you feel yourself shrivel at the feeling of his muscles under your fingers.Â
This is so embarrassing. You look up at him, lifting your head from his chest and you realize heâs looking at you too.Â
Your eyes meet. Deep hues melt into pots of gold, and the sight makes you shiver. Your breath catches in your throat. You feel a handâ his handâ rest on your back.Â
The touch startles you enough to rip you from his gaze.
âSorry!â You shoot up, scrambling to unstraddle his thigh and get away from him, away from the heat flooding into your ears and the intensity in his eyes.Â
He gets up too. Thereâs a look on his face, one that makes you think he wants to say something. But you donât want to know what it is.Â
âLetâs try this again.â You blabber, stopping Law before he can even start. One more time, you go through the motions of swaddling his arm. Youâre careful not to touch him, not to look at him. This time, you hold on to both corners and awkwardly shuffle behind him, successfully tying the double knot against the nape of his neck. You do not let yourself linger. Â
âThere. Is this good?â You stand up, walking around Law.Â
Law drops his shoulder. The sling sags, but holds.Â
âYes. Thank you.â
You exhale a sigh of relief leaning against the wall beside you as you stare down at him, wondering what to say. The idea strikes you a second later, and you smirk, pulling on the teasing tone from earlier. âSo . . . whatâs my reward?â
âBold of you to assume you even got a passing grade.â Law says, moving to his feet. âYou knocked your patient over.âÂ
Your neck instantly burns in a rush of heat, boldly different from the one minutes ago.
âLook,â You start to say, but stop when he reaches towards you. His hand comes startlingly close to your cheek. And before you can even register whatâs happeningâ
Law flicks your forehead. Hard.
âOw!â You jump back, hands coming up to the wound, a retaliating kick quickly landing on his calf. Itâs not malicious, with just enough force that he feels it. âWhat was that for?â
âIâll tell you everything.â He says.
You stand there, confused. âHuh?â
âIâll tell you everything.â Law repeats. âAbout why I know so much about the other side. About why Iâm here.âÂ
You stare at him, unsure of what to say.Â
âThereâs a safe place out there.â He says, still as cryptic as ever. âBut right now, I want to finish changing so you can too.â He gestures at you and your still wet clothes, cold and drying at the edges.Â
You, in turn, eye his pants. âI trust you donât need help for that?â
Law rolls his eyes at you.Â
The confession doesnât shock you as much as it might have. Maybe the sleepless nights are finally catching up to you. Either way, you think youâre okay with moving on right now.
âOkay doctor.â You laugh, striding to the door. âDonât take too long!â
He takes a lot longer than you thought he wouldâ without accounting for the arm. By the time itâs your turn to change, you already have a set of clothes picked out and are also more than half dry. Youâve also reached the conclusion that you trust Law enough to believe whatever heâs going to tell you, and he trusts you enough to finally tell you whatâs actually going on.Â
When the bathroom door closes behind you, you strip yourself of your wet clothes. Itâs thrown in a soggy pile with all the other garments. The clothes you choose for yourself fit decently well. Theyâre comfortable and dry.
Law is on the bed when you come out of the bathroom significantly less wet.Â
âI found these in the kitchen.â He holds up a stack of canned turkey and crackers.Â
Your stomach growls.
~~~~
Itâs not a gourmet meal, but it sure feels like it after a month of canned soup. You push the crumbs of dinner onto the floor, shaking the bed sheets free from residuals.
It's then that the fatigue of the day truly hits you. Your eyelids are so, so heavy, limbs dropping against the bed and Law seems to notice, for he nudges you towards the pillow, urging you to lay down. But you shake your head. âYou still havenât told me anything.â
âYouâre exhausted. Sleep first. Iâll still be here tomorrow.â
Your stomach does a loop. A day ago, if he said those words you wouldnât have believed him. But now . . .Â
âOkay. You stay. Iâll go to the couch.â Law stops you as you try to slide off.
âWhy?â He asks. âThis bed is big enough for the both of us.â
You stare at him then. A vague idea of you resting by the door to stop him from leaving haunts you. But you canât say that. Itâs embarrassing. And you donât think he would just do that anymore. But your mouth moves before you can stop it. Maybe itâs because of the exhaustion of the day, but all the insecurities begin to spill out like water from a broken dam. In a small and broken voice, you confess:Â
âI don't want you to leave.â
âIâm not going to leave you.â He scoffs immediately, but then softens. He reaches out his pinky, looping it with your limp one resting against your leg. âIf it makes you feel better, I promise you. And sleep on the bed.â
âHow old are you?â You let out a chuckle, full of a genuine sound you didnât know you possessed. The anxiety is not completely gone. Itâs still there, right under the surface. But you think itâs quelled enough to rest. The euphoria of a soft mattress beneath you is lulling you right to sleep. Your eyes are so heavy. With your stomach full of food and all thatâs happened today, it feels like your physical body is ready to give out at any second. You lay down against the pillow, closing your eyes. The weightlessness of sleep cradles you, tipping you along the edge of dreamland.
You donât remember anything after that.
A/N: I got an offer to take a free first aid class in the middle of writing this fic so i did. It was lowkey really fun and the entire time i was giggling like a madman because I can now write semi accurate medical treatment :D
shout out to my doctor friend as well, she read over law's instructions and was like "yep, a medical professional would say this" so slay your exams girlie <3
The textbook is also a linear algebra textbook (i hated that class so much)
lore for anyone interested: The city geography is based on Albertan prairie city geography where the city is split in half by a river (if you're curious, search up Calgary đ or Edmonton đ on maps). Most of the time the downtown is on one side and the lower human density residential areas on the other. It's not always split exactly like that, but i just really enjoy the aesthetic. There is another thing I'm working on rn that has the exact same geography because that's how much i like it LOL.
That how i decided on the climate as well, it's just a prairie climate, in the spring and summer we tend to get rain for either twenty minutes or DAYS depending on how the sky is feeling. The weather also changes really fast.
Sketchbook page of our fav sharpshooter hehe đŻ
roronoa zoro x reader âᥣđ© blurb c/w: suggestive a/n: lol
âmy eyes are up here.â
a quick snap of his fingers has you peering up at him with warm cheeks. you smile sheepishly at him.
âsorry.â
zoro hums, arching an eyebrow. you're not sorry.
"what's so interesting down there, huh?" he already knows, he just wants to hear you say it.
shaking your head, your eyes don't dare waiver from his. "nothing as interesting as the weather outside."
he purses his lips, a scoff catching in his throat before he tightens his grip on the barbell and brings it up to his chest for another rep. when zoro's gaze drifts from you and lands on the floor beneath him, you flicker your eyes back down to where they were trained before.
his biceps bulge as he flexes them, veins prominent under his tan skin. the defined muscles are your favourite sight, and like a dog, eyes locked on a bone just out of reach, you can feel an urge building in your chest, a twitch of your muscles begging to spring forward, but you refrain.
instead, your mouth moves before you can stop yourself.
"would you put me in a headlock?"
zoro's eye darts to you, his cheeks tinted pink as he falters with the exercise. the barbell falls to the ground with a thunk, and you're surprised it doesn't fall through the wooden floor of the crow's nest.
"what?"
you smile, a challenging glint in your gaze. "you heard me."
"you're a freak."
shrugging one shoulder, you stand. "ok, and? you scared?"
"never," he scoffs, running his hand over his hair. "c'mere then."
you're shocked he'd even consider the idea, but skip over to him anyway. zoro watches you the whole time, and somewhere in the back of his mind, he saw this coming. he hasn't missed the way you stare at his arms like you want to bite them, and whether that's the reason he's been focusing on training them more than any other body part is something he'd never admit.
zoro is quick to spin you, back against his chest. the heady, musky, man smell he emits makes you dizzy and does little to deter you.
"you sure?"
you roll your eyes and crane your neck to look at him. "would i really tell you if i didn't want to?"
zoro's eyebrows jump and then he brings his elbow under your chin. he hovers around you like he's scared to go further, and you push the deep 'v' of his arm around your neck. his other hand flies to your hip to steady you, his arm sliding over your stomach to press you harder against him.
the hard plain of his abdomen on your back knocks the breath out of you, but it's nothing compared to the pulsing of his bloodstream against your ear. his skin is smooth where you trail your fingers on his bicep, and you know when zoro is comfortable when he starts flexing, an easy laugh falling from his lips.
"weirdo," he mumbles when he feels his skin growing warmer with every passing second. you giggle and turn your head to kiss his muscle.
"you love it."
zoro sighs, one of contentment and desire, and you don't miss the traces of a groan when you sink your teeth into his flesh, the pain minor but forever etched into his skin. he shifts his hips and pulls you impossibly closer.
"easy," the swordsman mutters, voice low. "we've got all night."
Happy Birthday Ace đ«¶âšđâïž
1.1.2025!!