“We know nothing about canon Remus-“
My brother in Christ we know he sleeps with his mouth slightly open
He snorts in his sleep sometimes
That even tho his belongings are falling apart the knots and stitches he puts around things are meticulously neat and tidy (controlling what he can control)
That after a full moon he’s so exhausted he can sleep all day
His voice is hoarse
He can do (or at least it’s implied) wandless magic to create flames
His first response to an attacker is to talk to it (and be real sassy with it)
He’s competent enough to get rid of said attacker
He gives away the cure to dementors but doesn’t seem to eat any himself
He smiles a whole lot, considering
He can go from asleep to perfectly alert in seconds
He’s sickly looking to the point “a good curse would finish him off”
He’s likely thin
He has his name on his suitcase but the lettering is old and worn suggesting he’s been called Professor before (likely as a joke but we can’t tell that quite yet)
He looks young despite grey hair, it’s noticeable that he’s been prematurely aged
He’ll take responsibility and check in with the driver
He’ll write to pomfrey to tell her that a student is hurt
And this is just Chapter 5 of PoA- when he’s asleep for 90% of the chapter! Imagine the shit we get when he’s awake
Richard Papen: The Master of Illusion
Julian Morrow: ''Honesty Is A Dangerous Virtue''
Henry Winter Wasn't In A Car Accident.
What Led To Henry Winters Death
Bunny Corcoran: Neglect In Plain Sight
When the Hare knows the Devil is out Hunting. [Bunny Analysis]
Francis Is The Worst Character (And Why You Should Think So Too)
Camilla & Henry: A Relationship Analysis
Stripping Back Richards Perspective—The Macaulay Twins
^Character Analysis^
The Mountain Lion: It Isn't A Theory
The Secret History's Dream Sequences.
The Secret History Isn't purposely Queer. (Richard Is Still Gay though, Here's Why!)
^Extras^
[ IF A LINK IS BROKEN, PLEASE COMMENT! ]
This post is officially completed, so I'd like to commemorate through shouting out my personal favourite TSH accounts. Who may I add, helped me form a lot of my own theories.
@estherdedlock On how Bunny told Julian he should take Richard on as a student.
@miroana for this post “It is better to know one book intimately than a hundred superficially” (Tartt, 31).
@vivienlacroix For their ‘’Everything is cheap in hell’’ post (It's why my blog is titled that)
And of course, @henrywinterswife Who stopped posting long ago, but who I remember dearly.
@tovaperson I love their Bunny & Henry artwork, it's so fr.
These TSH cast headshots by qiornono Bunny & Richard are my favourites oh oh and this one too
@droptheguillotineplease One of legitimately one of my favourite artists on all of Tumblr. I mean, look at this shit.
I reblog posts so I can come back and reference them, so many of these are off my blog now because I won’t be making anymore more TSH posts. But I still wanted to thank these people and show my appreciation somehow.
Also let’s never forget my own post that ended up on reddit, and then was called thoughtless because it was a ‘’quickshot take.’’ Made me laugh, perhaps it was for the best the redditors didn’t find my other posts, they're deranged.
"Why I couldn't be enough?"
The worst part is that now Crowley would believe that he just wasn't enough to make him stay or that he only would want him as an Angel QnQ
Hello Mr Gaiman I was wondering if it was an intentional choice to show Gabriel and Beelzebub in love without a kiss scene because they are more detached from earth and humanity unlike Aziraphale and Crowley who know about human pleasures and rituals and adapted them.
I don't think kissing scenes have much to do with love. Anathema and Newt kissed when they barely knew each other in Season 1, and none of the other couples who loved each other did. I can't see any reason for Gabriel and Beelzebub to kiss: singing Everyday together seemed much more powerful. Crowley's kiss is about a lot of things but it's not to show they're in love: if you haven't got it by then you'll never get it.
“we found each other”
Translation before+0 day update since my mood pretty high itself and wait for work time ended too ops plus this time about young Fukuzawa and Mori so it’s pretty interesting (like dark era trio for me)
genshin update again I just read Eula Yanfei profile and I had speculation like cyro vision holder had some dark/unusual past on them then turn out not really miss the mark (lol) after read she’s Lawrence. I kinda suprised since she’s what we called very positive person and how good mhy think to connect Yanfei, Amber and Jean on her (I should read older voiceline to check newer character there). But at same time, I really wanna see Varka design and his vision since he seems become a center to most mondstadt playable chara in good way…
For my gacha, as I can’t get Childe C1 seems I will hold for good know when…maybe on Yae or Shogun or Scaramounche but still long long time to go
I kinda want Archon series on my account (here I am not pulling on Venti) aside my ikemen gathering pokemon (lol) since Archons positively support based
Ouch too much unneccesary talk, like always english really not my language so bear it with me~
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
Bright Young Things (2003) - Miles Maitland Icons
Please like or reblog if you save
when he draws stars around your scars 😔